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Post by Slam_Bradley on Dec 15, 2014 18:23:22 GMT -5
As a mild to casual fan of Jonah Hex since I first saw him on Batman: The Animated Series this is a series I have always wanted to check out but for one reason or another just haven't gotten to it. Jonah Hex looks great in black and white. And the Showcases are pretty cheap. It's one of the better books from the time period.
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Post by thwhtguardian on Dec 15, 2014 18:43:01 GMT -5
As a mild to casual fan of Jonah Hex since I first saw him on Batman: The Animated Series this is a series I have always wanted to check out but for one reason or another just haven't gotten to it. Jonah Hex looks great in black and white. And the Showcases are pretty cheap. It's one of the better books from the time period. Looks like another title added to this year's "to buy" list
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Post by Cei-U! on Dec 15, 2014 18:46:52 GMT -5
Jonah Hex may well be the best DC title of the '70s. It's certainly the era's best western.
Cei-U! I summon the spaghetti sauce!
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Post by thwhtguardian on Dec 15, 2014 18:53:10 GMT -5
Jonah Hex may well be the best DC title of the '70s. It's certainly the era's best western. Cei-U! I summon the spaghetti sauce! I've really enjoyed the Vertigo minis I've managed to track down, and I loved Justin Gray and Jimmy Palmiotti's run in mid 2000's so I'm sure to enjoy the original.
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Post by Paste Pot Paul on Dec 15, 2014 19:19:41 GMT -5
Jonah Hex may well be the best DC title of the '70s. It's certainly the era's best western. Cei-U! I summon the spaghetti sauce! Oh hell yeah !!!
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Post by Icctrombone on Dec 15, 2014 19:27:20 GMT -5
12 days of Classic Christmas # 10Fantasy Masterpieces #14Stan Lee/ John Buscema/ Dan Adkins
Jim Starlin/ Mike Leialoha
1980I discovered Jim Starlin when he did the Captain Marvel series and years later read his Warlock revamp . Strange Tales # 178 contained the first chapter of the Magus saga which was continued on in Warlock #9. I only got to read Warlock #10 and , for some reason that escapes me, I never read the conclusion in #11. That is until 1980, 5 years later. Fantasy Masterpieces was a reprint book that Originally had the Silver Surfer series and starting Issue # 8 , had the Jim Starlin Warlock Issues. In issue # 14 ( the final issue) it had the final chapter “How strange my destiny” which was a reprint of Warlock #11. This book makes my list because it was my White Whale and that final chapter had eluded me for too long. I can’t say I remember much about the Surfer story but what I do remember about the Warlock part was that the artwork was pretty weak. I think the inker Leialoha did most of the art over breakdowns by Starlin. I was ,and still am, a big Starlin fan so seeing Warlock die at his own hands was really trippy.
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shaxper
CCF Site Custodian
Posts: 22,862
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Post by shaxper on Dec 15, 2014 19:54:55 GMT -5
10. Magnus Robot Fighter #1 (Gold Key 1963)As an adolescent, money didn't mean all that much to me. I had a lucrative dog walking business and no bills to pay, so, while I was never going to be padding my collection with $100 comics, I rarely thought twice about buying a $40 key issue when the opportunity presented itself. But, by the time I returned to comics in 2002, I was a poor working 22 year old trying to make my way in the world and earning only a little more per week than I had been when I was 12 and walking dogs. Discretionary income came infrequently and was used cautiously. And, as mine and my new wife's funds continued to dwindle, while we worked odd jobs to make ends meet and tried to pay off student loans, discretionary income ceased to exist all together, and soon we were borrowing creatively just to make rent. It was during this time that my adult love for comics really began to ignite, but I lacked the funds to expand my collection of six long boxes from my adolescence. Still, I was fortunate in the fact that I'd recently met a friend with whom I quickly developed a deep bond. We'd both grown up on comics, and he was thrilled by my blowing the dust off of my old collection. Inspired by my example, he dredged up his own childhood collection, and we both found ourselves excited and yearning for more. We were also attending church together, and one week, the sermon was about not worshipping deficits. When you worried about what you were lacking to the point that you deprived and emotionally starved yourself, it caused spiritual and, often subsequently, material consequences. In essence, it fostered a self-fulfilling prophecy. This hit home for us. We were both tired, not of BEING poor, but of FEELING poor all the time, of depriving ourselves of things to the point that life began to feel like a continual hardship. So, with my wife's approval, we made a pact: once a month, we'd spend the day driving around, hitting up the local comic shops, and would spend money we didn't have. $15 a month wasn't going to make a big difference in the larger scheme of things, and the emotional benefits were clear. My wife similarly agreed that she'd start spending a little on herself, and she had fun hitting up thrift stores for zany attire. It ended up making for some of the most fun memories of our lives. As our financial situation improved, we remained good at maintaining the balance – small discretionary spending, lots of fiscal responsibility. There was no discussion; it had just become instinct. So, one day, my buddy and I were in one of the local comic shops (we still hadn't tried attending shows yet), and (amazingly enough) they'd gotten in new old comics. And proudly displayed at the checkout, on a little eisel, was the original Magnus Robot Fighter #1. Now, in recent months, I'd been re-reading my Valiant Magnus Robot Fighter comics and had completely fallen in love with the character and premise, but here was his very first appearance! I couldn't believe it was there, in the same room with me. The shop owner even allowed me to pick it up and hold it. I asked the price out of sheer curiosity, expecting him to tell me it was going for hundreds of dollars (I had no concept of its market value). He told me it was $45. I was astounded by the low price, but put it down all the same. My buddy tried to goad me into buying it, but I didn't have $45 to spend on comics. It was only later, after a lot of obsessing over the missed opportunity, that it occurred to me that I wasn't poor anymore. We weren't exactly rolling in the dough, but there was a good chance I DID, in fact, have $45 to spend on that issue; I was just so used to not having nice things. So we went back a few days later, I bought it, took it out of the bag almost immediately, and (for the first time in my life) really breathed the pages and caressed the textures of the printing. I don't know that I've ever felt quite as wealthy as when that book became mine. There was guilt at first, mind you; to this day I can't explain why any comic is worth more than the initial cost to print it, but it was priceless to me all the same, and I had a tremendous sense that a burden had been lifted from within. I had given myself permission to spoil myself. And that was the gateway drug. My buddy and I went on to start buying a lot of key issues (spread out over a long period of time, of course, and only when the deal was particularly good) and as our finances improved, our spending budgets increased. We spent a few years buying up most of our dream books, and while most of them were far more impressive than Magnus #1, few left a bigger impression upon me. Beyond the memory, this is a great book in general, of course. Those fantastic painted Gold Key covers, the brilliant Russ Manning visuals, and even the awesome The Aliens backup feature. It was a first class book, but, like all books on my list this year, its significance transcends what's in the book. It's the memory attached that matters most each time I hold it again: the feeling of being recalled to life after spending so long budgeting our lives down to the dollar.
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Post by thwhtguardian on Dec 15, 2014 20:03:10 GMT -5
Now that's a story Shax!
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Post by DubipR on Dec 15, 2014 20:38:22 GMT -5
We backslide from 1985 to 1984 for today's selection... Number 10MANHUNTER SPECIALYear of Release: May 1984 Written by: Archie Goodwin Drawn by: Walt Simsonson Synopsis: Golden Age hero Paul Kirk was killed by a stampeding elephant, cryogentically frozen and resurrected by the mysterious Council. The Council is a secret society that wants to rule the world. Bred by the Council to kill all that oppose their views, the Council underestimated Kirk's morals and Kirk was deemed an enemy of the Council. Kirk enlist the help of Interpol agent Christine St Clair to help take down the Council. Originally backup stories in Detective Comics, this is a collection of the 8 page stories. Why This Is A Classic: I remember seeing this in a comic store in Los Angeles when I was 8 and I knew I had to get this. While having a steady diet of GI Joe, we all became fans of Snake Eyes and his ninja training. So I also read as much about Eastern combat, samurai swords and other cool stuff. So seeing Simsonson's cover and noticing the shurikens, this was a must buy. I mowed a ton of lawns, cleaned the hill above the house from sagebrush, anything to get money to own this collection. When I got it, it didn't fail. At that time, I wasn't fully paying attention to writers and artists, but the name Archie Goodwin caught my eye. What he did in 8 pages amazed me of such dense storytelling of action, drama, and sense of awe compared to what people were drawing in 22. I knew that I could write that...HA! Me at 8 years old, comparing myself to Archie. And Walt Simonson... I knew I had to follow this gentleman. Luckily he was drawing Thor and I devoured his run. Its a special book to me not because it's considered one of the greatest examples of comic storytelling, it was the first time I actually cared about who I was reading. I had found writers and artists to follow and also began learning the history of comics. From this comic, I began to learn Walt's history; what books he was doing, and who his contemporaries were, and their admirers. From there I learned the Marvel Bullpen, followed those artists I liked. As for Archie, I was a bit too young to read his Warren magazine back issue, but I looked for his works and who he hired. In essence, Manhunter began my Comic History 101. C'mon...how can you not love this art!
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Post by benday-dot on Dec 15, 2014 21:13:24 GMT -5
What a beautifully designed splash page from Simonson on that Manhunter issue. I think I have Manhunter in every format it was ever printed in.
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Post by Action Ace on Dec 15, 2014 21:19:26 GMT -5
CLASSIC COMICS CHRISTMAS #10
JUSTICE LEAGUE OF AMERICA #40
"Indestructible Creatures of Nightmare Island"
On sale September 16, 1965
Written by Gardner Fox Penciled by Mike Sekowsky Inked by Bernard Sachs Edited by Julius Schwartz Cover by Mike Sekowsky This one starts with me reading the 100 Issues Ago feature in Justice League of America #140. From that brief outline I knew I had to read this comic. I had read two Fox/ Sekowsky stories in the JLA Tabloid comic in 1976 and enjoyed both of them immensely. As a kid, I thought this might be another Dr. Destiny story. If I had started to read comics a few months earlier, I would have gotten this in a 100 Page Giant. As it was, I just reread #140 every so often and wondered if I'd ever get to read the story for real. Then came the Justice League Archives. I loved the entire Fox/ Sekowsky era, but I was waiting for the reprints to get to #40 so I could finally read it. In 1999 I finally got to read this comic and it was even better than I had hoped. I've read every Justice League comic ever made and this one is among the best. It was the hope of finally getting to read the story that's one reason that it made my list. The other would be my eternal thanks to all those who have worked to bring back the comics of the past for me to enjoy. DC Archives, Showcases, Marvel Essentials and the literal gold mine of newspaper reprints that have appeared in the last quarter century have brought me untold enjoyment. In 2002, I finally bought a copy of the issue itself. I think my favorite part is that Aquaman's ability to talk to fish and Hawkman's ability to talk to birds were essential in saving the day. Up next....a violent, blood drenched comic book from 2004
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Post by benday-dot on Dec 15, 2014 21:38:12 GMT -5
Day #10 Weird Science #22 (EC 1953) It's hard for me to express how much the EC universe and it's collective aesthetic has come to mean to me. It informs so much of my love for comics in terms of both what were and what they can be. There was a recurring house ad in the EC books claiming that it was their sci-fi comics of which they were the most proud. To take nothing away from the brilliance of Jack Davis, Johnny Craig, Graham Ingels and their superlative work on EC's horror line, it was ever the breathtaking, delirious, exotic and richly romantic work of the gang of sci-fi artists publisher Bill Gaines assembled that really stopped my heart when it came to EC comics. Weird Science #22 was the last of its run and in my opinion the best. Not only does it have one of Willamson's most majestic jobs on "A New Beginning" with help from pals Frazetta and Krenkel (and Krigstein too!), but it contains what to me is the finest of all the EC stories. So if I'm to spend the rest of days on a desert island, as is my conceit, with but 12 comics to keep me company and my imagination fertile one of them must contain Wally Wood's incomparable "My World". It's a mere a mere 6 pages of intoxicating coda on not only the whole soon to expire EC line, but a potent summation of the driving spirit of one of comic's greatest forces- Wally Wood. It is a love letter in words and pictures (and what pictures!) of what adventure and imagination could make of the humble comic book. I'd hate to sacrifice any of my EC's, but if I had to gave up the many to save the one... this would be the one.
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Post by Deleted on Dec 15, 2014 22:06:46 GMT -5
Superman 162 Dorfman, Swan, and Klein
This is an issue that encapsulates my entire childhood. The vast majority of superhero books I read as a kid (as opposed to after I started collecting as a teenager) were B&W aussie reprints. As such I got to experience a huge range of genres and eras, with golden age stories as readily available as modern. I loved Superman as a kid, as I suspect most of us here did, and the era I have always treasured most is that drawn by the maestro Curt Swan with his greatest collaborator, George Klein. Their depiction of the Man of Steel is definitive in my minds eye, despite Swans work with Murphy Anderson. So, this art team is what I see when I think of Superman, and the first story that always comes to mind is "The Amazing Story of Superman-Red and Superman-Blue". In what DC would eventually term an Elseworlds tale, this perfectly sums up the beauty and charm of the wonderful books these people blessed us with. This came so close to making my top 12. It blew my mind when I read it as a kid; I mean, Superman fixes the whole world. Wow.
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Post by wildfire2099 on Dec 15, 2014 22:14:26 GMT -5
#10 Avengers #294 (August 1988) Writer: Walter Simonson Art: John Buscema Plot: Still reeling from the evens of 'Under Siege', the Avengers turn to Dr. Druid to help stop a plot by Nebula to and the council of Kangs to take over the entire timestream. Little do they know turning the team over to him could well be the beginning of the end. Historical Significance: This is in the 'in between' era, where Roger Stern and his most excellent run was ended when editorial decided Captain America needed to be the leader... this is sort of the transition to get there (which won't happen for quite a while). Simonson would have a very short run, but delivered a pretty memorable arc here. Why I picked it: When I picked these up, it was because of Captain Marvel... I've always though Monica Rambeau was a great character. This issue was the one that made it clear that her run as Avengers leader was over... it's the first comic I read where I was angry enough to toss the comic across the room after reading it.
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Post by thwhtguardian on Dec 15, 2014 22:18:19 GMT -5
Day #10 Weird Science #22 (EC 1953) It's hard for me to express how much the EC universe and it's collective aesthetic has come to mean to me. It informs so much of my love for comics in terms of both what were and what they can be. There was a recurring house ad in the EC books claiming that it was their sci-fi comics of which they were the most proud. To take nothing away from the brilliance of Jack Davis, Johnny Craig, Graham Ingels and their superlative work on EC's horror line, it was ever the breathtaking, delirious, exotic and richly romantic work of the gang of sci-fi artists publisher Bill Gaines assembled that really stopped my heart when it came to EC comics. Weird Science #22 was the last of its run and in my opinion the best. Not only does it have one of Willamson's most majestic jobs on "A New Beginning" with help from pals Frazetta and Krenkel (and Krigstein too!), but it contains what to me is the finest of all the EC stories. So if I'm to spend the rest of days on a desert island, as is my conceit, with but 12 comics to keep me company and my imagination fertile one of them must contain Wally Wood's incomparable "My World". It's a mere a mere 6 pages of intoxicating coda on not only the whole soon to expire EC line, but a potent summation of the driving spirit of one of comic's greatest forces- Wally Wood. It is a love letter in words and pictures (and what pictures!) of what adventure and imagination could make of the humble comic book. I'd hate to sacrifice any of my EC's, but if I had to gave up the many to save the one... this would be the one. I love Weird Science, especially its adaptations of Ray Bradbury's writing.
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