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Post by tolworthy on Jun 8, 2014 7:07:45 GMT -5
Equally tho one could argue the 80s were the golden era of british comics - mills, wagner, grant, milligan, morrison, moore, gaiman, campbell, delano, bolton, bolland, mckean, don lawrence's storm, etc etc. Yes, the evidence of this thread is that I am in a minority. But I am an idealist, a spiritual child of the sixties. I found eighties comics just too negative for my taste. Grim and gritty are not for me.
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Post by tolworthy on Jun 8, 2014 2:07:39 GMT -5
Agreed. I'm genuinely surprised that other eras are getting more votes. Variety is the spice of life I suppose. In addition to the obvious (Marvel's most creative period) the 1960s were the golden age for British comics: the Beano was inspired in this era, and we had everything from TV21 to Look and Learn to satisfy our full colour needs. Ah, the Trigan Empire...
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Post by tolworthy on Jun 7, 2014 13:07:58 GMT -5
no, this time it's the Wizard with the Wrecking Crew (Wrecker, Thunderball, and a girl who's dad was Bulldozer)
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Post by tolworthy on Jun 7, 2014 11:30:30 GMT -5
I know this is a classic comics board, but is it OK to talk about new comics in terms of old comics? I just finished Fantastic Four (2014 edition) issue 4. It struck me that you could make the entire comic from cutting up old issues of the FF. Possibly that is just what the writer did.
This is more obvious in the next issue, judging by online reviews: FF 5 is basically a cut and paste of the past (or at least of the boneless retcon version). This lack of imagination is not unique to the new writer: it is true of pretty much every issue of the past 25 years. I choose the new issue 4 because it's the one I received this morning. Let us see where every page came from.
You don't need to read the new issue to follow this post. My point is that you have already read it, probably a hundred times over.
Page 1 is a text review of the past.
p 2: Johnny is de-powered. This is from FF39 (all numbers are from memory and may be 1 or 2 issues off). Back then all the team lost their powers. That's why Reed created the flaming suit for Johnny, but they seem to have forgotten that. When they cut out the problem from FF 39 the solution must have fallen on the floor.
Johnny's feelings here are Ben's feelings from FF 171 when the same thing happened to him.
p.3-4 (top half): Ben faces the wrecking ball guy. This is from circa FF299.
p.3-4 (bottom half: Ben is immediately beaten. This is from every issue since the 1990s: Ben's role is to be beaten in order to demonstrate the power of the new guys. TVTropes refers to this as the Whorf effect.
p.5 The Frightful Four have a secret master who is more intelligent and more powerful. This is from circa 321-333: Aron the rogue Watcher secretly backs the Frightful Four. (There is some speculation on the boards that it's Aron again this time.)
p.6 New villain is a child replacement for the old villain, with the same powers. Byrne did this better with Kristof, adopted son of Doom.
p.7 New version is sexy and female, thrusting out her booty. This is from Byrne's sexing up of She-Hulk (see FF 275). Though this sexy female version is a teenager so thankfully the booty thrusting is a little restrained and covered up. But still, imagine a male character in that pose. The completely impractical costume - half heavy duty military, half completely exposed - is a 1990s trope that Simonson mocked on the cover of 343.
p.8 Destroying New York: this is a post 1990 trope for the FF (though used in other titles before that) so I can't give issue numbers offhand, but suffice to say, it's ooooooooooooooold.
Regarding sexy costumes, on this page Sue has not just a booty thrust but a wedgy: her costume is basically painted on. This is from DeFalco's boob window cozzy of the 1990s. Thankfully the pre-1990 Sue never wore anything like that: it was pretty much the opposite of her character, as noted in annual 12 I think.
As for the red colours, this is from the Incredibles: now that Disney owns Marvel, it is safe to admit that "The Incredibles" was the Fantastic Four.
p.9 (top half): falling out of the Fantasticar: this is from FF 124. (I will note that back in FF 7 they had enough sense to wear seatbelts.)
p.9 (bottom half): everyone adds their hand to Ben's hand to show they are a team: this is straight from FF1.
p.10 a backup team - the concept is from FF351-353. Ant man is from FF16, She-Hulk from 257, and the Thing costume is from 170. A female Thing is from 310.
Once again the super tough costume leaves a highly vulnerable part, this time the head, completely exposed.
The idea of the new team just standing there as if we are supposed to be impressed by them not doing anything, this again comes from the 1990s and later.
I will skip over the next ten pages because my interest is severely lacking. The issue ends with a shot of the top cut off the Baxter Building (this is from around FF241 I think), with Shield agents taking control of the building (FF191 or so if memory serves) and Reed put on trial (FF 262 and FF 335)
My problem is not that it's all so old - that would be bad enough. It's that it misses the only parts that actually matter: any feeling of real danger. Nobody ever gets hurt, nothing makes any sense, and the outcome is never in doubt. It tries to fake danger by one of the lamest tropes from the reject bin: claiming that the villains have had their powers increased (how exciting). But if you compare the earlier appearances of these folks you will see their powers, if anything, have been reduced. Which I admit is refreshing in these days of rampant power inflation. The Wrecker on his first appearance could level a building without help. And the Wizard's second generation Wonder Gloves could pretty much do all that stuff without the Wrecking Crew.
In short, it's old but it's not good. But the silver lining is that it points us to stories that WERE good. and for that I am grateful.
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Post by tolworthy on Jun 7, 2014 2:11:43 GMT -5
These are the ones I'd rescue in the event of fire:
1. The GITcorp Fantastic Four DVD. In constant use. 2. The Count of Monte Cristo (1980 British reprint of the Marvel adaptation) - to my mind the perfect comic (in the sense of a model for other comics to follow IMO) 3. UK Marvel Annual 1973: the perfect anthology of classics. 4. Moby Duck: a tiny 8 page pull out Badtime Bedtime book from Monster Fun comic. 5. A toss up between Monster Fun annual 1978 and Mighty World of Marvel 39, for nostalgia purposes.
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Post by tolworthy on Jun 7, 2014 2:10:59 GMT -5
Thanks for those links! I started at the beginning of "the comics detective", and what do we find? New information on the Fantastic Four! So much for getting any work done today. Many thanks!
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Post by tolworthy on Jun 6, 2014 8:41:14 GMT -5
Thanks. So far that's two serious podcasts for DC and none for Marvel. This supports my long held theory that the most hardcore DC fans are more hardcore than Marvel. Yes, there is a handful of insanely deep fans at Marvel -(e.g. the Original Marvel Universe blog, or the Pierre Comtois books) but DC seems to have more of them. That's just my anecdotal experience. Do you guys get the same feeling?
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Post by tolworthy on Jun 6, 2014 4:37:49 GMT -5
I have a question.. what exactly can be done in a blog that's different from a forum post? Is it the indexing? That's easily done by simply using the first post. I've only looks at blogs very occassionally, but most of them to me look like 1 man discussion boards. Blogs can be more attractive to outsiders: they are more consistent over time, and you get more information in less space. Five minutes on "legends revealed" gives more information than 5 minutes on a random CBR thread. This attracts more new people. Yes, most blogs are just 1 man discussion boards, but they have more potential as gateways to new readers. IMO.
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Post by tolworthy on Jun 5, 2014 19:46:34 GMT -5
I second the vote for blogspot/blogger. A superb service. I used to host my own forum on one of my sites, just basic wordpress stuff, but it was just a honeypot for malware. I switched to blogger in 2007 and never looked back.
The only down side is Google has to index a ".blogspot" address instead of a ".yourdomain" address, but so what? IMO most people care about the content and finding it, not where it's hosted. I have found blogger to be very reliable.
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Post by tolworthy on Jun 5, 2014 19:35:33 GMT -5
I've never followed it, but I enjoy listening to anyone who's an expert at what they do, when they have the time to really talk.
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Post by tolworthy on Jun 5, 2014 14:51:56 GMT -5
What I would like to see change back to more like "classic" days is having most stories be only 1 or 2 issues long. These days most books have every story stretched to 5 or 6 issues, and rarely are they really epic enough to deserve such length. A few books still do good one-and-done stories, but they seem to be the exception today. I'd also like to see fewer giant crossover EVENTS (all caps because they're so big!). Little crossovers were fun, but big events should be rare, otherwise they're just not special. Plus these big events get stretched to 10 or 12 issues, which isn't big - it's just dragged out. Between long stories and events, you're lucky to get 3 complete stories a year for a given character or team (unless you're Wolverine and appear in every single title). Agreed! And it leads to the feeling of being cheated. For example, I subscribe to the FF, and was especially excited to hear that the Negative Zone would be explained at last. But despite buying every issue I missed that part, as you apparently needed to buy the "FF" magazine at the same time. To completely understand the "four minute" holiday story you had to buy all 16 issues of the FF, as well as all 16 issues of the main title: that's 32 issues at three dollars each: almost 100 dollars just to know what's going on. To me, it shows supreme contempt for the readers: if you don't shovel large sums of cash into their pockets they don't care about you at all.
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Post by tolworthy on Jun 5, 2014 14:06:58 GMT -5
Oh I agree, most of the homages are forced. but I love that bronycon one - it's one of my favourites I've removed the statue of liberty example and reworded the later discussion on the topic.
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Post by tolworthy on Jun 5, 2014 14:02:52 GMT -5
Anyone who calls himself "DC indexer" is my kind of geek. I will definitely check out those links. Thanks!
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Post by tolworthy on Jun 5, 2014 13:03:18 GMT -5
Some seem a little bit forced Do you mean the statue of liberty example? That is the only one that was not overtly drawing on FF 1. Good point - I'll move that one. But all the others, as far as I can tell, are either explicit homages or are clearly inspired by FF 1. The one grey area is the Incredibles movie, but so many people have made the connection, and it's such a huge example, that it seemed fair to include it. Regarding quality, I started with just using actual covers of mainstream comics (there are about fifty of those). But some mainstream covers are uninspired, whereas some fan art is superb: once I opened the flood gates to fan art the numbers soon increased. Granted, some are no more than childish sketches, but others have a great deal of depth. The Fundamentalist Four or the Spanish painting for example. Regarding numbers, I would guess that Action 1 probably has more homages, and Amazing Fantasy 15 might beat FF1 but I haven't checked. But I see my role as pointing out the good stuff that others have missed. And art being what it is, that inevitably means adding some dross as well, but tastes vary so I err on the side of including it where possible. I've only consciously rejected two homages, and they were just created for juvenile shock value so I'm not missing sleep over them.
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Post by tolworthy on Jun 5, 2014 12:18:11 GMT -5
No sliding time scale nonsense. Characters age and die. On can always re-visit (Untold Tales of ____), re-vamp (legacy heroes), or re-do (Ultimate ____) but none of this compacting time as we go. Editors would actually edit, co-ordinate, and monitor. Characters wouldn't have completetly different personalities and powers under different writers. I'd bring back references to past issues. I'm sure I can think of more Definitely to all three! And I'd add: 4. Long term business thinking. Think of profits beyond the next five years: ask why a non-comic reader would care about this issue, and why a non-comic reader would care in ten years? If you can pass that barrier then big bucks await. It's not a question of art versus business, it's a question of business seeing beyond the next shareholder meeting. 5. Remember what made comics great. Stan Lee gave a pretty good formula in Fantastic Four issue 9: incredible exploits plus down to earth realism. Read any of the greatest superhero comics: the pages alternate between "what is the most incredible thing we can think of?" and "how can we make this feel very real?" Jack Kirby was the master: no matter how cosmic the story, every page (pretty much) had some really ordinary street level touch that readers can recognise. That would radically change most current comics of course. Current superheroes are an elite, a club of billionaire friends who live in penthouses and have direct access to other elites. That all has to go, IMO. 6. Care. I want to see letters pages that are desperate for every reader. I want to see writers jumping on tables to act out stories again. I want them to feel that they have to grab new readers or go bust. 7. Basic business sense. Comics are entertainment. They compete with video and games. To thrive they need to give more bang per buck. A typical movie download or top rated game costs maybe two dollars per hour for top content (if you include the sunk cost of hardware). Comics have to match that if they are to thrive. And they could do: the big companies have massive numbers of back issues that cost nothing more to produce, yet can still be sold. They have to think in terms of selling a comic very cheap, and selling it often to new generations of fans, rather than price gouging a few middle aged nostalgia buffs. I suppose in short I want editors to raise their sights: to think big.
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