Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:35:11 GMT -5
This is a project that is likely going to take a few years, but eventually I hope to review the entire original Life with Archie series, arguably the most interesting title published by Archie Comics, and maybe the least known among non-Archie fans.
Life with Archie #1 hit stands with a cover date of September, 1958. The title ran for 33 years before finally ending with #286 in 1991. Despite this impressive longevity, the title is almost unknown to most fans other beyond the fact that the name was re-used for the recent, critically acclaimed mature title that ended last summer with Archie's much-hyped death.
As great as the new series was, the original was just as good in its own way. Like the modern version, the original Life with Archie provided a venue for Archie creators to more serious, longer form stories. While there were still some gag strips and some humorous stories, Life with Archie was mostly filled with tales of adventure, action, drama and horror, as well as with educational tales and politically charged "very special" stories that addressed issues of the day.
Because of this, beyond having a lot of excellent stories, it also offers both a fascinating look at Archie characters outside their normal comfort zone, as well as a historical window into the topics that concerned the teens of the day.
Of course, a lot can change over the course of 33 years, and Life with Archie reinvented itself several times in an attempt to stay relevant. As a result, there are several fairly clearly defined eras of the title:
#1-40 provide the classic formula for the series. These issues often feature full-length stories, mostly of adventure and drama. Things like the 100th anniversary of the Civil War, the space race between the Soviets and the Americans, and a trip to the 1964 New York World's Fair are interspersed with personal dramas like Jughead's near death experience from appendicitis or Archie taking up karate. This is the template the series would return to when other fads failed.
#41-59 is what I refer to as the parody era. #41 introduces Archie as Pureheart the Powerful, which begins an ongoing superhero series parodying the success of Silver Age DC and Marvel, with the gang as superheroes and supervillains. #45 introduces The Man from R.I.V.E.R.D.A.L.E., a spoof of The Man from U.N.C.L.E., which features the gang as spies.
#60-105 is the zenith of the series. #60 is the first appearance of The Archies, the fictional band that would have a real life #1 hit with "Sugar, Sugar" two years later thanks in part to the wildly successful Archie cartoon. The success of the cartoon was a double-edged sword for Archie Comics. Sales boomed, but because Archie was now so mainstream, Archie began toning down the content of their books, with less of the sly romantic humor that made it so great in the 50's and 60's and more middle of the road stuff. More stories with morals, more religious themed stuff. And more stories featuring The Archies doing zany - i.e. insufferably stupid- stuff, inspired by The Monkees TV series. There are some hidden gems in this era, but there are a lot of one-off gag strips and shorts, rendering the title mostly indistinct from any other Archie series.
#106-204 is the high point of the series. This is where most of the best stories appear, where they really hit their stride. After the success of the cartoon and fake band faded away, sales slipped and they slowly returned the book to its original formula. Most of the best stories in the title's run happen during this period.
#205-235 with sales again slipping line-wide, the title becomes a bit of a hodge podge. Generic Dan DeCarlo gag covers take over the front, while the interior is now a mix of gag shorts and more serious stories. Most of the more serious stories are also shorter in length, though, and share space with random gag strips.
#236-286 sees the pendulum swing back again, with most (though not all) of the covers showing action scenes again, and most (though not all) of the stories being more classic Life with Archie content. In general, the "serious" stories aren't quite as serious as they used to be, though. Before the title is cancelled, Archie Comics turns it over to Gene Colan of all people, leading to some severe cognitive dissonance on my part.
Since I do not currently have a full run of the series (I think I am around 225 issues), my plan is to reserve several posts at the beginning of this thread. I will then list out all 286 issues. As I get review the issues, or purchase them, I will fill in the reviews for each number in turn, and will add a new post updating everyone with which issues have had reviews added.
Since multiple issues will be reviewed in a single post, I will also be placing the individual reviews behind spoiler tags to keep the posts from being too cluttered. I also want to do this because some issues, particularly those in the #63-105 range, don't have anything worth talking about. So one issue might have several paragraphs of review along with multiple images, while another might have one sentence from me explaining that the issue sucks; the length and depth of individual reviews will vary greatly. Keeping the reviews behind spoiler tags will keep things from looking stupid; the spoiler tags will also be an easy way to tell which issues have been reviewed.
Additionally, I will be rating these issues on a scale of 0 to 4 stars. 0 stars will be reserved for issues that do not have classic "Life with Archie" style stories - issues that are parodies, or just have random gag strips, or whatever.
For the rest of the issues, this is not a standard 1-4 star rating system. 1 star here signifies an average issue. Anything above 1 star means the issue is above average. So for example, if an issue gets 2 stars, it's not really 2 stars out of 4, which would normally indicate below average; instead, it means the issue is above average and therefore getting a bonus star.
Excellent stories earning 3 stars will be marked in PURPLE, while 4 stars will be reserved for the best of the best, the all-time classic issues, which will be marked in RED to make sure they stand out.
Onward and upward!
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:35:21 GMT -5
1. coming soon 2. coming soon 3. The gang go on a cruise and hijinx ensue - *Mr. Lodge has the terrible idea of taking the gang on his new yacht for a three week cruise to South America. Unfortunately, everyone is bickering, which leads to trouble; Archie and Reggie get in a fist fight that eventually ends up with the ship's radio smashed. Which is a major issue, because it means they miss the urgent alert warning them about an oncoming hurricane. The yacht sinks in the hurricane, but the gang manages to escape in a life raft, which lands on a deserted island in the Bahamas. Everyone is still bickering like spoiled brats, and several more things go wrong as a result. Finally, Mr. Lodge reads them the riot act, and they get their crap together long enough to build some shelters and whatnot. Eventually, a ship sails close to the island and the gang is rescued. THE END!! Everyone in this issue is unusually sour, with all their personality traits cranked up to 11. This issue also features several timely pop culture references, including Brigitte Bardot, Bing Crosby, and Archie's desire for a bottle of Pepsi. In later years, these would all be fictionalized references - like, they would talk about "Bong" Crosley and Popsy Cola or something - but at this point, they're just saying what they mean. 4. coming soon 5. coming soon 6. coming soon 7. The gang goes to a ski lodge and hijinx ensue - * Mr. Lodge takes the whole gang on a ski vacation, just the first (as far as I know) of many, many times in this title where Mr. Lodge taking the gang on a trip is the jumping off point for an adventure. In this case, the adventure is just some ski hijinks, where Archie and Reggie both pretend they know how to ski well in order to impress the girls. Everything backfires, as usual. It also has this sequence, which again, is just the first of many times over the course of this title's long run where Archie falls off a cliff: The main story is supplemented by a thematically appropriate Lil Jinx one page gag strip about skiing, as well as a text article explaining how to ski. Given that the story revolves around how useless the ski instruction book Archie buys is, I feel like they undercut themselves here. 8. Hollywood moguls come to Riverdale, and the gang makes fools of themselves - **This issue has a classic sitcom premise, by which I mean that I am sure I have seen more than one sitcom episode with this exact same plot. But I just can't quite put my finger on the exact episodes. Still, you may recognize this: Hollywood moguls are planning their next film and they have found the perfect place to capture that absolutely average American town feel - Riverdale, naturally. Unfortunately, rumor gets out that they will be coming to Riverdale, so naturally, everyone in town starts getting Hollywood fever. Before long, they're all playing guitar, dressing up in costume, writing screenplays and pretty much doing anything they can think of in order to be discovered. So when the Hollywood moguls show up, instead of a boring, average town, they get a collection of lunatics doing backflips, swinging from vines like Tarzan, and putting on bizarre impromptu concerts. It's really pretty funny and well done. The writing here has that sort of dry wit that was very big at the time (this was 1961). My favroite bits are Miss Grundy writing screenplays, including sure-to-be-hits "Son of Gone with the Wind" and "Frankenstein Faces Life;" and a random cop who finishes his routine by "doing fifty backflips while reciting 'Gunga Din.'" The only ones not caught up in this are Betty and Veronica, because they're too busy trying to get a glimpse of the heartthrob star; but when they do, it turns out he's a bald old man using wigs, girdles and other Hollywood magic to make himself look young and hot. In the end, the producers run away screaming and the people of Riverdale are left to contemplate their inherent silliness. Good stuff! 9. coming soon 10. Riverdale High celebrates the 100th anniversary of the Civil War - **
As you might have guessed, this issue came out in 1961. In honor of the 100th anniversary of the start of the American Civil War, the gang puts on a reenactment. And as you might again have guessed, it goes wrong. Specifically, Reggie steals all the uniforms and hides them. In the end, he comes clean, and the pageant goes on without a hitch. Hurray, America! I really like the peek we get here at what things were kind of like in 1961, especially since we are still celebrating the 150th anniversary of the Civil War right now. One thing I dig about Archie Comics, and this title in particular, is that they have no qualms about anchoring themselves in the current time; they don't have to worry about sliding time scales or crap like that, so they can just make topical references whenever they want. The company often gets accused of being stuck in the 50's, but as we'll see, they are very conscious - sometimes self-conscious - about the need to place everything in a "modern" context. Which makes reading them years later kind of fascinating. There's also a completely random text article about the importance of beavers. Yeah, your guess is as good as mine. 11. coming soon 12. coming soon 13. coming soon 14. coming soon 15. Archie takes two dates to the prom, using a goofy disguise - * The main thing of note in this issue is the fact that it uses what has to be the single most recycled plot in Archie Comics history. Archie ends up with two dates to the prom, so he gets a disguise and attempts to take both of them, switching in and out of disguise throughout the evening. This plot dates right to the beginning of the character, and has been done with all sorts of permutations, including one story where one of Archie's dates is Principal Weatherbee and Archie is disguised as a middle aged woman. 16. coming soon 17. Jughead nearly dies from acute appendicitis - ****
The story kicks off with this great splash page of an ambulance smashing through a typical Archie comics page. I love this splash! In the story, Jughead wins the school's spelling bee and is set to do battle against the county champion. However, before the big event, he develops appendicitis. He's rushed to the hospital for an operation. Check out this dramatic splash: It goes fine and soon Jughead is on the road to recovery. Suddenly, though, he develops peritonitis! It's touch and go and the doctors only give him a 50-50 chance of survival! Thankfully, survive he does. He's too ill to attend the spelling bee, though, so Dilton rigs up a two way radio in his room and he ends up winning the spelling bee from his hospital room. Hurray, Jughead! Excellent issue. 18. coming soon 19. coming soon 20. Archie learns karate! - ***
Betty and Veronica fall for an athletic and handsome new boy at school, who happens to be a karate expert. Archie decides to literally fight back by taking karate lessons to prove he's also a badass. Whereas previous issues had text features giving information on whatever topic the issue was about, this time there's a fairly detailed rundown of the basic principles of karate right in the story itself: At the end of the story, some crooks try to jack up the Choklit Shop. The new guy cowers in his booth with Betty and Veronica as the crooks smash everything. But Archie won't have any of it: The fickle girls dump the zero and get with this hero instead. The end!! It's much, much easier to see what the girls like about Archie in this series than in any other Archie title. You know, everyone always asks why these two hot babes are constantly fighting over a clumsy ginger with no apparent standout qualities. But in Life with Archie, Archie is doing this stuff all the time - fighting off bad guys with karate, saving people from burning buildings, whatever. Now it all starts to make sense. Also, as we'll see later, the fact that Archie knows karate actually returns in future stories, giving this title a cool sense of continuity none of the other Archie titles have. 21. coming soon 22. coming soon 23. coming soon 24. The Cold War comes to Riverdale when a space capsule lands in town - *** This issue has some absolutely fantastic topical stuff in it, as it deals with the Space Race and the Cold War. The gang gathers at the Lodge Mansion to watch Walter Cronkite as he gives a live report about an astronaut returning from an orbit around the planet: This also gives the folks at Archie a chance to deliver another of their educational lessons, this time about how space capsules work: The capsule veers of course and disappears from radar, triggering a national emergency! Luckily, it lands in the Lodge's pool, where Jughead rescues the astronaut, becoming a national hero! He even gets invited to the White House to meet the Kennedys! This sequence was probably pretty melancholy for some readers, as this issue had a cover date of November, 1963. Anyway, some KGB agents are in Riverdale, searching for the capsule, so they can steal its secrets for the Soviets. They kidnap Jughead to find the capsule. But they apparently didn't read issue #20, otherwise they would have known that Archie is a master of karate, and that therefore no KGB agent could possibly be his match! Hiiiiii-ya!!! Archie saves the day and he and Jughead are feted by a grateful nation! The world is once again safe for democracy!! THE END!!!! Great issue. 25. A car accident almost derails Riverdale High's fashion show - ** This issue starts off with a great, dramatic splash page in classic Life with Archie fashion: The rest of the story... not so exciting. The truck was carrying some designer threads for a fashion show the girls at Riverdale High were going to put on. With the clothes ruined, so are their plans, until Archie comes up with the idea of having a student design their own clothes. She does and the show is a hit, though Betty and Veronica are naturally jealous of the attention he gives the new girl. Can't win for losing, huh? [/spoiler]
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:35:33 GMT -5
26. coming soon 27. coming soon 28. Mr. Lodge's relatives show up in a Beverly Hillbillies parody - *This issue is a parody of The Beverly Hillbillies, which was at the height of its popularity when this came out in early 1964. I've always quite disliked the show, so this issue didn't do anything for me. 29. coming soon 30. Random gag strips. For whatever reason, this issue is just a bunch of short gag strips, like any other Archie comic. Up to this point, much of the work in the series was being handled by Bob White. However, this issue has the usual stable of humorous Archie artists instead. I don't know if something was happening with White, but for whatever reason, this issue doesn't have any longer or more dramatic tales. It does feature typically great art by Harry Lucey, though, who I consider to be a cartooning genius of the first order. So that counts for something: 31. The gang go to the 1964 New York World's Fair and hijinx ensue - ***
This is a great issue. The gang wins a trip to visit the 1964 New York World's Fair. Not sure why Mr. Lodge just didn't fly them there in his jet like normal, but anyway. They go to the Fair, and we get page after page of shots like this: There's also an uncredited cameo by Josie, who is at the Fair herself in Josie #9. Anyway, Betty and Veronica end up getting sorta kidnapped by a crook dressed as a security guard, who steals a little cart and drives wildly around the fiar. Archie commandeers his own cart and uses it to rescue the girls. All's well that ends well! After all, how can anyone have a bad time at the World's Fair? I love this sort of stuff. Too bad they didn't run into the Flintstones, or any of the other comic characters who also had stories set at the 1964 World's Fair. 32. coming soon 33. Archie nearly dies when he falls through thin ice - **Around this point, most issues start getting split into two shorter stories instead of one long story. In this case, the first story is a keeper. Archie and Jughead go out into the woods to find a Christmas tree for the high school. Reggie and Betty do the same, as Reggie has some kind of bet with Archie about it - whoever gets the tree will go with Veronica to the Christmas ball. Betty and Reggie decide to sabotage Archie so that they both get the date they want. That's pretty typical, as Betty in these days could be pretty devious when it came to getting Archie. However, what's not typical is what happens next: Confused by the false trail Reggie marked, Archie accidentally walks out onto a frozen pond and falls through the ice to his death!! Bitter recriminations follow, but suddenly Archie smashes up through the ice like an avenging phoenix! Turns out he remembered his Boy Scout training and stayed near the surface to breath in the thin layer of air between ice and water. He then used his tree chopping hatchet to cut his way out of the ice. Reggie and Betty are rightfully abashed and Archie wins Veronica's hand. Once again, Action Archie shows himself to be way more competent and interesting in this title than in the rest of the Archie Comics line. 34. coming soon 35. coming soon 36. coming soon 37. coming soon 38. coming soon 39. coming soon 40. The gang go to a dude ranch and hijinx ensue - ** Great cover here. Cool action shot, and some great use of color. The main story is another one where Mr. Lodge takes the gang to an exotic destination. This time, it's a dude ranch in the Arizona desert. Archie, trying to impress the girls as always, go horseback riding with Betty. They are in pursuit of a legendary white stallion. Their chase goes awry, however, when they get lost in the desert and are confronted by both a rattlesnake and a deadly cougar! Action Archie rears his head, though. After fighting off the rattler, he saves the stallion from the cougar with a very well thrown rock. How hard must it be to nail a running cougar with a rock from 100 yards? Archie then manages to capture the wild stallion and the cougar both, returning to camp victorious! THE END!!! Plus, this issue also has full page ads from the great Harry Lucey. Good ol' wholesome American fun right here. Yep. Wholesome, wholesome. Must... think... wholesome... thoughts... 41. Archie and Veronica take a world tour with an unexpected stowaway: Betty - *For no apparent reason, the story starts with a full page splash of Godzilla vs. Mothra: Mothra vs. Godzilla was still relatively recent when this issue came out; the movie debuted in America in November of 1964. This issue had a cover date ofSeptember, 1965. Inspired by the adventure of the movie, Veronica decides to take Archie on a whirlwind adventure tour of the world. They hop on board her daddy's private jet, only to discover a jealous stowaway: Betty! Three's a crowd, of course, so they try to brush her off at every chance. But everywhere they go, Archie and Veronica end up getting in some kind of massive trouble, and Betty has to swoop in and save them! For example: And: They finally get back to Riverdale and all decide that was plenty of adventure for one issue. So the rest of the comic is devoted to a two-part gag story, which is basically 11 pages setting up this joke: Which is a pretty good joke. THE END!! 42. coming soon 43. coming soon 44. coming soon 45. coming soon 46. A bunch of rowdies nearly ruin Christmas when they trash Pop Tate's Choklit Shoppe. Also: sales figures - *The first story is a Pureheart the Powerful superhero parody, where Archie keeps saving the day, but nobody believes it because his superpower has a side effect causing everyone to forget Pureheart exists. Kind of a funny riff on the secret identity thing. The backup is more interesting. Riverdale is getting ready for Christmas, and Pop Tate has decked out the Choklit Shoppe for the annual festivities. However, a group of young rowdies aren't buying into all this merriment, and they go on a rampage, destroying the place! Archie and the gang try to rally the community to help save Pop's - and Christmas - but meet with limited success. Meanwhile, they also are on the lookout, trying to catch the a-holes who did this. They finally track the thugs right back to the scene of the crime, as they catch the rowdies in the act of breaking into Pop Tate's again. But the gang is in for a shock! When they go into Pop's to confront the thugs, it turns out the thugs have been overcome with remorse thanks to the spirit of Christmas and the pro-Holiday campaign the gang has been waging. Duly chastened, they broke into Pop's to fix it up! Everyone becomes friends and they have a very merry Christmas indeed. THE END!! Archie Comics has a long history of seasonal storytelling - even though nobody ever ages, time passes in Riverdale at the same rate it passes in the real world, so it's winter in the comics when it's winter in real life, etc. They especially like to do topical holiday stories like this one, and are pretty darn good at it. This issue also has the statement of ownership in it. The average sales over the past 12 months was 291k, but the most recent issue was just a shade over 400k. This loks like it probably coincided with #42, the first Pureheart the Powertful superhero parody, so it's no wonder they went whole hog into those right away given the big sales boost. 47. coming soon 48. coming soon 49. The Man from R.I.V.E.R.D.A.L.E. returns. This is a double feature, with two Man from RIVERDALE stories. The Man from U.N.C.L.E. was just starting its second season when this issue came out, and clearly it already had enough pop culture cache to spawn spoofs. The stories are fun enough spy parody action, with stuff like this in it: This is basically the same exact formula as the Pureheart the Powerful superhero spoofs, just with a spy gloss. James Bond was also just a couple movies into its run at this point, The Avengers was popular and I Spy hit the airwaves about the same time, so there clearly was a zeitgeist thing going on here. 50. Pureheart the Powerful teams with Super Teen and Captain Hero to form the United Three! The superhero parodies Archie was running proved popular enough to spawn others. Besides Pureheart the Powerful in Life with Archie, Betty also became Super Teen in the pages of Betty and Me, where her magic ponytail would give her amazing powers. Meanwhile, Jughead became Captain Hero; they didn't even bother giving this a tryout, they just spun it into its own separate series right away. In this issue, the three heroes unite in a book length epic, as they come together to form The United Three, which is basically rhe Arhcie parodyverse version of the Justice League. The sotry itself is just what you might expect, as Evilheart - that's Reggie's alter-ego, naturally - teams with a mad scientist to create a mind control device to enslave humanity. Naturally, he first uses it on Veronica. This is not at all creepy, because it was 50 years ago and you just didn't think about these things in a kids comic. "His thoughts are my thoughts." And what is a typical teenage boy thinking about exactly when he enslaves the girl he has a crush on? MOVING ON! Before anything too To Catch a Predator can happen, The United Three show up and rescue Veronica. THE END!! Interestingly, Veronica wouldn't get her own superhero identity - Miss Vanity - until more than 30 years later, in 1996's Archie's Super Teens #4. And this being the 1990's, they gave her a typically slutty Bad Girl costume. Hey, I guess we know what Reggie was thinking about after all.
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:35:43 GMT -5
51. coming soon 52. The Man from R.I.V.E.R.D.A.L.E. returns. Not much interesting here, except that they seem to have almost combined the Pureheart strip with the Man from RIVERDALE in the sense that Archie and his spy friends are now fighting supervillains instead of just enemy spies. Beyond that, just another competent parody strip. I personally find that parodies have a pretty short shelf life. Even though this is parodying a genre rather than a specific character or story, there's just only so much parody you can take before enough is enough. This story is fine for what it is, but... whatever, you know? I think kids probably have a much higher tolerance for this sort of thing than adults. 53. coming soon 54. coming soon 55. The Man from R.I.V.E.R.D.A.L.E. returns. Another episode of The Man from R.I.V.E.R.D.A.L.E. I do kind of like the villain here, The Toyman. I've always sort of enjoyed toy-themed characters for whatever reason. The end of the story is kind of funny; after Archie and his pals are all defeated by the villain's ingenious toys, the villain is defeated by a unlikely (or is that very likely?) figure: A little kid. Turns out that when it comes to breaking toys, an angry 8-year-old is more than a match for any adult supervillain. Good twist. 56. coming soon 57. coming soon 58. coming soon 59. coming soon 60. coming soon 61. coming soon 62. The Archies I'll be talking more about this when I get a copy of #60, the first appearance of The Archies, but the Archies are a very clear copy of The Monkees. The Monkees TV show debuted in September of 1966. Life with Archie #60 had a cover date of April, 1967. Given the practice of post-dating books for newsstand distribution, and the lead time for creating comics, The Archies had to have been conceived quite soon after the TV show started at the end of 1966. With the debut of The Archies, the culture of Archie comics changed just as quickly and radically as culture changed in real life. All of a sudden, the Archie gang were wearing crazy mod clothes and talking all slangy and stuff. And frankly, it was really, really jarring, at least in terms of the actual Archies stories themselves. I don't know if the Monkees schtick just didn't translate to the page or if the Archie creators weren't comfortable with it, but it feels really forced and... crappy. But Archie Comics seemed to be pretty sure they had a hit on their hands. Here, in just their third issue, there's a full page ad for a free Archies pin-up with purchase of the new annual: God only knows why people liked this stuff, but it did lead to the cartoon, which led to Archie becoming one of the biggest brands in both comics and pop culture for the next decade. Go figure. 63. coming soon 64. coming soon 65. The Archies This Archies story is even more insufferable than the one in #62. It's nigh unreadable. I'm not going to include any pictures, because if I subjected you to that, you might delete your account and cancel your internet service. As uninteresting as I found both Pureheart and The Man from RIVERDALE, both were better than this crap. 66. coming soon 67. Random gag strips. Four random gag strips. Three of them are by Harry Lucey, however, so kids definitely got their money's worth. This is also one of the very few and short lived eras where Veronica sports short hair, despite the cover. 68. A con artist targets Veronica, and Archie smuggles gems into Europe for Mr. Lodge - *Hey, look, an issue without some schticky parody stuff! Hurray! In the first story, a con artist targets the Lodge family using an incredibly clever ploy. He pretends to be really into Betty, knowing that Veronica will steal him from Betty, getting him access to the Lodge Mansion. It's... kind of genius. It's like he's been reading the comics! Archie and Reggie get jealous, then they get suspicious, and eventually they catch the con artist in the act of trying to rob the place. One problem: The con artist is a karate expert! Go, go, Karate Archie! Except, Archie just freezes up in fear. Oh. Well, that's a disappointment. Apparently the whole "Archie knows karate" bit of continuity got lost somewhere in the Archies crap. Luckily, Betty shows up and sprays the guy right in the eyes with her perfume and they take him down. Then they all have a big laugh at what a moron Veronica is. Ha ha, er, hmm. She kind of has it coming, but then again, it's also a bit mean. In the second story, Veronica heads to Britain with a priceless gem. Secretly, however, Mr. Lodge has put the real gem in Archie's pocket, figuring no thief would ever think Mr. Lodge would trust Archie with anything. Again, the bad guys apparently have access to Archie back issues. This is just one of many times this basic plot would be used - fake loot, Archie as a dupe, or the reverse, all that sort of thing. We'll be seeing much more of this sort of thing in later issues. Anyway, someone tries to steal the gem, but they get the fake one. Then Archie reveals he has the real one, and the bad guy steals that too. So that whole plan was a total failure. Archie and the gang chase down the crook and get him arrested, however, so all's well that ends well. One other note about this splash page. Note that in the foreground, the image focuses on some random dude. This is a pretty common artistic decision in Archie comics from this period, and throughout the 70's. It creates some nice dpeth of field. But it's also just weird. This is one of the less weird panels to feature it, but often there will just be some giant random face taking up half the panel, with the Archie characters in the background. Over on the archiefans website, I have a whole thread just of panels with giant random faces photobombing Archie stories. There's also a rumor that the artists were doing this to drew into their stories different people they knew in real life. I believe it. This guy seems to be almost drawn in a different style than everyone else on the page - he's just much more defined and less cartoony. I think he's probably a real person the artist knew. Just something to keep an eye out for as we go along. 69. coming soon 70. A crook tries to steal Jughead's violin. Plus: Al Hartley cover?- *The lead story here in an 11 pager where Jughead finds a crappy old violin in the trash behind a pawn shop. Turns out the violin belonged to a crok who wants it back. In his attempt to get it, the violin is trashed, but it turns out he really wants the bow. The gang chases him around, and he chases them around, and finally he accidentally tries to steal a cop car with the cop inside and that's it. The gang then discovers the bow is filled with diamonds! THE END!! Of more interest to me is the cover. The GCD lists this as being drawn by Bob White, but I would bet a monkey to a mousetrap it's actually by Al Hartley. Hartley, of course, worked for Timely/Atlas/Marvel for over two decades. He was the main artist responsible for Patsy Walker and the rest of their line of teen humor books. Those finally folded around 1965, and in 1967, Hartley became a born again Christian. This limited the type of work he was willing to do - he quit a very lucrative job at Playboy, for example - and as a result, he started working for Archie some time in 1967. This issue is cover dated February, 1968, so it would have been done in late 1967. While most of the cover is pretty much straight up Archie house style, which normally makes it pretty difficult to tell who the artist was, the dead giveaway is Veronica's profile. Hartley has a very, very specific way he draws his girls in profile, with their cheeks and somewhat psychotic grins, and there's no doubt in my mind that Hartley drew this Veronica. Here's a closer look at her face: And here are a couple Marvel faces in profile by Hartley: Hartley would do more work on Life with Archie - we'll really get into his weirdness in #129 - but even though this isn't credited to him, it seems to be one of his earliest bits of work for Archie. 71. Random gag strips. Notice this cover features one of those random giant faces photobombing the cover. Inside, we get several random gag strips, including what might be the first Archie One installment. It's the earliest one I have, anyway. 72. The Archies foil a dastardly manager who tries to steal their gig money. Also: sales figures - *The Archies take a gig at a show and make a bunch of bread, but the obnoxious hippie type who runs the place steals all the gate! Turns out the hippie thing was just a con; he's actually a straight laced white collar crook. But The Archies are too wily for him, and they catch him, saving the day - and their own payday. THE END!! This issue also features another Archie One story. Both The Archies and Archie One in the same issue. Looks like I picked the wrong time to stop sniffing glue. This issue has the statement of ownership in it. Average sales are at 274k, so down about 17k from two years earlier. The parody fads of the past couple years didn't work out in the long run, though they weren't a disaster either. 73. The Archies Nothing of note in this one. 74. Random gag strips. Nothing of note in this issue either. Just more random gag strips. 75. Random gag strips. Nothing of note in this issue. 76. coming soon 77. The Archies Nothing of note in this issue. 78. The Archies cartoon is announced. Nothing much interesting in terms of the stories, which are just random gag strips, one of which features The Archies. The big interest here is the announcement of the Archies cartoon, which went on to be a minor phenomenon. Interestingly, the newsletter announcing it says "you'll meet a brand new hip musical group, The Archies." I guess this is technically true in terms of actual music being produced, but it's a bit odd given The Archies had been appearing in this title for over a year and a half. Later in this same issue, there's also a two-page spread advertising the entire cartoon block, which also included Batman, Superman and Wacky Races. 79. Random gag strips. Strange thing to think about. The cover shows a 1930's themed party. Every year in the 1930's was closer to the publication of this comic than we are now. 1930 was 38 years before this comic came out; this comic came out over 46 years ago now. Crazy, right? 80. A boxer horns in on Riverdale's girls, so Dilton trains Archie for a winner-take-all bout - * The Lodges hire a new gardener, and it turns out he's a really hot, really buff and really arrogant jackass named Angel. He flirts with the girls, but not because he's interested in them, just to prove to the other guys that he's top dog. Moose takes offense, but amazingly, Angel defeats him simply by dodging all of his attacks! The guys are stumped. If even Moose can't take this guy down, how can anyone? But Angel forgot to take one thing into account: Dilton Doiley's giant brain. Dilton, it turns out, watched the fight and noticed that Angel has several tells that tip off all of his attacks. He challenges Angel to a duel, with Archie as his proxy. Angel accepts, and the big fight is on. They fight, only, tipped off, Archie is able to avoid all of Angel's attacks. But Angel is still really good, so he dodges all of Archie's attacks. Eventually, they get tired out and both give up, too exhausted to fight. THE END!!! That's a pretty lame ending, and I have to ask: Since Angel never actually hit Moose during their "fight," how exactly did Dilton pick up any tells on him? Probably not important. 81. Random gag strips. Nothing of much interest here. Another Archie One tale, bleah. 82. Random gag strips. The stories aren't of any special interest here, but there is a follow up in the newsletter regarding the Archies cartoon. According to the newsletter, Archie Comics has been informed that the Archies cartoon is now the highest rated Saturday morning cartoon in the history of television. That's not too shabby, got to say. The show only lasted for 17 episodes, as it expanded to become a full hour with the Archie Comedy Hour after that. 83. Random gag strips. Nothing much of interest. 84. Random gag strips. Nothing much of interest. The sales figures should have been in this issue, but aren't. Hmm. 85. Random gag strips. Also: sales figures Okay, statement of ownership in this issue. Last time, sales were at an average of 274k. This time around, sales are... up to 347k! And the most recent issue to date? 480k! Clearly, the success of the cartoon has not been overhyped, because that is a serious, serious sales bump. It will be very interesting to see if it continues. 86. Random gag strips. Nothing of interest here. 87. Random gag strips. Nothing of interest here. 88. Random gag strips. Nothing of interest here. 89. Random gag strips. Nothing of interest here. 90. The Archies There have been a few Archies stories in recent issues, but none where The Archies were really the focus - it's more just flavor stuff. This time around, they are back in focus as the driving force of a story. It's interesting that they kind of moved away from the book being focused on The Archies right when the cartoon became so popular. I wonder what the thinking was there. 91. Random gag strips. All four stories in this issue are by Harry Lucey, and a couple of them are real corkers. As far as gag strips go, this is a good issue. 92. Random gag strips. Nothing of note here. 93. Random gag strips. Just as #91 was all Harry Lucey, #93 is all Samm Schwartz. This is the first time Schwartz's art has jumped out at me going through these, and his art is very recognizable, so unless he did work in some of the issues I am missing, this appears to be his first Life with Archie work. He will crop up from time to time, but not all that much. 94. Random gag strips. Another cover referencing 1930's nostalgia, which I find very interesting. The series is now just three years away from the release of American Graffiti, which will usher in a wave of 50's nostalgia that will more or less remain for the rest of the decade. That's pretty well known. But this 30's nostalgia, I'm not very familiar with. I tried to google it, but dodn't really find anything about why 30's nostalgia was a thing in the late 60's, or how widespread it was. Very curious. 95. Archie learns an important lesson about bullying - * A fat kid named Stanley comes to Riverdale High, so naturally, the whole gang turn into a bunch of complete a-holes and constantly rag on him for being big fat worthless nothing. Later, though, Archie has a nightmare where he himself is fat and subjected to ridicule. When he wakes, suitably chastened, he decides to stop being a jerk and instead be a nice guy, even to fatty mcfattersons like Stanley. THE END!! This whole issue is again done my Samm Schwartz. It also features another bizarre photobombing cover, where a random giant head sneaks up into frame for no apparent reason. Get out of there, you creeper! 96. Random gag strips. Also: sales figures. At Hartley makes an appearance here. So does the statement of ownership. Sales have slipped back to 327k, which is still well above where the series was before the cartoon hit. 97. The Archies Not much to report here. 98. Random gag strips. Another all-Lucey issue. Hard to complain about that. 99. "Archie's Arrow" auto racing covers begin. As I mentioned back in #96, sales had started to slip at this point. Not drastically, but slowly, sales were declining. With this issue, Archie Comics seems to be searching for a new gimmick to grab hold of. We've seen them latch on to all sorts of pop culture fads; this time around, they are dipping their toe into auto racing. I don't know exactly what was going on at the time, but there did seem to be some kind of car racing thing going on. For instance, Wacky Races had begun the year earlier, while the Mod Wheels comic book would begin a year later. This issue kicks off with a short Archie racing story, and is fronted by a racing cover. This is the first of several covers, as Life with Archie will sport a race car cover every issue from #99-105. Many of these issues don't actually have racing stories in them, though; it seems like Archie Comics was testing the waters to see how the car covers affected sales before they committed to a full-on auto racing thing. A weird side effect of this is that the covers seem to have more continuity than the interior, with the "story" of the "Archie's Arrow" race car being told primarily through the covers. [For what it's worth, Archie's Arrow is officially the name of his dragster, but that name never makes it inside the comic - it's only shown on the covers.] Whatever the case, the auto racing thing never fully happened. Apparently the test failed, and with #106, the car covers are gone; instead, the contents of the book begin to shift back to the title's original formula of drama, education and action stories. 100. Reggie shuts up a bully by challenging him to an auto race - * Like last issue, Archie Comics is testing the waters for an atuo racing theme. This time, they have two auto racing stories. The first is a short gag strip, but the second has some meat on its bones. The Archies blow into a new town just as the town is gearing up for a big car race. The town's top driver, though, has been injured in an accident and can't drive, meaning that the area bully has free reign to terrorize the locals, both on and off the track. The gang decides to pitch in. Archie and Jughead repair the wrecked car, while Reggie is set to drive it. The day of the race comes, and Reggie is neck and neck with the bully. But Reggie has a secret weapon: He's an arrogant jerk. Around every corner, he laughs ostentatiously in the bully's face. The bully gets so angry that he over-revs his engine and blows it! Reggie cruises to an easy win and is the toast of the town! Similar to last issue, Reggie is shown as the best car racer among the gang, which is nice. Reggie is a blowhard, but that works best when he actually has reason to be conceited and arrogant, so having him be the best at something is good. The fact that his arrogance also wins the race for him is a nice twist as well. All around, good stuff here. There's no special mention of the fact that this is the 100th issue of the series. Archie Comics at this point did not celebrate anniversary issues; it would be a number of years before they finally started doing so.
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:35:54 GMT -5
101. "Archie's Arrow" racing cover. Technically, this isn't an "Archie's Arrow" cover, since that's his dragster, but I'm just lumping all the various racing covers together. Nothing else much of note this issue. There are two more racing stories, as well as a story with The Archies. 102. "Archie's Arrow" racing cover; Stan Goldberg art? There aren't any racing stories in this issue per se, but there are two car-themed strips, so they are still experimenting with this car fad. Of more interest is my suspicion that the art in this issue may have been done by Stan Goldberg. Now, according to wikipedia, Goldberg didn't become a regular at Archie Comics until 1973, and he didn't become the regular Life with Archie artist until #118. However, as with Al Hartley, Goldberg has a couple artistic peccadilloes that stand out, and they seem to be on display here. Goldbeg is interesting, in that when he began at Archie, he pretty closely toed the line when it came to drawing in the DeCarlo house style. By the mid-80's, though, he had developed his own, looser style, which is easily recognizable. I'm not really a big fan of Goldberg's later work, as he got looser and looser the older he got. Once he was drawing fully in his own style, he adopted what I call the "Fat Archie" look, where everybody's face is big and round, like they are all taking steroids or something. There's not too much of that happening yet at this very early stage, but there is a certain signature slack-jawed look to Archie in some of the profile views, like here and here: It can be pretty hard to figure out the artist in some of these issues, since they are uncredited and many of the artists are purposely subsuming their own style in order to ape DeCarlo. But I'm pretty sure this is Stan Goldberg here. For those unfamiliar with Goldberg, before joining Archie, he was an instrumental part of the Marvel Bullpen, doing color work on pretty much all the first appearances and lynchpin issues of the early Marvel Age. After joining Archie, he would remain there for over 35 years; he passed away last year. 103. "Archie's Arrow" racing cover. No car stories this issue despite the cover. The art is interesting; some of it is by Lucey, but some of it is by someone else who seems to be trying to copy Lucey. Or possibly it's another artist being inked by Lucey? It's hard to pin down. There's also a random black kid in one of the stories! Welcome to 1970, Archie Comics! This is a harbinger of things to come. 104. Archie's car is stolen! Plus: Archie explains to Veronica how pearls are made - * This is a transitional issue. First, we have the final in cover in the sequence of "Archie's Arrow" covers, and this issue also does have another car racing story inside. However, it also has two other stories that move the title slightly back towards its original concept. Not fully, but halfway. First up is a two-part, 11 page tale where Archie's car is stolen. Nobody can believe it, given that the car is such a piece of junk. Plus, it's an eyesore and the source of much noise pollution, so pretty much everyone is glad to be shot of it. However, Archie really wants it back, so he finally convinces people to help him find it, and they track down the crook. This story has some elements common to classic "Life with Archie" stories; it's twice as long as most gag stories, plus it has a fairly serious basic concept. However, the story is still played for gags. Had this story been done much earlier or much later, the plot of Archie's car being stolen would have been given a very different treatment. The issue ends with another story that is a throwback to earlier "Life with Archie" issues. Archie gives Veronica a pearl necklace (no jokes, please), and goes on to explain in excruciating detail how pearls are created: This harks back to the educational material often included in early issues of the series. In this case, though, it's fairly awkward exposition used to set up a joke - after explaining all this, it turns out the pearls he gave Veronica are plastic anyway. So all the stories in this issue end up being gag strips at heart, but they take the form of more classic "Life with Archie" material. Archie Comics is experimenting again, and it won't be long before substance follows form. 105. The gang learns the history of communication - * This is another transitional issue. Three of the four stories are random gag strips, but the lead story is an oddball entry where the gang goes to a fair and learns about the history of human communication. They then explain to each other how things like language, numbers, and the postal service came about. The art in this story is also interesting, as it's clearly by Lucey, except again, it appears he is working with someone else rather than doing it all himself. The cover is a generic Archies cover that has nothing to do with any of the stories inside. 106. The gang learns how to make comic books! - *We inch closer to full-on, classic "Life with Archie" content with this issue, as the group gives us all an educational lesson about how comic books are made. Additionally, this is also the first issue of the title to focus on environmentalism. This will go on to be a major theme for stories in the 70's, not just in "Life with Archie," but across the entire line. This issue is still a bit of a transitional issue, though, as the rest of the stories are typical gag strips. You'll also note that the cover is sort of a transitional hybrid - it does tie in to the serious content of the issue, but does so in typical joking Archie Comics fashion. Even with the more serious content the book is beginning to feature, it's going to take until #112 before the covers fully reflect the new (old) direction of the series (as we'll see, #110 in particular has a complete non sequitor cover). But enough about that. We need to get back to this issue, because the first story has the gang learning how to make comic books! Seems they've become concerned about the environment, and after some discussion about how to best educate the rest of Riverdale about this important issue, they decide to create a comic book. And they are happy to share the process with you, the reader: The more you know! 107. Random gag strips. Photobomb alert!!! This issue seems to have been drawn in its entirety by Stan Goldberg. The editors certainly seem to have given out whole issue assignments to people - one issue will be all Lucey, the next all Schwartz, the next all Goldberg. Most of these, given that they feature the whole gang, could pretty much be randomly slotted into any title as needed. They really were operating like an assembly line at this point. 108. The gang makes a movie about bridging the generation gap - *This is kind of a milestone issue, as it's the first in many, many years that is a full-length story. It's also a serious story as well, so in many ways, this issue marks "Life with Archie's" return - finally - to the formula that made it great. As I mentioned last issue, they seemed to be doing their titles like an assembly line at this point, so it's still going to take them just a little bit more before they have cleared the backlog of gag strip inventory. But after they do that with the next issue, starting with #110 it's all serious stuff for the rest of the decade, as "Life with Archie" reaches its peak. That starts here with a really heavy handed story about the generation gap. The gang decides to make a movie about how kids and parents should work together to make the world a better place. Naturally, Archie's dad flips about at the very thought of this kind of hippie, commie garbage turning his kids into drug addled lunatics. So he has a big argument with them, but by the end, Archie has convinced him to see their side of things. Then this is repeated over and over. First with Mr. Lodge: And then, once he's on board, with Betty and Reggie's parents: In the end, everyone agrees that the kids are all right, and the Archie sing a song of peace and harmony which is way too cloying and obnoxious to post a picture of. Overall, the parents really come across like shrill idiots here, as they all freak out at the idea of kids having ideas; they react as though they are arguing with members of the Weathermen rather than with their own kids. Frankly, given how little trouble anyone in Riverdale usually gets into, the parents should know better by now. After the environmental concerns in #106 and the generation gap stuff in this issue, it's clear that the folks at Archie are looking to tackle the serious issues facing kids - their readers - at the time. That's definitely going to hold true in the next serious issue, #110, when we get a look at Vietnam. Whether or not their stories are actually effective at addressing these concerns... well, that's a bit of a different question. 109. Archie gets amnesia. Plus: sales figures - * This issue is essentially random gag strips, but the lead story is a double-size strip, and it's also excellent. Archie gets hit on the head and develops amnesia. Unable to remember any of this friends, he meets Betty and Veronica for the first time. What happens? Exactly what you'dthink should happen - he falls hard for Betty because he instantly recognizes that Veronica is conceited and stuck up. It's great. There's a statement of ownership in this issue. Average sales over the past year: 287k. That's a severe drop off from the 327k the book was selling a year earlier at the height of the cartoon craze. It's no wonder the company is scrambling to find a new paradigm to latch on to. Luckily for us, they picked the right one. 110. A returning Vietnam vet has trouble adjusting. Plus: The gang tries to stop pollution. And: Archie meets a black person! - ** First, the cover has nothing to do with anything. It's just a random gag cover, and could have appeared on the cover of any Archie title. That's too bad, because this is the first issue of what will be nearly 100 straight classic LWA issues, and it has a pair of very serious, heartfelt stories in it that deserve a much better cover. I think at this point they were still burning off inventory from before their decision to change directions with the title, just like they were with the all-gag strip issues #107 and #109. The next issue, #111, also has a random cover, but after that they get their stuff together. As for the stories, the first one is a real keeper. Archie and Jughead are wandering around Riverdale when they spot a depressed looking solider. They decide to cheer him up, and discover that he is a Vietnam vet on leave from a local veteran's hospital, where he was recovering from a shrapnel wound he suffered in Vietnam. He's having a hard time adjusting to being back in the states, particularly because he's been hearing all this stuff about protests and people burning draft cards and stuff and it's really bumming him out. Archie and Jughead assure him that the media is just playing up a vocal few; most people, like the Riverdale gang, support the troops: They end up taking him to the Choklit Shoppe, where the whole gang agrees that soldiers are swell. They convince him to come to a dance that night at Riverdale High. He's the center of attention, and after a groovy night of dancing with underage girls, he decides that America's youth are okay after all, no matter what the media might say about them. THE END!!! Obviously, this is a pretty political story. As usual (though not always, as we'll see when Al Hartley gets his mitts on things), Archie tries to take the middle road. That often ends up with a kind of watered down moral filled with platitudes of love and togetherness, and this is no exception. But it's still a really interesting peek at attitudes during the Vietnam War, and you have to give Archie Comics props for tackling an issue that had to be on the minds of its readers. There's another reason why this is a groundbreaking story, though. When they go to the Choklit Shoppe to introduce the soldier to the gang, this happens: Yes, it's the first appearance of Chuck, the only black dude in Riverdale! This is kind of a hilarious way to introduce him, as he just sort of interjects himself into the middle of the story, then sits there and chats with everyone as though, you know, anybody has idea frikking idea who the hell he is. The next panel really should be everyone turning at staring at him, confused. "Chuck? Who the heck are you? Have you... been here the whole time?!" Still, while it's easy to make fun of Archie Comics for introducing a token black character, they should also be commended for it. Yes, Chuck is sorely lacking in a little thing we like to call "personality" - he wouldn't get his schtick of being a comics-obsessed artist for a couple decades - but he's also a big step in the right direction. Consider, this issue came out in early 1971. At the point this came out, there were basically three African-American characters in mainstream comics that I can think of: Falcon, Valerie from Josie and the Pussycats, and Vykin the Black, who just debuted a couple of months before LWA #110. Archie was actually on the cutting edge of introducing black character to comics; Valerie debuted in late 1969, just a couple months after Falcon, and went on to become the first African-American character on a network cartoon. Chuck's introduction seems to be part of the new direction planned for "Life with Archie." As we will see, he'll be quickly featured prominently in several subsequent issues, getting cover spots and even his own solo story. After that he will kind of fade into the background a bit and become a supporting character on the Dilton level (only with less function, since unlike Dilton, he has no clearly defined role). Enough about Chuck, though. There's still a second story. And it's very typical of the new direction of the series. The gang comes across an environmental disaster and traces it to one of Mr. Lodge's factories. They go inside, distrupt his board meeting, and then spend several pages expositing about the dangers to the environment. I mean, stuff like this: Jughead then spends another entire page talking about this! Look, I'm no expert, but here's a general rule of thumb: If your character is explaining in detail the ins and outs of recent Canadian environmental legislation, you have probably gone too far. In the end, everyone agrees that they all need to do better. Which is about as useful as a third nipple, but it's a nice sentiment anyway. This environmental screed comes just four issues after the specter of environmental disaster was first raised in #106; the environment and it's impending destruction will also be featured in #115, so there's plenty more where this came from. 111. A corporate spy kidnaps Veronica and holds her for ransom - * As you can see, the cover doesn't have anything to do with the story. It's still interesting, though. Chuck gets a cover appearance just an issue after his debut, dancing with Valerie from Josie and the Pussycats. Diversity! Josie and Meoldy are also on the cover, along with Alan M. Inside, we get a story of high intrigue. A corporate spy sneaks into Lodge Industries to steal some top secret plans. His cover is accidentally blown by Jughead, and he flees. However, he has a backup plan. Waylaying the gang as they leave the building, he kidnaps Veronica! He then holds her for ransom, demanding that Lodge trade the plans for Veronica. Instead of contacting the authorities, the gang gets Mr. Lodge and they track the guy down inside a shack on the edge of town. They then attempt their own daring rescue, which seems all kinds of dumb. Luckily, none of them end up dead, and they actually manage to rescue Veronica and catch the bad guy. THE END!!! The first backup is a random gag strip, but the second has some biting commentary. Archie and the gang rant about being non-conformists, and they bag on Dilton for dressing in a suit and listening to a "square" radio station instead of the hip one they all like. Dilton then sarcastically points out that their "nonconformist" schtick is just conforming to a different paradigm that they are being sold. it's a nice bit of satire. 112. When Betty is badly beaten by muggers, Archie becomes a vigilante! Plus: Chuck introduces Archie to his blind cousin - **** A few issues into their return to the original direction of "Life with Archie," Archie Comics really hits their stride with this instant classic, complete with a great cover that actually reflects the content of the book. No more random gag covers. It's time to get serious. And get serious they do. One thing I love about this issue is that it starts off with a typical Archie setup before veering out into left field. As usual, Betty is pestering Archie about going on a date. And as usual, Archie blows her off - he tells her they will go for a walk in the park together later, but when she shows up, he ducks her to hang out with Jughead instead. She's just a pest, you know? A guy needs some alone time. Archie and Jughead go to the Choklit Shoppe. Suddenly, though, Ethel rushes in, all in a tizzy - Betty was waiting for Archie in the park and got jumped by a bunch of muggers! You're right, Archie, this is all your fault. Plus, note how Betty is suddenly his girlfriend. Deep down, Archie knows what's what, but it takes a near death experience for him to admit it to anyone. You putz, Archie! Betty's distraught parents show up, and they can't understand how this could have happened given the fact that Betty was supposed to be with Archie. They lay a massive guilt trip on Archie. he and Jughead leave the hospital, and Archie's thoughts turn to vengeance. They head to the park, and despite Jughead's warnings that this is a terrible idea, Archie grabs a baseball bat and starts searching the park for potential muggers to beat up! Completely out of his head, Archie accosts a random businessman walking a dog! The guy runs screaming for the cops - who are, of course, also in the park searching for the muggers. They find Archie instead, and what do you know - a teenager with a bat menacing people? He matches the description of the perps! In a bit of epic poetic justice, Archie is arrested, because the cops think he's the guy who attacked Betty! In the end, some phone calls sort things out. Betty's x-rays come back negative and she's expected to recover. Being just a bit of a psycho, she's thrilled with how this worked out, because now she and Archie are closer than ever. And Archie... well, let's face it, the lesson he learned doesn't last past the end of this issue, but it was a great story while it lasted. THE END!!! In the other story, Archie acts like a total jackass to his parents because they won't give him money to take Veronica out on another swanky date. He goes around town badmouthing them for being so poor. Chuck decides this might be a good time to introduce Archie to his cousin Jenny, who was blinded in an accident a year earlier. After a few minutes listening to someone with real problems, Archie realizes he himself is a giant toolbag. He heads home and apologizes for taking everything for granted. THE END!!! Two stories that really get into how his messed up relationships with Betty and Veronica have negative consequences his their daily lives. Top notch! 113. A con man puts the Archies in a tough spot. Plus: Chuck foils dastardly crooks - *The leas story is kind of unusual. A big time music promoter comes to town, claiming to be the manager of music sensation Cotton Flubbernote. For no apparent reason, the promoter looks just like Col. Sanders - he's even called Col. Flam. That hsould be a tip off, because it's sort for Col. Flim Flam. Yes, he's actually a con artist! And after selling thousands of tickets for a Flubbernote/Archies twin bill, he skips town, leaving The Archies to face the music. Here's where the unusual part comes in: Sabrina the Teenage Witch suddenly shows up out of nowhere! This is the first time she appears in a LWA story, and she won't be appearing much after this. But here, she's a great plot device, as she casts a spell on the con artist that causes him to accidentally drive right back into Riverdale, where he's arrested. THE END!! In the second story, the Archies are traveling to a battle of the bands, but a rival rock duo called Freek an Weerdo keep sabotaging them. Chuck manages to uncover their plan and the Archie arrive in time for the competition anyway, so Freek and Weerdo steal the gate from the event by pretending to plant bombs in the stadium. However, Chuck foils them again, as he replaced the real money with fake money. At the end, Freek and Weerdo rant about how much they hate that wily genius Chuck Clayton. Boy, they are really pushing Chuck! Every issue he gets a spotlight, and now he's even getting full on Gary Sue stuff like this. That will come to an end pretty soon, though. 114. Rejected one too many times, Betty makes a poor decision regarding an older man. Plus: Jughead psychologically manipulates everyone - *** Veronica throws a pool party, but Betty is pretty much a wallflower, totally ignored by everyone there. She tries to be proactive, asking Archie and even Reggie to dance with her, but everyone blows her off in favor of other people. Depressed, Betty leaves the party and goes to the Choklit Shoppe. At the Choklit Shoppe, she runs into an old neighbor, Harry Owens. Harry is a few years older, and he sees a chance. He invites Betty to come to a dance joint in nearby Midvale. Despite Pop Tate's warnings, she agrees. Except, Harry isn't interesting in dancing. Instead, he brings her to a secluded location in the woods to make out! She refuses, and when he won't take no for an answer, she jumps out of the car and runs off into the woods! Meanwhile, Archie finally notices Betty isn't around. Chuck - of course - tells Archie that Betty left in tears because Archie was spending all his time with Veronica. Archie and Jughead leave the party to find Betty. They find Harry, who tells them that he couldn't find Betty after she ran into the woods, so he got tired of looking and drove off! Archie is enraged and they nearly come to blows: One thing I really like about Life with Archie is that these stories allow the artists to stretch themselves in ways that the gag strips don't. I dig the composition here, with Pop Tate peering through the O in his window sign. I also really dig the moody night scenes. And I like the way these stories make Riverdale feel like a real place, with the dance club and the highway with the bridge - in most stories we're just seeing the same few set locations, but LWA gives us some real world building, so Riverdale feels like a actual lived-in reality. For what it's worth, the GCD attributes this story of Bob Bolling, who normally works on Little Archie; as a result, I can't really identify his older characters and art style on sight. Anyway, Archie and Jughead drive around for quite a while, and finally they find Betty on the side of the road, crying. They pick her up and Archie chews her out for being so stupid, while Betty responds by telling him he's a giant jerk. They're both right, and I like how they feel like actual high school kids throughout this story. Betty's feelings and actions and Archie's blind spot just feel exactly like how high school boys and girls act at that age. They return to the party and... well, Archie goes right back to dancing with Veronica. Some things never change. THE END!!! In the backup story, Jughead plays a fairly cruel prank on Archie, Betty and Veronica, as he calls them each, disguises his voice and gives them the cryptic message that the thing they care most about is going to be destroyed. Betty thinks Archie is in danger, Archie thinks veronica is in danger, and Veronica... also thinks she is in danger. Jughead and Reggie chuckle over what a bunch of prats their friends are. This is also one of the very few stories where Jughead and Reggie are teamed up against the rest of the gang; usually they are arch enemies. 115. The gang protests pollution. Plus: A trip to Palisades Park. And: Weirdly out of date impressions - *The cover story is another earnest groaner about the dangers of pollution and the importance of youth involvement in these issues. They do this protesting outside a factory where Archie's dad is working, and their protests get him in trouble with the boss. But he sticks up for them, because, by gosh, they are doing the right thing. It's all pretty eye roll worthy, but at least there are a ocuple terrible lines of dialogue, like this epic line from Chuck: "Black is beautiful, but not coming out of smoke stacks!" Oh, god. As far as the other stories, well, the first gag strip is a straight up advertisement for a new Archie themed ride at Palisades Park. The second, meanwhile, kicks off with Archie doing an impression of Ed Sullivan. Technically, this isn't as out of date as it seems; this issue came out in the fall of 1971, just a few months after "The Ed Sullivan Show" went off the air. But man, it feels like it's about 15 years too late to be funny. Not the best issue. 116. After Archie is pulled over for suspicion of drug possession, a cop is shot by a teenage delinquent - ***Archie and Jughead are tooling along in the jalopy, minding their own business, when Archie is pulled over for running a stop sign. The cops don't just let him off, though - instead, they have the kids get out of the car, then shake them down for drugs! Apparently profiling is part of the standard operating procedure for the day, asany teenager is liable to be searched for drug possession without any probable cause! Needless to say, Archie and Jughead are pretty aggravated by this. After the cops let them go, the two complain to each other about the "pigs" getting out of line and squashing the rights of teens. Fascism!!! Just then, though, they come across a terrible scene. A crowd has gathered around an ambulance in the center of town. Stopping to find out what's going on, they learn from Betty that an off duty cop happened to stumble into a robbery being committed by a (apparently hopped up?) teenager. When the cop tried to stop the robbery, the teen shot the cop! And then ran off! The story ends with no resolution - the kid is still on the loose, the cop's fate is unknown, and there are no answers. Just a lot of questions about teens, drugs, cops, and even gun control! Wowee zowee! This issue came out in the fall of 1971, about a year and a half after the Kent State massacre, which was followed by a series of similar confrontations between law enforcement and students. Obviously, this was a very serious topic at the time for readers of Archie comics. As is usually the case, Archie takes a middle road with their politics, though - again, typically for the company - they also hew closer to the establishment view. The message of this story is basically that while the cops may seem to be stomping on your civil liberties, they are still public servants doing their best to keep us all safe, and so we should be thankful for that. It's interesting, but for me, it's also conflating two unrelated arguments. Wanting to protect your civil liberties and appreciating the efforts of local law enforcement are not mutually exclusive. This is kind of the same false dichotomy used so much in the aftermath of 9/11, where somehow if you questioned the government handling of things, it meant you didn't support our troops (whatever that phrase even means). Frankly, regardless of the fact that the cop got shot at the end of this story, I think Archie and Jughead were more than right in being pissed that they are subject to random drug shakedowns simply for the crime of being teenagers. That's bullcrap. Anyway. One other odd quirk of this story is that it's bookended by a pair of random gag strips. It's jarring enough now; I can't imagine how much more jarring it would have been at the time for a kid reading this issue, to go from a Harry Lucey gag reel about Archie's dad craving Chinese food, to this story. They still haven't quite worked out the kinks of this new format; later on, when they do, these backup stories would also be serious in tone. It's almost like they just don't quite have enough serious content prepared yet. But what they do have sure is interesting! 117. Archie moves out and gets his own apartment! - ***This is a doozy. Archie decides that he's old enough to get his own apartment. Not that he doesn't like his parents, but a guy needs his space, and now that he's almost a fill grown man, it's time. His mother protests, but his father decides this might be a good way for Archie to learn a thing or two about the realities of adulthood. So he agrees to let Archie move out, and move into a boarding house in downtown Riverdale. Archie gets his own pad, and the rest of the gang can't believe it! Archie, with his own place! Reggie and Jughead go over to Archie's place, instruments in tow, so they can check out the sweet new digs and get in some practice time without any pesky parent interfering. However, it doesn't quite go as planned: Turns out that some of the other boarders work nights, and they need to sleep during the day, so there's none of this sort of thing allowed. Archie decides they can all just hang out instead, but when he calls Veronica, he gets another rude shock: Reggie and Jughead leave, thinking that maybe this whole living by yourself thing isn't such a great deal after all. Archie settles in, all alone now. It's a weird feeling, and he soon discovers that having the freedom to do whatever you please has its downsides if you don't actually have anything you want to do, or anyone to do it with. Feeling kind of lonely, he turns up the television and finally falls asleep in his chair. But even that doesn't work out: Archie goes to bed, but his alarm doesn't go off! He's woken by the cleaning lady, and is shocked to find he's already several hours late for school! By now, Archie has realized that he's not actually ready to move out, but his pride won't let him admit it. Luckily, this is exactly what his Dad expected when he allowed this experiment. Pop Tate uses some excuse to slip away, and he calls Archie's dad, who marches down to the Choklit Shoppe and makes a big deal about insisting that Archie return home, because since he's still a minor, he's Dad's legal responsibility, and skipping school like this could get him in trouble. It's all a big show to soothe Archie's ego, and Archie is too happy to buckle under and return home. In the end, he's learned a valuable lesson about being careful what you wish for, especially when it comes to growing up too fast. Great story! 118. The gang goes to a haunted house and hijinx ensue - *The gang head to a weird house to discuss a possible gig for The Archies. Once there, they are terrorized by a demonic giant! The cover is from this half-splash: They panic, but after some amateur sleuthing, they figure out that it's a crooked music promoter putting on a show to scare The Archies into not playing the gig; turns out he runs a rival night club. The gang leaves, happy that Satan isn't real - but as they leave, the demon comes back to life again, only this time, without anyone running it! They are left to contemplate the unknowable. THE END! This issue came out in late 1971. The initial season of Scooby Doo had finished airing the previous year. This story seems very much inspired by Scooby Doo, and there are some pretty obvious parallels between The Archies and the Scooby gang. Not only do The Archies drive to the huanted house in their own mystery machine style van, Jughead brings Hot Dog with him for no apparent reason other than to make the parallel even more obvious. The Archies basically are the Scooby gang, after all, only with one extra character (Reggie). It's a cool issue with a cool cover, but I hate Scooby Doo, so... yeah. 119. The gang goes to a haunted house and hijinx ensue. Plus: Archie nearly runs over a deaf girl - **For the second issue in a row, we get a Scooby Doo style adventure, with the gang going to a haunted house and uncovering a fake haunting by someone trying to run a scam. This time around, the Scooby Doo parallels are a little less blatant; Hot Dog is gone and Chuck takes his place, and we ditch the Mystery Machine as well. Also, the actual haunting is better done; the sequences with the mansion are quite creepy: Plus, there's a really bizarre section where a disembodied hand reaches through a glory hole to try and grope a sleeping Betty: Check out the surrealism in that last panel! In the end, the butler did it. Okay. The cover story is also a doozy. Archie nearly runs over a little girl, who walks right in front of his car even though he's honking furiously. This gets him even furiouser, and he jumps out of the car to scream in her face. Then this happens: Smooth move, Archie, you complete jerkoff! Archie follows her home, as one does when one meets a toddler, and discovers she is both deaf and mute. Her family treats her like a curse - literally - so Archie takes it upon himself to secretly teach her to read lips, so she can prove to her parents that she's not a moron. She does, and they finally agree to Archie's suggestion of sending her to a special school for the deaf. THE END!! Huh. 120. Archie messes up a date with Betty, and tries to actually make it right for once in his life - *This great romance style cover has a nice romance style story. Betty and Archie have a date that ends early. As he's heading home, Archie runs into Veronica and they chat for a bit. Betty happens to be out on a late errand to the pharmacy and sees them. She thinks Archie has ditched her to go out with Veronica. Where on Earth would she ever get that idea from?! She heads home in tears. Her dad flips out and rushes over to Archie's house to pound his face in! Archie straightens it out, but now he feels like a jerk. So, with the help of Betty's dad, he comes up with a plan to make things right with Betty, who is leaving the next day on an 8 hour trip to visit her grandparents. The next day, three hours into the trip, they stop at a gas station - and Archie is waiting there, working as part of the gas station crew! Betty is startled, especially when he gives her a big good bye kiss for the road! Turns out the gas station is owned by Archie's uncle and Archie got up before dawn and drove 3 hours so he could be in place to give her one kiss. The most romantic thing Archie has ever done! Actually, when it comes to Betty, maybe the only romantic thing Archie has ever done. But... baby steps... The backup story is an Archies tale. Haven't had one of those in a while, thank god. This one is pretty inoffensive, though, if also unremarkable. 121. Archie and Jughead get in a fist fight! - **The first strip in this issue is a gag strip with art by the great Harry Lucey. It's okay, told in the style of those classic Goofy cartoons, if that makes any sense to anyone. But otherwise, nothing to get too excited about. No, the excitement is about the main story. Archie lends Jughead his jalopy. While Jughead is in a store, someone sideswipes the jalopy and knocks its bumper off. Jughead doesn't notice, but when Archie sees the car he flips out and accuses Jughead of a) running into something and b) lying about it to cover his butt. Jughead denies it, and gets pretty steamed about Archie calling him a liar. Finally, he's had enough, and he throws down! Kick his ass, Juggy! Just then, as you see, a dude shows up - the dude who sideswiped the jalopy. Turns out he's a cop and he was in a hurry to stop an important crime, but now he's returned to set things right. Archie feels like a jerk, as well he should, because he is a jerk. Jughead forgives him for some stupid reason, and all's well that ends well. Good story. 122. Archie dresses up in a costume to teach kids about litter; betty upstages Veronica at a ball - *In the first story, the kids at Riverdale aren't paying any attention to the school's anti-littering campaign. Instead, they are just chucking an unseemly amount of garbage everywhere. Until, that is, a costumed weirdo called the Phantom Scribbler shows up and starts defacing the walls of the school with graffiti. The kids start getting upset about their school being trashed, realize their complicity, and learn an important lesson. Of course, the Phantom Scribbler was actually Archie. Whatever. In the second story, Veronica is a total snob about a ball she's going to. Betty feels like crap, but she's pressed into service to go to the ball to deliver Veronica a plaque for a ceremony. Betty becomes the belle of said ball, upstaging Veronica quite badly. There are a lot of Cinderella references. Again... Whatever. A ho-hum issue. 123. Jughead turns invisible - *First, another gag strip by the great Harry Lucey. That's followed by what's essentially another gag strip, only expanded to double length to fill the format. Basically, Archie and Jughead visit a scientist and, Jughead being who he is, he drinks a random beverage which turns out to be an invisibility potion. He decides to use his powers to steal a bunch of food from Pop Tate's and have a laugh at the expense of his friends. However, Archie administers an antidote without Jughead realizing it, so everyone can totally see him being a tool. There is a pretty good sequence where Jughead has turned visible but doesn't know it yet and he thinks to himself, "Look atthe silly expressions on their faces! The poor jerks! They have no idea of what's going on!" Just as they're about to grab him and smack him around. It's an okay story, but not really up to the standards of the title at this point. 124. Archie is expelled for passing the football team's playbook to a rival school - *Archie is caught passing the team's playbook to a rival school. But why would he possibly do such an underhanded thing? That doesn't sound like Archie! Yet, when confronted, Archie refuses to explain or give any excuses. Mr. Weatherbee is left with no choice but to expel Archie! Since they know their plays have all been compromised, Coach Kleats and Coach Clayton change their gameplan. It works; the opposing team is totally confused, and Riverdale wins the championship! But Archie has become a pariah, casting a pall over everything. Just then! Moose shows up and in his usual bumbling way, accidentally reveals the truth: members of the opposing team posing as journalists "interviewed" Moose about the upcoming game, and he told them the gameplan! When Archie found out, Archie concocted a scheme to win the game and protect Moose - he intentionally let himself get caught passing the playbook so the team would change the game plan, while at the same time protecting Moose so Moose wouldn't be disciplined and therefore unable to play in the big game. With the truth revealed, Archie is unexpelled, and everyone celebrates what an unusually astute plan Archie somehow managed to come up with. Sounds a lot more like the kind of thing Jughead would devise, but Jug is conspicuously absent from this story. Hmm. There's also a backup, but it's a random gag strip. 125. Betty is possessed by a demonic teddy bear! Plus: Veronica is hoodwinked by a love guru - ****Oh yeah. The best story in Life with Archie. Though this is not necessarily the best issue - #160 has something to say about that. But for my money, as far as a single story goes, Nightmare Nursery is where it's at. You can read the whole thing here. And I've spoken about it at length before. But in short: Mr. Lodge buys a house that is supposedly haunted. The gang decides to stay there overnight as part of their efforts to clean the place up. However, Betty is tormented by sinister dreams. It turns out those dreams are from a teddy bear that is possessed by a demonic spirit. The teddy bear killed the little girl that used to live in the house by forcing her to jump off a cliff, and now he's trying to do the same to Betty! Archie and the gang realize what's up, but too late! A glassy-eyed Betty is marching to her death! Archie manages to knock the bear into the ocean, though; freed from the mind control, Betty is saved! And the bear is destroyed. ...or is it?! That last panel is enough to give anyone nightmares! This story was eventually followed up on, 30 some years later, in the pages of Archie & Friends #58, with Josie and the Pussycats being tormented by the teddy bear. That story is much too short, though, to quite have the same impact as this one. Suffice it to say that Josie destroys the bear once and for all, bringing peace to the murdered girl's spirit. So, there's also a backup in this issue of Life with Archie. It's hard to follow a story like Nightmare Nursery, but they had to fill the pages somehow. The result is actually pretty cool. Veronica gets taken in by a hippie preaching love and all that nonsense. Chuck, Jughead, and Archie are all suspicious that this "Mr. Love" bozo is actually a conman, but nobody will listen to them. So the trio follows Mr. Love and his cohorts to an old saw mill... yeah, that's right. An old saw mill. What of it? Anyway, where was I? Yeah, so the gang overhears Mr. Love and his thugs planning to rob the bank, with Mr. Love's hippie speechifying just a diversion to clear out the town. Unfortunately, archie and the others get caught, so naturally Mr. Love ties them to the track, turns the saw on, and leaves. As one does. Why else even have a base inside a saw mill? Luckily, Chuck's dad Coach Clayton was tailing the kids; he stops the saw and saves them. Turns out Mr. Lodge and the cops were on to Mr. Love all along and had a sting planned, but the attempted murder charges will work just as well. Having sort of but not really saved the day. Archie is pretty pleased with himself, but Veronica still tells him off anyway. The End! Hey, any story with a scene in an old saw mill is a good story in my book.
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:36:05 GMT -5
reserved #126-150
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:36:17 GMT -5
151. Coming soon. 152. Coming soon. 153. Coming soon. 154. Coming soon. 155. Coming soon. 156. Archie tries to find Veronica's stolen car, and nearly pays with his life. Plus: sales figures - * Archie and Jughead are hanging out when they see Veronica drive by. But for some reason, she doesn't stop to talk to them. Archie chases her down at a stoplight, only to get slapped in the grill by the random girl driving the car. Guess they had the wrong car, right? But no - someone has stolen Veronica's car! Archie gets a tip from Betty that the girl driving the car has a boyfriend who works at a garage on the bad side of town. Archie and Jughead head over there and find the car! But the gang of thieves is waiting for them. They jump Archie and Jughead, tie them up and toss them into the car. Then they drag the car to the top of a nearby hill, cut the brake lines and push the car off the side! But they forgot one thing: Archie is an expert driver! Against all odds, he manages to steer the car to safety. In the process, his wild driving antics alert the police - or something? - and they arrest the gang. Unfortunately, the car comes out of it quite the worse for wear, and Veronica gives Archie a good toungelashing. THE END!! There are also two gag strips, one of which is by Harry Lucey. This is right at the end of his career, and his art has declined from its heyday. Lucey developed a severe allergy to graphite late in his career; a year after this story came out, he was diagnosed with ALS and abruptly retired. This issue's Archie Club News, which is what passes for a lettercolumn in these books, has an essay by a kid about "a new attraction in Tennessee" called "Opryland" that features "a pig who plays piano named Pigaracci!" So that happened. And this issue has a statement of ownership. Average sales over the past year: 206k. 157. Coming soon. 158. Coming soon. 159. Coming soon. 160. Coming soon. 161. Coming soon. 162. Coming soon. 163. Coming soon. 164. A con man tries to rob the Riverdale museum. Plus: Reggie is fingered in a cheating scandal at Riverdale High - **The first story is one of many in LWA about someone trying to steal priceless artifacts from one of Riverdales museums. As usual, Mr. Lodge is on the board and is involved. In this case, he brings in an older lady who is a renowned bird expert to organize their bird collection. Meanwhile, her nephew shows up as well and starts romancing Veronica. Archie, naturally, is suspicious of this cad, suspicions that bear fruit when the dude is caught red handed stealing stuff from the museum! However, he gets away. Archie chases him across the rooftops like Batman. The guy gets away, though, injuring his ankle in the process. Back at the mansion, the cops show up and interview the bird lady, who complains of her arthritis acting up. Archie realizes that the "lady" was the nephew in disguise the whole time! The case is cracked and Riverdale's stuffed bird collection is saved. THE END! In the cover story, someone has been printing copies of upcoming tests and selling them to students. Suspicion falls on notorious jerk Reggie Mantle, whose father runs the town newspaper. This suspicion is seemingly confirmed when a bunch of these tests are found in Riggie's locker. It looks like he's going to be expelled! But Archie and Dilton are doubtful. Dilton deduces that the tests were actually printed inside the school. The duo hang out to get a look at the night crew of maintenance guys. One of them turns out to be an ex-student with an ax to grind with one Reggie Mantle. Archie catches the guy printing tests, and a brawl ensues! The guy gets the drop on Archie, but he forgot to take one thing into consideration. ACTION DILTON!! Archie and Dilton take the guy down and Reggie's name is cleared. THE END!! 165. Coming soon. 166. The gang goes to a ghost town and hijinx ensue. Plus: squatters take over Lodge Mansion - * In the cover story, the gang is visiting the "Lodge ranch" in the southwest (same place they went in #40?) and decide to stop at a nearby ghost town. This is weird for a couple reasons, but I'll get into that later. Anyway, at the ghost town, weird things start happening. Jughead gets locked inside the jail, while Archie and Betty fall through a rotten floor into a basement where a deadly rattler waits to strike!! Archie freaks out and starts screaming. "AIEEEE! A snake! Watch out for that rattler!" Betty responds by calmly picking the snake up and tossing it out of the way, while pointing out that it's not actually a rattler, it's just a harmless garden snake. Wow, Archie, you giant pusswad. Safe from that non-danger, the gang is suddenly shot at by arrows! They decide they should get out of town fast, which is exactly what the people haranguing them want: A couple of escaped criminals trying to lay low. So the gang drives out of town, but Archie for some ungodly reason decides to stay behind to "draw them out into the open" while Jughead gets help. Why?! I can only assume Archie is trying to make up for being such a weenie about the snake. He does draw them out into the open, where they pull out pistols and decide to murder him. Smart one, jackass. He barely stays alive long enough for Mr. Lodge to swoop in in a helicopter alongside a troop of Texas Rangers. The bad guys are hauled off and Archie has once again learned nothing at all. THE END!!! In the second story, some con artists fake an injury, kinda/sorta pin it on the Lodges, and then guilt trip the Lodges into allowing them into the mansion, where they set up camp as squatters. The "injured" one supposedly has amnesia. Archie decides to call their bluff by bringing in a noted amnesia expert, in this case Jughead in a costume. Jughead has an avant garde theory on how to treat amnesia: he pulls out a huge mallet and starts smashing everyone in the head with it! The squatters decide discretion is the better part of valor and run away. THE END!! 167. A sinister guru shrinks Archie to microscopic size! Plus: Mr. Lodge faces a hostile takeover - ***Oh man, this issue is great. In the first story, Mr. Lodge is entertaining a visiting guru/businessman from Asia. Unbeknownst to Mr. Lodge, however, the guru has an agenda - a holy mission to wipe out the evil capitalists. So he slips a magic pill into Mr. Lodge's drink that will shrink him into oblivion! Naturally, our bumbling hero Archie accidentally drinks it instead, and begins shrinking! Bad luck for the guru, but he happens to have a second pill, just in case. Of course, Archie can't let that happen: Sure enough, the guru drinks it, and he too begins shrinking! Enraged, he decides to take his revenge on Archie, and moves in for the kill! However, there's a third combatant in the area - the Lodge family housecat, who would be happy to make a snack out of either of them! A deadly three-way chase begins! it's tooth and nail and claw and letter opener. But Archie proves too wily, finally luring the guru into a handy trap: Before the guru also returns to normal size, Archie and Mr. Lodge bully him into signing a confession and giving his word to depart and never return. THE END!!! What a completely bizarre mindscrew! That last panel there is downright surreal. Hard to believe, but the backup story is nearly as entertaining. Mr. Lodge is overworked, so his trusty right hand man convinces him to take a vacation. After Mr. Lodge heads to the airport, though, Archie overhears the right hand man talking. Turns out he's planning a hostile takeover! And if Mr. Lodge doesn't sign some documents by 2 p.m. that are hidden in a mountain cabin, the takeover will be complete! Archie rushes off to intercept Mr. Lodge's car, which turns out to be easy enough, because a recent snowstorm has made the roqads icy and mr. Lodge's car has crashed! Archie explains the situation, but there's no time to get to the remote cabin. OR IS THERE!?! They race across the countryside! And then... ACTION HIRAM!!! Just in the nick of time, they arrive. Hiram punches out his erstwhile assistant, signs the paper and the company is saved! THE END!!! COMIC BOOKS!!!! 168. Coming soon. 169. Archie panics when time suddenly stops! Plus: A psycho boyfriend tries to kill Veronica! - *The lead story is really cool, just way too short. Mr. Flutesnoot is showing the gang how gas masks work, when a mysterious cloud of gas settles over Riverdale, freezing time! Only Archie, who was wearing the gas mask, is immune. He wanders around the town, trying desperately to find anyone else who isn't a frozen mannequin, but he is now alone in the world, like he's in "I Am Legend." He begins to have a complete nervous breakdown, and is tottering on the edge of madness, when a rainstorm sweeps in and washes away the gas cloud. Time starts again and Archie is sent to detention for "skipping class," as nobody believes his insane story. THE END!! The backup story is chilling. A narcissistic foreign noble comes to town and sweeps Veronica off her feet. He proposes while they are on a ski trip, but she hems and haws. Upset that she hasn't immediately accepted, he decides to kill them both by jumping off a deadly cliff! He grabs Veronica and drags her to her death! However, unexpectedly, they actually jump the ravine and land safely on the other side. The guy is lauded as a hero for making the impossible jump. Veronica, wanting to get in on the publicity, accepts his proposal, but he angrily dumps her, and Archie is left shaking his head over the stupidity of girls. THE END!! I had some issues with how this second story played out. The manipulative, controlling, and ultimately dangerous boyfriend is in some ways a really chilling portrayal of how psychological abuse happens in relationships. What I had a problem with is how Veronica is kind of set up as sort of deserving it, as the story starts with a litany of how she acts like a tease herself with the boys, manipulating them. I also had a real problem with how the story ends, with Veronica fawning over him despite his attempt to kill them both, and nobody at all calling him out on it. There could be something there in terms of how women get caught in an abusive cycle, but that's not how it is written - it's just more Veronica being a stupid git. Something kind of like this happened to a friend of mine; she turned down a guy while on a car ride, and he tried to kill them both by driving the car into a brick wall at 70 mph. So this story hit a nerve with me, and while it comes close to really addressing some very serious things, it veers off in a kind of icky direction with the approach it takes. I should say that the story is also kinda sorta narrated by Archie, who is certainly an unreliable narrator in situations like this. But I think the story could have done better. 170. Coming soon. 171. Coming soon. 172. Coming soon. 173. Coming soon. 174. Coming soon. 175. Coming soon.
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:36:27 GMT -5
176. The crew of the Starship Rivda encounters a sinister alien race. Plus: A ghost demands vengeance! - ***The first story is a fun "Star Trek" parody. Archie, Jughead, Betty and Veronica are the crew of the Starship Rivda, exploring bold new worlds, etc. They meet what seems to be a benevolent race on the planet Clonis. However, it turns out they are evil! They use short-lived clones made of light - really more like 3D holograms, I guess - to trick the crew, and Archie, Betty, and Veronica are soon captured and set to be executed. However, the aliens made one mistake: They forgot about Dre Jughead. Jughead programs their robot helper, Stella, to save the others, and Stella quickly and easily does just that. The gang then blasts off and escapes the evil planet Clonis forever. THE END!! The second story is better, a creepy mood bit right out of "The Twilight Zone." Here's the splash: You can probably tell exactly where this story is going. Basically, Archie picks up this girl hitchhiker, who spins a story about her uncle framing her father and getting him sent to prison in a scheme to steal a priceless gem. She asks Archie to look into it to prove it. Archie thinks she's nuts, but decides to do it anyway. He confronts the guy, who scoffs and denies everything. On his way home, though, Archie is suddenly forced off the road by another driver! Archie's car goes over a cliff! Archie is thrown from the vehicle, but miraculously survives, and is rescued by first responders. Returning home, he finds the mytsery girl waiting for him. She tells him that the driver was her murderous uncle. But to prove it, they'll need Mr. Lodge's help. They go to Mr. Lodge, who thinks they are both nuts. But he agrees to go talk to this guy, if only to clear the guy's name. They arrive and again the guy denies everything. However, suddenly the girl comes in and accuses him. He totally freaks out and has a complete nervous breakdown, confessing to everything. He's arrested, but his mind has snapped, and he is sent to a mental home for the rest of his days. That's when Archie discovers the truth we pretty much guessed from page one: The girl is a ghost. She died in a car "accident" three years ago, when the uncle stole the gem. Archie places flowers on her grave and then decides to never, ever go anywhere the hell near there ever again. THE END!!! Great stuff. This issue also has a blurb in the Archie Club News page asking kids to send in essays explaining what they would do if they were elected as the 36th president of the U.S. This came out just before the 1976 elections. I'm hoping Jimmy Carter wrote in to them, but probably not. 177. Coming soon. 178. Coming soon. 179. Coming soon. 180. Coming soon. 181. Coming soon. 182. Coming soon. 183. Coming soon. 184. Coming soon. 185. Coming soon. 186. When Archie finds a cursed idol, he gains super-strength! Plus: Puppies save an old woman from certain death - **First off, great cover. This era of Life with Archie is filled with fantastic covers. The first story is good one, right out of the classic "Brady Bunch" play book. The gang is at a Lodge lakeside retreat when Archie finds a strange idol at the bottom of the lake. Good thing, because somehow, there's a giant shark there too. Just before the shark can eat Jughead, Archie punches the shark out! He hits it so hard it flies right out of the lake and is killed instantly! Nobody spends even one second trying to figure out how a huge shark got in a lake, though. They are too busy dealing with the fact that Archie now has super-strength. An old weirdo tries to tell him to get rid of the idol, but Archie is feeling way too manly. Unfortunately, he accidentally injures Jughead with his super-strength, then nearly snaps both of Veronica's arms! Turns out it really is a curse. Betty begs him to get rid of the idol, but the curse also seems to be affecting his brain, because he just gets very possessive. Chuck taunts him about being into dolls; in a fit of pique, Archie drops the idol and rushes over to punch Chuck out. Without his super strength, though, Chuck tosses him in the lake. Betty grabs the idol and heaves that back into the lake as well, and everyone is much happier. THE END!! In the second story, Maria makes one of her infrequent appearances. She has an apartment, and two new puppies, which is a bad combination because her neighbor is a little old lady who yells at them for disturbing her peace all the time. Secretly, however, she's super lonely, as is actually feeding the puppies on the sly behind Maria's back. Later, the old lady falls asleep, but she accidentally leaves the gas on on her stove. The dogs sense trouble, and rush over to claw at her door. But Maria, heeding the lady's warnings not to bother her any more, pulls the dogs away. Luckily, Archie realizes something is actually wrong; he busts in and saves the old lady. Realizing there is no need to hide her affection for the puppies that saved her life, she becomes friends with Maria. THE END! 187. Coming soon. 188. Coming soon. 189. Coming soon. 190. Coming soon. 191. Coming soon. 192. Coming soon. 193. Coming soon. 194. Coming soon. 195. Coming soon. 196. Coming soon. 197. Coming soon. 198. Coming soon. 199. Coming soon. 200. The gang foils a robbery! Plus: the gang foils a robbery! - * In the first story, the gang is at an auction when a thief grabs a box with a fake bird inside and rushes off! The guy in charge of the auction had just told them it was going for $100k, so this is a big deal. The gang rushes after the crook, who hops in a yellow van and drives off. Reggie and Veronica try to ditch Archie and Betty so they can get all the glory - and presumed reward - for themselves. Archie trails Reggie, who trails the van to a hideout. There, they confront the thief, and Archie manages to take him down. In the confusion, though, Reggie gets the bird. He and Veronica take off, rushing back to claim credit for the whole rescue. The joke is on them, though: The bird is worthless, it's the box that's priceless. Archie and Betty show up moments later, box in hand, and are feted as heroes. THE END!!! I like the fact that they use the classic dynamic of Reggie and Veronica teaming up and scheming up together, only to have their selfishness blow up in their faces. In the second story, Archie, Betty and Veronica are at the museum, which really, really needs a massive security upgrade given that it is constantly being robbed. Anyway, as often seems to happen, they get locked inside when the building closes. The girls wander off to find a security guard to let them out - and instead discover that the guard is helping a bunch of thieves steal all the art and replace it with fakes. The crooks ties the girls up and throw them inside some sarcophagi while the load the rest of the art. Archie sees this and for once, he does something smart - he runs off and calls the cops! The cops show up and arrest everyone. THE END!!! Okay, not as exciting as if he had used karate, or an undead mummy had come to life to save the girls or something. But it is nice to see Archie do something non-idiotic for once. Despite being the 200th issue, there's nothing special about this one; the anniversary is not noted anywhere in the comic. This is the end of 1978; with a few years, Archie would finally start celebrating milestone issues and seizing this missed marketing opportunity.
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:36:39 GMT -5
201. Coming soon. 202. Coming soon. 203. Coming soon. 204. Coming soon. 205. Coming soon. 206. Coming soon. 207. Coming soon. 208. Coming soon. 209. Coming soon. 210. Coming soon. 211. Coming soon. 212. Coming soon. 213. Coming soon. 214. Coming soon. 215. Coming soon. 216. Coming soon. 217. Coming soon. 218. Coming soon. 219. Coming soon. 220. Coming soon. 221. Archie and Jughead pretend to be Veronica's brothers to help with a business deal. Plus: a weird statue causes Veronica to fall ill - * Mr. Lodge is trying to close a business deal with two men from a country where having sons are the only way to prove your manliness. So he has Jughead and Archie pretend to be his sons. They play it up for all it's worth, borrowing his new Jag, putting stuff on his expense account, and lording it all over Veronica at every possible juncture. Veronica is seething at the way she is treated by everyone, and vows revenge. But when the men are ready to leave, a big storm kicks up; they are almost killed by a falling tree, but Archie and Jughead save them! Honor bound to repay them, they sign the deal with mr. Lodge, who dotes on his "sons" as heroes for getting the deal closed. THE END!! Man, I actually felt bad for Veronica this time. There's just no justice sometimes. Also, one slightly interesting note: When they take the Jaguar for a spin, it's Jughead that drives. In the early days, Jughead had his own car, but by this point, he's pretty much been without a car for a couple decades at least, and we usually only see him riding shotgun in Archie's jalopy. It was weirdly jarring to see him grab the keys and tool off with a Jag. In the second backup, Veronica buys a pair of wooden carvings from an exotic land. One is stolen, and the other causes her to fall deathly ill. The doctor says the carving is from a wood that has some sort of parasites in it - they have to find the other before it kills the thieves. Archie sets a trap for the thieves; he returns to the scene of the theft and leaves out a juicy target to be stolen, only it's filled with exploding dye packs. Sure enough, the grab it, the packs blow up on them, and the cops are able to find the thieves before they die from the illness. THE END!! Surprisingly quick thinking from Archie. Oh, and Veronica gets better. 222. Coming soon. 223. Coming soon. 224. Coming soon. 225. Coming soon.
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:36:50 GMT -5
226. Coming soon. 227. Betty's clothes are stolen during a canoe trip - * Archie and Betty go on a canoeing trip and get waylaid after an unexpected trip through some rapids. While they are sorting themselves out on the river bank, someone steals their picnic basket. They give chase, but Betty fulls in a mud puddle and gets totally jacked up. Deciding she needs to clean off, Betty strips and jumps in a pond while Archie covers his eyes in a gentlemanly fashion. One problem: He's also not watching her clothes, which are stolen! So now she's buck naked in the woods. In other words, the comic you've been waiting your whole life for. Archie offers to give her his shirt, but instead she fashions a little onesie out of sticks and leaves, which has to be incredibly comfortable. They follow the footprints of the thief and discover it's a little kid who was abandoned in the woods by her uncle. They bring her home with them and find her a new home pretty much immediately, all with Betty wearing a skirt of leaves. Hm. THE END!!! There are two gag strips rounding out this issue. In one of them, The Archie have become a country group, which works out since mr. Lodge's company has just designed a new line of country-western clothing. This issue came out in 1981, right at the height of the Urban Cowboy fad. This is one of the last issue sbefore the book moves to bi-monthly, for reasons we will see when the statement of ownership comes out in #231. 228. Coming soon. 229. Coming soon. 230. Coming soon. 231. Archie gets mixed up in another theft gone wrong. Plus: sales figures - *Archie is driving along when a semi comes out of nowhere and pretty much runs him off the road. Then it runs itself off the road! Archie rushes over to see if the drivers are okay. They are, but they are worried because they have to get their shipment of furs to their warehouse asap. Archie offers to toss them in the back of his van - he's driving the Archies mystery machine, not his jalopy - and they take him up on it. After unloading all the furs at the destination, though, they reveal that they are crooks, and had stolen the truck. Now they need to get rid of Archie. They have another semi, and they order Archie to drive his van up inside the back of it, like they're playing Spy Hunter. They lock the back of the truck, then drive it up into the hills with theplan of ditching it over a cliff. Something, in fact, other crooks have previously tried to do with Archie to no avail (such as in #156). Archie isn't quite as dumb as the crooks, though, so he simply drives his van out the back of the truck. The crooks try to catch him and they jackknife, wrecking the truck. The cops come along and scoop them up. THE END!! This issue has a statement of ownership with sales figures. The sad news: 85k. A long way from its heyday now. 232. Coming soon. 233. Coming soon. 234. Dilton's van is stolen. Plus: A con artist tries to get one over on Veronica. And: A jewel thief has an accident - *Three shorts this time around worth discussing. In the first, a car thief steals Dilton's van. Big mistake, of course, as Dilton has tricked it out with all sorts of weird security devices. Archie and Dilton track the van by airplane, and watch as it breaks down on the highway, sets off fireworks, releases a massive smoke cloud and then puts everyone in the area to sleep by broadcasting the sound of a cat purring. Dilton gets his van back, but he also completelyt shuts down Riverdale's highway system. Oops. THE END! In the second story, a con artist engineers a car accident with Veronica, then sues the Lodge family fore millions. Chuck and Archie come up with a scheme to flush him out. They pretend to bury some stolen loot in the woods, and when the supposedly injured con man goes to dig it up, they photograph him, hale and healthy. THE END!! In the third, Betty and Archie are driving along when they come across a dazed man who has clearly been in a car accident. As they try to assist him, a helicopter full of armed cops swoops in. At gunpoint, they accuse Archie and Betty of being accomplices to a jewel heist. Archie protests their innocence, while Betty tries to get medical attention for the crash victim. Things nearly turn violent, but Archie does his best Sherlock Holmes impression and figures out the most likely place for the missing jewels - in the crashed car. Well, no frikkin crap, dude. Somehow, though, this never occurred to the cops. They retrieve the jewels and Archie and betty are in the clear. THE END!!! Chuck is getting more spotlight again for some reason around this time. Of more note, maybe, is the cover, which heralds the return of mini-skirts. The cover has nothing to do with any of the stories, but it is timely; this issue came out in 1982, and reflects a fashion resurgence for the mini-skirt, which was also noted by a cover story in Time Magazine. "Life with Archie" is getting very referential again, tying itself closely to pop culture trends just as it did with it various parody strips in the mid-60's. 235. Coming soon. 236. Coming soon. 237. Coming soon. 238. Coming soon. 239. Coming soon. 240. Dilton's uncle builds his own version of KITT. Plus: A con man tries to get one over on the Lodges - ** Archie goes whole hog with the pop culture references this issue. First up, a loving homage to "Knight Rider." Dilton's uncle build a super car with its own AI. Dilton shows it off, including it's coolest feature: GPS! Well, sort of - it's more like the Spider-Tracker, but otherwise, the same. Dilton attaches a beacon to Archie's car and the decide to do some hide and go seek to show off the car's powers. Of course, Archie's car then gets stolen, as does Veronica's. Dilton uses the Wonder Car to track the stolen rigs to the crook's hideout. Dilton goes to get the cops, but naturally, Archie decides to snoop around himself. Why wait? He immediately gets caught by the crooks, but they let him go so he can throw the cops off the trail. However, that whole GPS thing comes to bite them, as a tracker attached to their getaway vehicle lets Wonder Car track them down. THE END! This story manages to combine all sorts of things, including Archie's car getting inexplicably stolen (as it was in #104), Veronica's car getting stolen and Archie getting caught by the crooks when he tries to find it (the plot of #156), and Dilton using his tricks to track down stolen vehicles (which just happened a year earlier in #234). But, of course, the "Knight Rider" references push this one over the top. In the second story, a psychic claims to be contacting Veronica's dead Aunt Agatha. Archie is skeptical. Sure enough, of course, he is a con man trying to get to the Lodge money. Guys, that never works! Read some back issues!! The guy has an accomplice, who dresses up as an old woman, wanders through the yard, and then disappears before Veronica can get outside to find the truth. Naturally, Archie and Chuck set a trap to reveal this perfidy, just as in #234. Chuck apparently has started a second career as a professional skeptic. They get the drop on the accomplice, and Chuck takes her place. So when the big moment comes up, instead of "Aunt Agatha," we get this: ....well ...on the plus side, not only do we get a "Knight Rider" story, we also get a "Facts of Life" joke! So... that's a win? Let's pretend it is. THE END!! 241. Coming soon. 242. Eskimos are framed as terrorists. Plus: Archie and Jughead try to build a better mousetrap. And: sales figures - **The gang goes to Alaska to visit another Lodge holding. Mr. Lodge gets bad news: "Rampaging eskimos" have destroyed his oil drilling equipment. George, an eskimo who works for Mr. Lodge, doesn't believe it. It's a set-up! And his view pretty much is borne out right off, as the next day, Jughead discovers a time bomb on their airplane! Luckily, they find it in time and chuck it out the window. But danger is clearly afoot. After visiting the eskimo village, George and Archie head to the oil operation. They discover that the foreman has found gold! He's the one framing the eskimos! And now he's going to execute George and Archie! Just then, though, the eskimos show up and use harpoons to defeat the bad guys. Mr. Lodge's business is saved and the eskimos have their name cleared. THE END! In the second story, Archie and Jughead head to one of Mr. Lodge's vacation homes to try and rid it of mice. They do a spectacularly terrible job at it, and by the end, the mouse is dead, but they've also completely destroyed the house. It's like that Jonathan Winters scene in "It's a Mad, Mad, Mad, Mad World." Which is always a favorite, so I did enjoy this story. THE END!! This issue also has a statement of ownership. Sale figures: 66k. Lights...growing... dim... though, to be honest, this is not that different from the rest of the line at this point. 243. Coming soon. 244. Coming soon. 245. Coming soon. 246. Archie teaches the gang the meaning of Thanksgiving. Plus: a sinister video game designer terrorizes local arcades - *In the first story, Archie explains to the gang the meaning of Thanksgiving. This is an "Archie Art Players" type story, where we see the gang as Pilgrims in 1620. It's just as funny as that sounds. THE END! The second story is a lot better. Archie and Jughead take a job testing new video games for Mr. Lodge. But there's one game they aren't allowed to play: The Red Flash. That's because the designer is a deranged old coot who won't let anyone mess with his games. And that's just as well, because he's so obsessive about people messing up his game that he's built in a failsafe: If some damn kid kicks the machine, it will zap them with a ray that turns them into pixels and sucks them into the machine. Needless to say, kids start mysteriously disappearing from arcades around town. Everyone is on edge. Archie and Jughead have a hunch that The Red Flash is involved, so they investigate. Boom! Jughead gets sucked into the game! Archie, though, knows just what to do - he gets Dilton to figure out what the heck happened. It doesn't take long for Dilton to figure it out, but the game designer finds them and holds them at gunpoint. He's going to put them into the game! Archie manages to tackle him, though, and we get a nice panel that I am too lazy to scan where Action Dilton gets to wave a .45 around. Once he's done doing that, Dilton rigs the game to release Jughead and the missing children, and they are all saved. THE END!! This issue came out in late 1984, roughly two years after "TRON" and a couple months after "The Last Starfighter." 247. Coming soon. 248. Coming soon. 249. Coming soon. 250. Coming soon.
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 1:37:00 GMT -5
reserved #251-286
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Post by Ish Kabbible on Jan 2, 2015 2:17:52 GMT -5
I read Archie comics beginning around 1960/1961. Can't recall specific stories but I do remember a particular fondness for Little Archie and Archie's Madhouse. They were all so consistantly entertaining. I bade them farewell shortly after the super-hero stories began appearing in the mid-60's. It will be interesting to see if the issues you review from that era trigger my memories
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Crimebuster
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Post by Crimebuster on Jan 2, 2015 2:49:20 GMT -5
Added reviews for #7, 10, 15, 20, 24 and 25.
Added reviews for #28, 30, 31 and 33.
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Post by Ish Kabbible on Jan 2, 2015 10:39:41 GMT -5
Wish I had a copy of #31. Not sure if I read it when it came out but I went to the World's Fair many,many times back in '64/65. It was in walking distance from where I grew up in Forest Hills,Queens. Besides my parents taking me a few times, my friends and I discovered a section of fence we could crawl under to get in. However food and attractions were a bit expensive for a 10 year old boy so all we could do was run around. It was a beautiful and exciting fair, I love seeing old photos and films of it.
BTW, the Unisphere is still standing
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Post by Roquefort Raider on Jan 2, 2015 11:10:11 GMT -5
Great project, Scott!
Some of these stories are familiar: I suppose they were reprinted in digests or in "Archie Christmas special" books. Life with Archie was one of the rare American comics we'd get fairly regularly at the local newsstands when I was young, so I have a special affection for it (even if I didn't enjoy its dramatic aspects as much as the humor of the other Archie titles). Looking forward to more reviews!
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