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Post by thwhtguardian on Aug 17, 2021 15:48:55 GMT -5
OFF THE RACKS!Real Readers, Real Reviews What did you read?
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Post by thwhtguardian on Aug 18, 2021 15:38:29 GMT -5
Nightwing #83Written by Tom Taylor Art by Bruno Redondo Summary: Dick Grayson learns that there is more than meets the eye with his newly found sister before starting a new phase of his life. Plot: With the addition of a long lost sister last issue I thought that Taylor might be flying a little too close to the sun but with the revelation that she might be secretly working for the FBI to bring down organized crime in Bludhaven it's at least a palatable development rather than a tired villain ploy. From there on though Taylor really picks up steam with the whole inheritance from Alfred plot with Dick getting some great advice from a who's who among the DCU in starting up a new philanthropic enterprise named for Alfred which was a touching tribute. I think my favorite element was the conversation between Dick and Superman, I have always loved seeing these two together so I was always going to be touched by the scene but I absolutely loved that Superman not only respected Dick but that he loved Alfred as well which was a great moment. I hate that Alfred is dead, it's an astoundingly dumb move but at least under Taylor's pen it has some emotional resonance. Art: Redondo continues to knock it out of the park here, he just has a real knack at creating these amazing light and energetic action scenes and his faces are just really great at conveying emotions. Grade:9/10
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Post by thwhtguardian on Aug 19, 2021 13:46:08 GMT -5
Black Hammer Visions #7Written by Cecil Castelucci Art by Melissa Duffy Summary: Ms. Moonbeam yearns to be more than a two-bit also ran of a forgotten character but try as she might she can't seem to escape. Plot: I really didn't see this one coming, although I've mostly been enjoying Black Hammer Visions it's never felt consequential until this issue. Don't get me wrong, some of the plays on other genres, and character spotlights we got before this were fun but this story about Ms. Moonbeam's attempt to escape her narrative loop by Cecil Castelucci felt like a very real continuation of Lemire's look at the genre of super heroes. The struggle of narrative arcs versus free will, creator versus created were given life here in a single bite size reading that was a real joy to see. Seeing as how the book wasn't billed as a real continuation of the Black Hammer narrative so I know it's not fair to compare this work to those that came before and what will undoubtedly come in the coming months but I can't help but see them as lesser in comparison to the character work and creativity we got here. Art: I think the one thing keeping this from being a perfect ten is the art. It's not that Duffy's heavily stylized look is objectively bad, and it does tell the story competently...it's just that often times the faces are just a little too contorted and playdough like at times which in turn would take me out of the story. It's a style that works for cartoons like Adventure Time but for a story like this one it just seems too unpolished. Grade:8/10
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Post by Slam_Bradley on Aug 19, 2021 14:38:45 GMT -5
Black Hammer Visions #7Written by Cecil Castelucci Art by Melissa Duffy Summary: Ms. Moonbeam yearns to be more than a two-bit also ran of a forgotten character but try as she might she can't seem to escape. Plot: I really didn't see this one coming, although I've mostly been enjoying Black Hammer Visions it's never felt consequential until this issue. Don't get me wrong, some of the plays on other genres, and character spotlights we got before this were fun but this story about Ms. Moonbeam's attempt to escape her narrative loop by Cecil Castelucci felt like a very real continuation of Lemire's look at the genre of super heroes. The struggle of narrative arcs versus free will, creator versus created were given life here in a single bite size reading that was a real joy to see. Seeing as how the book wasn't billed as a real continuation of the Black Hammer narrative so I know it's not fair to compare this work to those that came before and what will undoubtedly come in the coming months but I can't help but see them as lesser in comparison to the character work and creativity we got here. Art: I think the one thing keeping this from being a perfect ten is the art. It's not that Duffy's heavily stylized look is objectively bad, and it does tell the story competently...it's just that often times the faces are just a little too contorted and playdough like at times which in turn would take me out of the story. It's a style that works for cartoons like Adventure Time but for a story like this one it just seems too unpolished. Grade:8/10 I really liked this issue. It's right up there with the first issue and issue four in my estimation.
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Post by thwhtguardian on Aug 19, 2021 15:14:29 GMT -5
Black Hammer Visions #7Written by Cecil Castelucci Art by Melissa Duffy Summary: Ms. Moonbeam yearns to be more than a two-bit also ran of a forgotten character but try as she might she can't seem to escape. Plot: I really didn't see this one coming, although I've mostly been enjoying Black Hammer Visions it's never felt consequential until this issue. Don't get me wrong, some of the plays on other genres, and character spotlights we got before this were fun but this story about Ms. Moonbeam's attempt to escape her narrative loop by Cecil Castelucci felt like a very real continuation of Lemire's look at the genre of super heroes. The struggle of narrative arcs versus free will, creator versus created were given life here in a single bite size reading that was a real joy to see. Seeing as how the book wasn't billed as a real continuation of the Black Hammer narrative so I know it's not fair to compare this work to those that came before and what will undoubtedly come in the coming months but I can't help but see them as lesser in comparison to the character work and creativity we got here. Art: I think the one thing keeping this from being a perfect ten is the art. It's not that Duffy's heavily stylized look is objectively bad, and it does tell the story competently...it's just that often times the faces are just a little too contorted and playdough like at times which in turn would take me out of the story. It's a style that works for cartoons like Adventure Time but for a story like this one it just seems too unpolished. Grade:8/10 I really liked this issue. It's right up there with the first issue and issue four in my estimation. It took some serious chops to make me care about a character like Ms. Moonbeam. The whole plot reminded me of the better bits of Westworld, only much more succinctly said.
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Post by Dizzy D on Aug 21, 2021 13:53:14 GMT -5
X-Men: The Trial of Magneto #1 Written by Leah Williams Art by Lucas Werneck and Edgar Delgado
What Happened Before: Mutants have united and live nearly all on the island of Krakoa. By combining the powers of five mutants known as the Five, mutants that die or have died can be resurrected in a cloned body. It's up to the team known as X-Factor to investigate the deaths and disappearances of mutants to prevent any duplicates from running around.
Emma Frost has organized the Hellfire Gala as matter of prestige, to show a united mutantkind to the rest of the world as they colonized Mars. What should be a moment of triumph for Krakoa is overshadowed though as a dead body is found at the end of the festivities: Wanda Maximoff, Avenger and formerly believed to be both a mutant and the daughter of Magneto. It turns out that Magneto has invited Wanda the night before; feeling uncomfortable with the way that Wanda has been demonized by many mutants on Krakoa and even if Wanda did turn out to not be his actual biological daughter, he still feels like her father, so he wanted to make amends. Plot: I originally did not intend to buy this issue or mini-series, but it turns out that it's pretty much the continuation of the latest incarnation X-Factor, a series I enjoyed a lot. So Wanda's body is found and X-Factor investigates. All clues point to Magneto (except Magneto is trying to convince the Council to resurrect Wanda using the Resurrection Protocols of Krakoa (even if she is not an actual mutant, she registered as one to Cerebro for years, so there are mental backups, even if none of those are recent). As X-Factor and the X-Men set out to arrest Magneto, Tommy Shepherd (who kinda/sorta is Wanda's son) notices that Wanda's body has been covered by plants and suspects that she may not actually be dead.
The Good: Williams is good at character work: I really like her Polaris and Northstar and those two take important roles this issue: Northstar as leader of X-Factor oversees the investigation, but also keeps the X-Men/X-Force at bay so his people can do what they do best. He's serious and kinda uptight, but he is also empathetic, stopping a devastated Quicksilver from murdering Magneto, but also hugging him to console him. It's clear that Northstar can see the parallels between Quicksilver and himself, but Williams does not need to make this explicit (see also the bad, below). I don't think they ever had any real interaction before though, but they are both arrogant speedsters and overprotective big brothers to troubled sisters and you can tell that Jean-Paul is thinking to himself that if something similar happened to Aurora, his actions would not be any different. Polaris meanwhile sees herself in Wanda and has no problems believing Magneto killed her. Magneto has always been a bad or at the least irresponsible father and while Wanda and her only rarely met (I can remember one issue of X-Factor where they try to bond as sisters), they both have had mental problems and a history of being manipulated by others around them. As X-Factor confronts Magneto, Lorna and her father exchange words and I think their relationship (which has been tenuous at best, but both were trying to make it work recently) is now irreparably damaged (I do think that Lorna had some very valid points to make on Magneto's history of using his daughters whenever he needs them and ignoring them the rest of the time).
We get a short scene to establish why the resident telepaths can't simply mindscan Magneto to establish the truth (the multitude of telepaths on Krakoa would make a regular murder mystery a short story)
We also get a short scene of Mastermind and Toad joining Quicksilver at the bar to share drinks to Wanda's memory. Even if they don't like each other, there still is a bond there.
Finally, we have a different artist for this series than for X-Factor and I love Werneck's final page of Wanda in ?heaven/purgatory/the astral plane/a dream dimension/some other place? surrounded by flowers.
The Bad: Like I said Williams sees no need to explicitedly state some characters feelings and relationships as many writers of old would do. I think the story is better for it, but it is less accessible for new readers. Then again few comics are accessible to new readers and I think most new readers will be able to fill in the blanks just fine, even if they don't get the details.
I'm kinda dreading who Wanda's killer will turn out to be though. I think it's pretty obviously not Magneto, which makes a change from his previous trials as he definitely did what he was on trial for both those times. And all other potential killers seem to lack a real motivation or means (many mutants hated Wanda for M-day, but few of them would know Wanda was even on the island). I hope it's not Xavier. Blame Xavier has been overused a lot. I also hope it's not Toad (he used to be obsessed with Wanda, but that was a long time ago and Toad has become a lot more mentally stable since then).
And to be nitpicky: Mastermind shows up in his old Brotherhood of Evil Mutants clothes, these days as member of the board of X-Corp, he usually is a lot better dressed. Then again, he's an illusionist, so maybe he just takes this appearance now to reminisce with his former comrades.
7/10: I liked this issue quite a lot, like most of Williams X-Factor, it knows its characters and their history very well and makes good use of that. I'm a bit cautious with my rating though, because it's basically a murder mystery and sticking the landing will be important here.
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Post by wildfire2099 on Aug 22, 2021 10:26:24 GMT -5
So, Nightwing #83
ARRGGHH. Sometimes I love shared universes but why, oh, why does Nightwing have to get sucked into a stupid Bat-Crossover for THREE MONTHS.
I couldn't possibly have less interest in the latest version of all the Bat characters against ______ for the fate of Gotham part 87. As they always are, LOVED the conversation Dick had with Superman, and having him actually talk to and mentor Jon could possibly salvage Bendis ruining the character if done right. Sadly, I suspect that was just a throw away (albeit very cool) moment that won't be mentioned again.
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Post by thwhtguardian on Aug 22, 2021 18:28:24 GMT -5
So, Nightwing #83 ARRGGHH. Sometimes I love shared universes but why, oh, why does Nightwing have to get sucked into a stupid Bat-Crossover for THREE MONTHS. I couldn't possibly have less interest in the latest version of all the Bat characters against ______ for the fate of Gotham part 87. As they always are, LOVED the conversation Dick had with Superman, and having him actually talk to and mentor Jon could possibly salvage Bendis ruining the character if done right. Sadly, I suspect that was just a throw away (albeit very cool) moment that won't be mentioned again. Yeah, the whole fear state event thing is going to severely pear down the number of books I buy, I just have zero interest in Tynion's event and I'm so glad he's leaving soon.
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Post by majestic on Aug 23, 2021 19:21:48 GMT -5
Moon Knight #2. by Jed MacKay and Alessandro Cappuccio.
This issue focuses on his Mr Knight persona. An apartment building with elderly residents become mind controlled and leave a trail of violence. Moon Knight confronts the person behind the mind control and lets him into his mind. It doesn't go well for the villain. It was pretty cool to see MK use his mind to beat the villain rather than his fists.
I'm not a fan of the Mr Knight persona so this issue wasn't as good as last issue for me. Still I like this take on Moon Knight and it makes him different than the other "street level" Marvel heroes.
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Post by majestic on Aug 23, 2021 19:30:00 GMT -5
Nightwing #83. by Tom Taylor and Bruno Redondo. Another great issue both in story and art. The highlights are Dick's conversation with Superman and his new Alfred Pennyworth Foundation to fight poverty in Bludhaven. Like thwhtguardian I hate the fact that Alfred is dead but Taylor has taken a bad idea and turned it around and redeemed it somewhat. I also hate the upcoming Batman crossover and feel it will derail this title temporarily.
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Post by Batflunkie on Aug 23, 2021 19:33:16 GMT -5
Moon Knight #2. by Jed MacKay and Alessandro Cappuccio. This issue focuses on his Mr Knight persona. An apartment building with elderly residents become mind controlled and leave a trail of violence. Moon Knight confronts the person behind the mind control and lets him into his mind. It doesn't go well for the villain. It was pretty cool to see MK use his mind to beat the villain rather than his fists. I'm not a fan of the Mr Knight persona so this issue wasn't as good as last issue for me. Still I like this take on Moon Knight and it makes him different than the other "street level" Marvel heroes. Yeah, the whole idea of him being some sort of religious zealot protector is a really interesting take
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Post by majestic on Aug 23, 2021 19:36:11 GMT -5
Flash #773. by Jeremy Adams and Will Conrad.
Wally West/Flash captures Heatwave and finds out that Heatwave has cancer. He also adjusts to his new job at Holt Industries. We also get some scenes with Wally at home with his family.
If you love Wally as the Flash and like him as a family man then check out this title!
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