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Post by thwhtguardian on Dec 15, 2014 22:20:30 GMT -5
#10 Avengers #294 (August 1988) Writer: Walter Simonson Art: John Buscema Plot: Still reeling from the evens of 'Under Siege', the Avengers turn to Dr. Druid to help stop a plot by Nebula to and the council of Kangs to take over the entire timestream. Little do they know turning the team over to him could well be the beginning of the end. Historical Significance: This is in the 'in between' era, where Roger Stern and his most excellent run was ended when editorial decided Captain America needed to be the leader... this is sort of the transition to get there (which won't happen for quite a while). Simonson would have a very short run, but delivered a pretty memorable arc here. Why I picked it: When I picked these up, it was because of Captain Marvel... I've always though Monica Rambeau was a great character. This issue was the one that made it clear that her run as Avengers leader was over... it's the first comic I read where I was angry enough to toss the comic across the room after reading it. Other than Thor and She-Hulk I have no idea who is on this team.
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Post by hondobrode on Dec 15, 2014 22:41:14 GMT -5
Jonah Hex looks great in black and white. And the Showcases are pretty cheap. It's one of the better books from the time period. Looks like another title added to this year's "to buy" list Jonah Hex is another favorite character despite whatever title or imprint they thrust him into. If there's a character I follow, he's one of the very few, including Doc Savage, the Shadow, the Rocketeer, and a handful of others I can't think of at the moment.
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Confessor
CCF Mod Squad
Not Bucky O'Hare!
Posts: 10,197
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Post by Confessor on Dec 15, 2014 22:51:27 GMT -5
C'mon...how can you not love this art! Never heard of Manhunter, dubipr, but it looks very intriguing. How different Walt Simonson's art looks when he's inking himself though. I'm so familiar with seeing his pencils inked by Tom Palmer or Dick Giordano, that I doubt I'd have recognised this page as being Simonson.
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Post by thwhtguardian on Dec 15, 2014 22:52:14 GMT -5
Looks like another title added to this year's "to buy" list Jonah Hex is another favorite character despite whatever title or imprint they thrust him into. If there's a character I follow, he's one of the very few, including Doc Savage, the Shadow, the Rocketeer, and a handful of others I can't think of at the moment. It's funny you say that as I'd read just about any book with Doc Savage, the Shadow and the Rocketeer too.
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Post by Icctrombone on Dec 15, 2014 22:55:23 GMT -5
#10 Avengers #294 (August 1988) Writer: Walter Simonson Art: John Buscema Plot: Still reeling from the evens of 'Under Siege', the Avengers turn to Dr. Druid to help stop a plot by Nebula to and the council of Kangs to take over the entire timestream. Little do they know turning the team over to him could well be the beginning of the end. Historical Significance: This is in the 'in between' era, where Roger Stern and his most excellent run was ended when editorial decided Captain America needed to be the leader... this is sort of the transition to get there (which won't happen for quite a while). Simonson would have a very short run, but delivered a pretty memorable arc here. Why I picked it: When I picked these up, it was because of Captain Marvel... I've always though Monica Rambeau was a great character. This issue was the one that made it clear that her run as Avengers leader was over... it's the first comic I read where I was angry enough to toss the comic across the room after reading it. Other than Thor and She-Hulk I have no idea who is on this team. I have the entire Avengers run except for #1 and #4, and I think the series became ho hum after it hit #300.
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Post by Deleted on Dec 15, 2014 22:55:28 GMT -5
Day 3 No. 10 Savage Tales #1Marvel, cover date May 1971 various writers and artists Yeah, it' s a cool comic. You've got an early Roy Thomas/Barry Smith Conan story. You've got the first appearance of Man-Thing. You've got a Ka-Zar story, which . . . okay, I never really got into Ka-Zar. I liked the original 3 pulp stories better than any Ka-Zar comic I ever read. And you've got 2 other stories meant to be the start of new series, but which didn't continue. (Though the Femizons later turned up in the Fantastic Four, IIRC. Don't think Black Brother was ever seen again.) It was Marvel's attempt to go 'mature' with edgier material and semi-nudity. (Hey, a dominant woman and a black guy heading their own stories was edgy back then.) But that's not why this book made my list. I was buying everything Conan I could find back then, and I flipped when I saw this magazine on the shelf. But I didn't have any money, so I freaked. I ran home and got the money, but it was too late to go back to the store. So I determined that I would walk there after school the next day. Now you have to understand, I went to Catholic school from 1st grade through my first year of college. I'd had the whole sin/hell/eternal punishment thing hammered into me steadily from an early age. So I was a little nervous about buying the book to begin with, what with the violence, cussing and naked women (however discreetly posed). But that day, with two quarters burning their way out of my pocket, our biology class had a guest speaker. One of the older priests came in to talk to us about how hard it was to be good Catholics in a world of sin and depravity, and how we had to be sure to avoid movies and books that could lead us into sin. Talk about timing; it felt like that priest must've read my mind. I seriously wondered if it might have been a sign from God himself, telling me to shape up and not buy that sleazy magazine. It haunted me through the rest of my classes. What should I do? Oh, come on. Barry Smith. Gray Morrow. Conan. Sorta nekkid ladies. What do you think I did? God was just gonna have to understand.
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Post by hondobrode on Dec 15, 2014 22:58:48 GMT -5
Jonah Hex is another favorite character despite whatever title or imprint they thrust him into. If there's a character I follow, he's one of the very few, including Doc Savage, the Shadow, the Rocketeer, and a handful of others I can't think of at the moment. It's funny you say that as I'd read just about any book with Doc Savage, the Shadow and the Rocketeer too. There are darn few characters I follow like that anymore. BTW, may I say your taste is impeccable
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Post by hondobrode on Dec 15, 2014 23:08:57 GMT -5
Ok, so my family lived out in the country and we were at the tail end of the bus route; a long hour home. One of our neighbors one day had a couple of Hulk comics and some really nice art. Ernie Chua anyone ? Everything was still newsstand. I asked this guy a year older than me if he'd bring those Hulk comics back and I'm buy them from him. After being really persistent, finally one day he did and I bought em. I don't think he really wanted to part with em. There was one I didn't remember seeing and didn't realize til a little while later what I really had. How incredibly cool was that ? I held on to it for years until I got to doing some trading. I knew of course this was worth money but ended up trading it to a dealer in Lincoln for $ 40. It was probably in good condition. I traded it thinking I could get the reprint and that was fine. As an adult I've never really held on to a comic because of rarity; more a reader than a collector. Quickly I regretted trading it but of course the dealer says no way and it's gone. There was something really cool about having the first full appearance of one of the most popular superheroes ever. Who would've thought.
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Post by Mister Spaceman on Dec 16, 2014 0:10:14 GMT -5
#10. X-Men #111 (June 1978)This is the issue that introduced me to the new X-Men, the writing of Chris Claremont, and the pencil/ink team of Byrne and Austin. Because of all of those reasons, it has always held a special place in my comic book heart. The story itself is a bit of fluff, as I recall; something about Magneto using a circus front to capture the X-Men. But Claremont's characterizations and that stylized art (a quintessential 70's comic book aesthetic) sold me easily and I stayed around for the ensuing epic sagas. In fact, I quickly got a subscription and still have the rest of that Claremont/Byrne/Austin run, complete with the faint trace of the fold made in each mailed copy. I can still vividly recall the regular excitement of sliding each newly arrived issue out of that plain brown sleeve to see what new delights awaited me. Good stuff and it all started with this one.
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Post by cattysquaw on Dec 16, 2014 0:23:43 GMT -5
Superman Batman #13
I really enjoyed the first run of this series, not so much the new run. The cover on this is wonderful art work by Michael Turner and it wraps up the Supergirl storyline. Wonder Woman is also involved and you get a Darkseid battle. The Jeph Loeb/Michael Turner teamwork on this is great.
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Post by JKCarrier on Dec 16, 2014 0:42:55 GMT -5
Howard the Duck #16 (1977) During the 1970s at Marvel, a blown deadline usually meant a reprint. But in this case, we got something very different and very cool. In order to get this issue out while he was moving cross-country, Steve Gerber banged out a rambling prose essay, which was then illustrated by a host of different artists. Part polemic, part metaphor, part confessional, Gerber holds forth on everything from the nature of writing to the deeper meaning (or lack thereof) of the Grand Canyon, with Howard the Duck supplying sarcastic commentary throughout. It's a wild ride, and more than a little self-indulgent, but it certainly made for a unique reading experience, and opened up my mind to some of the possibilities of comics beyond conventional panel layouts.
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Post by Deleted on Dec 16, 2014 1:26:55 GMT -5
#10: Star Wars #50 (Marvel, 1981) This issue came out approximately a year after The Empire Strikes Back. It was a time when I was still in awe of Empire and anticipating RoTJ. This was also the first Star Wars comic I owned. I had gone into the store wanting a Spider-man ish, but the sleek Tom Palmer cover featuring all of the main characters seduced me over to the dark side of the rack. Turns out I was in for a treat. This issue marked the end of a run by Archie Goodwin, and he went out with a bang, by giving fans a self-contained story with artwork by a team of Al Williamson, Tom Palmer and Walt Simonson. The artwork in this one is purely fantastic, and wrapped an illusion around the story that felt like I was watching a Star Wars movie. And then there was Goodwin's story, "The Crimson Forever". Goodwin expertly crafted a tale that expanded the Star Wars universe while weaving all of the main characters into the plot's course throughout. After encountering an Imperial Star Destroyer that does not engage, Luke Skywalker boards the ship and discovers the entire crew is dead. They had succumbed to a deadly alien virus, and now Luke has caught it. Leia summons Lando and Chewbacca for help, who are busy in the Falcon searching for Han Solo (still in carbonite). Leia remembers Han mentioning two mystical rubies that, when separated, resulted in a similar illness, and implores Chewbacca (via C-3PO) to tell her more about them. The book dives into a flashback tale about a Han and Chewie escapade where they are caught by a slaver named Klysk, who was after two jewels in the heart of the Red Nebula. Leia, Hando and Chewie head off for the Red Nebula in the Falcon, but receive a distress signal by a mercenary ship. They board the ship to find everyone dead from the virus. They are then ambushed and captured by IG-88 (my favorite bounty hunter, great surprise moment) and taken to Domina Tagge. Turns out Tagge is behind the virus all along, and wanted revenge for her dead brother. She had separated the jewels which in turn caused the virus. Lando pretends he has the virus, which allows Leia to open the airlock so they can escape. In a surprise twist, IG-88 (unaffected by the virus as he's a droid) re-unites the separated jewels, ending the threat the virus had imposed. When my parents wanted to hit the road, I always brought this comic. It provided the perfect Star Wars fix. There is so much more to the story then the book I just wrote above, such as a battle between Luke and Vader in a hallucinogenic red haze, a giant jewel guardian who mistakes Chewie for a cub, an apologetic stun droid, and more.
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Post by Deleted on Dec 16, 2014 1:47:52 GMT -5
We backslide from 1985 to 1984 for today's selection... Number 10MANHUNTER SPECIALYear of Release: May 1984 Written by: Archie Goodwin Drawn by: Walt Simsonson Synopsis: Golden Age hero Paul Kirk was killed by a stampeding elephant, cryogentically frozen and resurrected by the mysterious Council. The Council is a secret society that wants to rule the world. Bred by the Council to kill all that oppose their views, the Council underestimated Kirk's morals and Kirk was deemed an enemy of the Council. Kirk enlist the help of Interpol agent Christine St Clair to help take down the Council. Originally backup stories in Detective Comics, this is a collection of the 8 page stories. Why This Is A Classic: I remember seeing this in a comic store in Los Angeles when I was 8 and I knew I had to get this. While having a steady diet of GI Joe, we all became fans of Snake Eyes and his ninja training. So I also read as much about Eastern combat, samurai swords and other cool stuff. So seeing Simsonson's cover and noticing the shurikens, this was a must buy. I mowed a ton of lawns, cleaned the hill above the house from sagebrush, anything to get money to own this collection. When I got it, it didn't fail. At that time, I wasn't fully paying attention to writers and artists, but the name Archie Goodwin caught my eye. What he did in 8 pages amazed me of such dense storytelling of action, drama, and sense of awe compared to what people were drawing in 22. I knew that I could write that...HA! Me at 8 years old, comparing myself to Archie. And Walt Simonson... I knew I had to follow this gentleman. Luckily he was drawing Thor and I devoured his run. Its a special book to me not because it's considered one of the greatest examples of comic storytelling, it was the first time I actually cared about who I was reading. I had found writers and artists to follow and also began learning the history of comics. From this comic, I began to learn Walt's history; what books he was doing, and who his contemporaries were, and their admirers. From there I learned the Marvel Bullpen, followed those artists I liked. As for Archie, I was a bit too young to read his Warren magazine back issue, but I looked for his works and who he hired. In essence, Manhunter began my Comic History 101. C'mon...how can you not love this art! Excellent choice and a true classic right there.
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Confessor
CCF Mod Squad
Not Bucky O'Hare!
Posts: 10,197
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Post by Confessor on Dec 16, 2014 8:28:58 GMT -5
#10: Star Wars #50 (Marvel, 1981) This issue came out approximately a year after The Empire Strikes Back. It was a time when I was still in awe of Empire and anticipating RoTJ. This was also the first Star Wars comic I owned. I had gone into the store wanting a Spider-man ish, but the sleek Tom Palmer cover featuring all of the main characters seduced me over to the dark side of the rack. Turns out I was in for a treat. This issue marked the end of a run by Archie Goodwin, and he went out with a bang, by giving fans a self-contained story with artwork by a team of Al Williamson, Tom Palmer and Walt Simonson. The artwork in this one is purely fantastic, and wrapped an illusion around the story that felt like I was watching a Star Wars movie. And then there was Goodwin's story, "The Crimson Forever". Goodwin expertly crafted a tale that expanded the Star Wars universe while weaving all of the main characters into the plot's course throughout. After encountering an Imperial Star Destroyer that does not engage, Luke Skywalker boards the ship and discovers the entire crew is dead. They had succumbed to a deadly alien virus, and now Luke has caught it. Leia summons Lando and Chewbacca for help, who are busy in the Falcon searching for Han Solo (still in carbonite). Leia remembers Han mentioning two mystical rubies that, when separated, resulted in a similar illness, and implores Chewbacca (via C-3PO) to tell her more about them. The book dives into a flashback tale about a Han and Chewie escapade where they are caught by a slaver named Klysk, who was after two jewels in the heart of the Red Nebula. Leia, Hando and Chewie head off for the Red Nebula in the Falcon, but receive a distress signal by a mercenary ship. They board the ship to find everyone dead from the virus. They are then ambushed and captured by IG-88 (my favorite bounty hunter, great surprise moment) and taken to Domina Tagge. Turns out Tagge is behind the virus all along, and wanted revenge for her dead brother. She had separated the jewels which in turn caused the virus. Lando pretends he has the virus, which allows Leia to open the airlock so they can escape. In a surprise twist, IG-88 (unaffected by the virus as he's a droid) re-unites the separated jewels, ending the threat the virus had imposed. When my parents wanted to hit the road, I always brought this comic. It provided the perfect Star Wars fix. There is so much more to the story then the book I just wrote above, such as a battle between Luke and Vader in a hallucinogenic red haze, a giant jewel guardian who mistakes Chewie for a cub, an apologetic stun droid, and more. I want to "like" this post twice. You're right, this is an excellent issue. I total get what you mean when you say that reading it made you feel "like [you were] watching a Star Wars movie." The story's length and the fact that it's drawn by Al Williamson, just like the earlier adaptation of The Empire Strikes Back was, gives the story an "official" vibe, which makes it almost seem like you're watching Star Wars: Episode V½. It's also a very skillfully woven tale that cleverly lets us see Luke crossing lightsabers with Darth Vader, Han Solo out of carbonite and back in action again, and also ties into the Carmine Infantino era Marvel continuity with the appearance of Domina Tagge. It's quite a feat to do all that and still not mess anything up character-wise, with regards to the then-forthcoming 3rd movie installment. Here in the UK, this came out at Christmas 1982 in a hardcover, magazine-sized annual and I must've literally read that book a hundred times as a kid. Like you it was almost always my Star Wars comic of choice for long road journeys with my parents. I had this comic on my Classic Comics Xmas shortlist too, but I could've filled all 12 days up with issues of Marvel's Star Wars comic to be honest. I already have two issues from the series in my top 12, so I had to cull this one for the sake of variety, but I'm glad that somebody else has picked it.
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Post by thwhtguardian on Dec 16, 2014 11:25:39 GMT -5
#10: Star Wars #50 (Marvel, 1981) This issue came out approximately a year after The Empire Strikes Back. It was a time when I was still in awe of Empire and anticipating RoTJ. This was also the first Star Wars comic I owned. I had gone into the store wanting a Spider-man ish, but the sleek Tom Palmer cover featuring all of the main characters seduced me over to the dark side of the rack. Turns out I was in for a treat. This issue marked the end of a run by Archie Goodwin, and he went out with a bang, by giving fans a self-contained story with artwork by a team of Al Williamson, Tom Palmer and Walt Simonson. The artwork in this one is purely fantastic, and wrapped an illusion around the story that felt like I was watching a Star Wars movie. And then there was Goodwin's story, "The Crimson Forever". Goodwin expertly crafted a tale that expanded the Star Wars universe while weaving all of the main characters into the plot's course throughout. After encountering an Imperial Star Destroyer that does not engage, Luke Skywalker boards the ship and discovers the entire crew is dead. They had succumbed to a deadly alien virus, and now Luke has caught it. Leia summons Lando and Chewbacca for help, who are busy in the Falcon searching for Han Solo (still in carbonite). Leia remembers Han mentioning two mystical rubies that, when separated, resulted in a similar illness, and implores Chewbacca (via C-3PO) to tell her more about them. The book dives into a flashback tale about a Han and Chewie escapade where they are caught by a slaver named Klysk, who was after two jewels in the heart of the Red Nebula. Leia, Hando and Chewie head off for the Red Nebula in the Falcon, but receive a distress signal by a mercenary ship. They board the ship to find everyone dead from the virus. They are then ambushed and captured by IG-88 (my favorite bounty hunter, great surprise moment) and taken to Domina Tagge. Turns out Tagge is behind the virus all along, and wanted revenge for her dead brother. She had separated the jewels which in turn caused the virus. Lando pretends he has the virus, which allows Leia to open the airlock so they can escape. In a surprise twist, IG-88 (unaffected by the virus as he's a droid) re-unites the separated jewels, ending the threat the virus had imposed. When my parents wanted to hit the road, I always brought this comic. It provided the perfect Star Wars fix. There is so much more to the story then the book I just wrote above, such as a battle between Luke and Vader in a hallucinogenic red haze, a giant jewel guardian who mistakes Chewie for a cub, an apologetic stun droid, and more. I nearly chose this one as well, and for the very reasons you listed; it really did feel like a new episode of Star Wars, I mean outside of the adaptations every Marvel issue was a new story but this special felt like it was the real deal. And although this issue did not make my list I think you'll appreciate my pick for today.
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