|
|
Post by thwhtguardian on Dec 9, 2020 8:39:07 GMT -5
New comics means new reviews... OFF THE RACKS! |
|
|
|
Post by thwhtguardian on Dec 9, 2020 9:48:40 GMT -5
Endless Winter Parts 2 and 3(The Flash #767 and Superman Special) Written by Andy Lanning and Ron Marz Art by Clayton Henry(Flash) and Phil Hester (Superman) Summary: The Flash travels to Kahndaq where he gets a power up from Black Adam while Superman gets a pep talk from Lois.
Plot: Well, I really took the plunge here picking up the next two chapters of DC's newest event, Endless Winter, and while it isn't blowing me away it's a decent enough superhero book to keep my interest for at least a little while longer. What's interesting here is that unlike previous cross over events I've read in the past Lanning and Marz have remained the writers straight through all the parts so far where as in the past if the story were to say continue on into Batman #492 that chapter would still feature Batman's regular creative team and while moving away from that practice does give it a tighter, more consistent voice I do kind of miss the variety in style that you used to get from switching up the writing. As for the plot in these chapters itself, I feel like the story would have been better served if both these chapters could have been condensed into a single story as despite featuring different characters( the Flash and Superman) their plots are pretty similar as they both present stories where the heroes are running low on juice from fighting the endless horde of ice monsters and get back into it after talking to their families. It's a worth while plot pause as it gives the fight a personal feel but two such stories back to back without any forward momentum makes the story feel like its treading water which in't great at the start of a story. Hopefully things pick up with the next chapter in Aquaman, otherwise this might be the end of my foray into events.
Art: You know what they say, the more things change, the more they stay the same; and while we see a consistency in the story we still get very different voices in the art. Now, to be fair that the artists would rotate in an event of this size is to be expected because one art team just can't produce 100 pages of art on a monthly deadline it would have been cool to see that match in style and it could have been achieved to if you just banked the story until the artist had completed the whole thing...but comics don't often work that way in the US so different styles is to be expected. That said, I loved seeing more of Phil Hester, I'm a huge fan of his work and for the life of me I just don't understand why he doesn't have a higher profile. He has a simple, kinetic style that works really well with Superher action and yet he's severely underused.
Grade:6/10 |
|
shaxper
CCF Site Custodian
Posts: 22,867
|
Post by shaxper on Dec 9, 2020 9:54:57 GMT -5
Endless Winter Parts 2 and 3(The Flash #767 and Superman Special) Written by Andy Lanning and Ron Marz Art by Clayton Henry(Flash) and Phil Hester (Superman) Summary: The Flash travels to Kahndaq where he gets a power up from Black Adam while Superman gets a pep talk from Lois.
Plot: Well, I really took the plunge here picking up the next two chapters of DC's newest event, Endless Winter, and while it isn't blowing me away it's a decent enough superhero book to keep my interest for at least a little while longer. What's interesting here is that unlike previous cross over events I've read in the past Lanning and Marz have remained the writers straight through all the parts so far where as in the past if the story were to say continue on into Batman #492 that chapter would still feature Batman's regular creative team and while moving away from that practice does give it a tighter, more consistent voice I do kind of miss the variety in style that you used to get from switching up the writing. As for the plot in these chapters itself, I feel like the story would have been better served if both these chapters could have been condensed into a single story as despite featuring different characters( the Flash and Superman) their plots are pretty similar as they both present stories where the heroes are running low on juice from fighting the endless horde of ice monsters and get back into it after talking to their families. It's a worth while plot pause as it gives the fight a personal feel but two such stories back to back without any forward momentum makes the story feel like its treading water which in't great at the start of a story. Hopefully things pick up with the next chapter in Aquaman, otherwise this might be the end of my foray into events.
Art: You know what they say, the more things change, the more they stay the same; and while we see a consistency in the story we still get very different voices in the art. Now, to be fair that the artists would rotate in an event of this size is to be expected because one art team just can't produce 100 pages of art on a monthly deadline it would have been cool to see that match in style and it could have been achieved to if you just banked the story until the artist had completed the whole thing...but comics don't often work that way in the US so different styles is to be expected. That said, I loved seeing more of Phil Hester, I'm a huge fan of his work and for the life of me I just don't understand why he doesn't have a higher profile. He has a simple, kinetic style that works really well with Superher action and yet he's severely underused.
Grade:6/10 I'm just amazed to see DC doing crossover storylines in 2020. I was of the belief that, mega-hyped universe-shaking events aside, every title and creative run was its own island these days. |
|
|
|
Post by thwhtguardian on Dec 9, 2020 10:37:05 GMT -5
Endless Winter Parts 2 and 3(The Flash #767 and Superman Special) Written by Andy Lanning and Ron Marz Art by Clayton Henry(Flash) and Phil Hester (Superman) Summary: The Flash travels to Kahndaq where he gets a power up from Black Adam while Superman gets a pep talk from Lois.
Plot: Well, I really took the plunge here picking up the next two chapters of DC's newest event, Endless Winter, and while it isn't blowing me away it's a decent enough superhero book to keep my interest for at least a little while longer. What's interesting here is that unlike previous cross over events I've read in the past Lanning and Marz have remained the writers straight through all the parts so far where as in the past if the story were to say continue on into Batman #492 that chapter would still feature Batman's regular creative team and while moving away from that practice does give it a tighter, more consistent voice I do kind of miss the variety in style that you used to get from switching up the writing. As for the plot in these chapters itself, I feel like the story would have been better served if both these chapters could have been condensed into a single story as despite featuring different characters( the Flash and Superman) their plots are pretty similar as they both present stories where the heroes are running low on juice from fighting the endless horde of ice monsters and get back into it after talking to their families. It's a worth while plot pause as it gives the fight a personal feel but two such stories back to back without any forward momentum makes the story feel like its treading water which in't great at the start of a story. Hopefully things pick up with the next chapter in Aquaman, otherwise this might be the end of my foray into events.
Art: You know what they say, the more things change, the more they stay the same; and while we see a consistency in the story we still get very different voices in the art. Now, to be fair that the artists would rotate in an event of this size is to be expected because one art team just can't produce 100 pages of art on a monthly deadline it would have been cool to see that match in style and it could have been achieved to if you just banked the story until the artist had completed the whole thing...but comics don't often work that way in the US so different styles is to be expected. That said, I loved seeing more of Phil Hester, I'm a huge fan of his work and for the life of me I just don't understand why he doesn't have a higher profile. He has a simple, kinetic style that works really well with Superher action and yet he's severely underused.
Grade:6/10 I'm just amazed to see DC doing crossover storylines in 2020. I was of the belief that, mega-hyped universe-shaking events aside, every title and creative run was its own island these days. This was a bit of a surprise to me too, as the structure of late has kind of reminded me of the 70's where each character was kind of its own little fiefdom with little to no cross-pollination with other titles but this seems to be the exception to that unspoken rule. |
|
|
|
Post by thwhtguardian on Dec 9, 2020 10:59:45 GMT -5
Batman: Black and White #1Written by James Tynion IV, J.H. Williams III, G. Willow Wilson, Emma Rios and Paul Dini Art by Tradd Moore, J.H. Williams III, Greg Smallwood, Emma Rios and Andy Kubert Summary: A collection of short tales by some of comics best and brightest.
Plot/Art: Batman: Black and White has always been a favorite of mine as it features great art and short stories in an anthology format which is a recipe for great reading in my mind and with this newest installment I'm pleased to say the tradition continues as this was a great read! That said, like any anthology there are always going to be some flat spots and Tynion's contribution was definitely that; the concept of showing us just how fanatical Ra's Al Ghul's followers are was fun...but it didn't need to be ten pages long to get its point across, which is a continuing flaw of Tynion's. The art by Tadd Moore of Luther Strode fame was fantastic though, just not great enough to elivate the short past being the weakest link. But lest you judge the whole book by that entry the rest of the chain is pretty damn strong with J.H. Williams giving us a visually stunning walk down Batman's history, Paul Dini and Andy Kubert delivering a great Ninja- Man-Bat story that feels like a lost chapter to Dini's great Batman run, but G. Willow Wilson and Greg Smallwood's Killer Croc tale was definitely the best of the bunch giving us an absolutely fantastic noir driven story that I'll definitely be revisiting again and again for years to come.
Grade:9/10 |
|
|
|
Post by Deleted on Dec 9, 2020 19:13:25 GMT -5
Batman: Black and White #1Written by James Tynion IV, J.H. Williams III, G. Willow Wilson, Emma Rios and Paul Dini Art by Tradd Moore, J.H. Williams III, Greg Smallwood, Emma Rios and Andy Kubert Summary: A collection of short tales by some of comics best and brightest.
Plot/Art: Batman: Black and White has always been a favorite of mine as it features great art and short stories in an anthology format which is a recipe for great reading in my mind and with this newest installment I'm pleased to say the tradition continues as this was a great read! That said, like any anthology there are always going to be some flat spots and Tynion's contribution was definitely that; the concept of showing us just how fanatical Ra's Al Ghul's followers are was fun...but it didn't need to be ten pages long to get its point across, which is a continuing flaw of Tynion's. The art by Tadd Moore of Luther Strode fame was fantastic though, just not great enough to elivate the short past being the weakest link. But lest you judge the whole book by that entry the rest of the chain is pretty damn strong with J.H. Williams giving us a visually stunning walk down Batman's history, Paul Dini and Andy Kubert delivering a great Ninja- Man-Bat story that feels like a lost chapter to Dini's great Batman run, but G. Willow Wilson and Greg Smallwood's Killer Croc tale was definitely the best of the bunch giving us an absolutely fantastic noir driven story that I'll definitely be revisiting again and again for years to come.
Grade:9/10 I picked this up today based on your review. Your assessment was spot on. I wasn't crazy about Tynion's story and Rios' was too weird for my tastes. But the other 3 stories were awesome. |
|
|
|
Post by thwhtguardian on Dec 10, 2020 16:46:38 GMT -5
Batman: Black and White #1Written by James Tynion IV, J.H. Williams III, G. Willow Wilson, Emma Rios and Paul Dini Art by Tradd Moore, J.H. Williams III, Greg Smallwood, Emma Rios and Andy Kubert Summary: A collection of short tales by some of comics best and brightest.
Plot/Art: Batman: Black and White has always been a favorite of mine as it features great art and short stories in an anthology format which is a recipe for great reading in my mind and with this newest installment I'm pleased to say the tradition continues as this was a great read! That said, like any anthology there are always going to be some flat spots and Tynion's contribution was definitely that; the concept of showing us just how fanatical Ra's Al Ghul's followers are was fun...but it didn't need to be ten pages long to get its point across, which is a continuing flaw of Tynion's. The art by Tadd Moore of Luther Strode fame was fantastic though, just not great enough to elivate the short past being the weakest link. But lest you judge the whole book by that entry the rest of the chain is pretty damn strong with J.H. Williams giving us a visually stunning walk down Batman's history, Paul Dini and Andy Kubert delivering a great Ninja- Man-Bat story that feels like a lost chapter to Dini's great Batman run, but G. Willow Wilson and Greg Smallwood's Killer Croc tale was definitely the best of the bunch giving us an absolutely fantastic noir driven story that I'll definitely be revisiting again and again for years to come.
Grade:9/10 I picked this up today based on your review. Your assessment was spot on. I wasn't crazy about Tynion's story and Rios' was too weird for my tastes. But the other 3 stories were awesome. Yeah, I left that one out of my review but Rios tale was pretty abstract. |
|
|
|
Post by thwhtguardian on Dec 10, 2020 18:24:11 GMT -5
Usagi Yojimbo #15Story and Art by Stan Sakai Colored by Hi-Fi Summary: As Usagi continues his travels away from his home we learn that after he left Katsuichi he found another master. Plot: It's not often that a writer can take me completely unawares, I can usually see a plot twist coming and have a feel for its general impact on the story from a while away but Stan Sakai really caught me flat footed here. The concept of Usagi having a hitherto unknown master seemed thin at first but when Stan revealed just who that master was and his ties to Usagi's past I was immediately on board. I really never expected to ever see that character again, and that he was on Stan's mind after all this time really goes to show just how much of a big picture kind of writer Stan really is. On top of that the entry into the supernatural and mythical side of Japan sounds like a breath of fresh air in comparison to the more politically focused stories Stan has been playing with for the last few years and I'm excited to see where he goes. For a hint to who the mystery master is I suggest going back and revisiting Usagi Yojimbo (v.3) #65. shaxper, I really wish you were doing singles on Usagi again as I'd kill to see what another long time fan thought of this development. Art: I'm not sure if it's Stan's art that's a little scratchier than usual in his depiction of the master, perhaps setting him apart as supernatural in comparison to the smooth lines of Stan's usual style, or a product of having a new colorist but either way the result definitely works. Grade:9/10 |
|
|
|
Post by thwhtguardian on Dec 10, 2020 18:46:03 GMT -5
Norse Mythology #3Story by Neil Gaiman Adapted by P. Craig Russell Art by Piotr Kowalski Summary: With Thor out fighting frost giants the other Gods feel uneasy and hire a man to build a wall but his fee is steep.
Plot: Although I still wish there was a framing device connecting these various tales together more tightly than they are this issue is absolutely fantastic in its own right. The story of how the Norse Gods contracted the wall to be built around Asgard has been a favorite of mine since I was a little kid; the trickery both of the man fooling the Gods and then Loki coming to the rescue and tricking the builder in the end was quick, simple and fun making it a story that I always wanted told and told again and it's energy is just as infectious here. Again though, it's a short tale and having it split between two issues just seems weird making me think that the second part may feel as disjointed as the conclusion of the "Treasure of the Gods" did in the last issue.
Art: Piotr Kowalski is yet another artist I feel is vastly underrated. I first became aware of him in Marvel Knights: Hulk back in 2013 (it feels longer now!) and his simple line work is just so energetic and expressive which worked really well with the Hulk back then and serves just as well here with Loki, Odin and Thor.
Grade: 8/10 |
|
|
|
Post by Slam_Bradley on Dec 10, 2020 18:57:43 GMT -5
Norse Mythology #3Story by Neil Gaiman Adapted by P. Craig Russell Art by Piotr Kowalski Summary: With Thor out fighting frost giants the other Gods feel uneasy and hire a man to build a wall but his fee is steep.
Plot: Although I still wish there was a framing device connecting these various tales together more tightly than they are this issue is absolutely fantastic in its own right. The story of how the Norse Gods contracted the wall to be built around Asgard has been a favorite of mine since I was a little kid; the trickery both of the man fooling the Gods and then Loki coming to the rescue and tricking the builder in the end was quick, simple and fun making it a story that I always wanted told and told again and it's energy is just as infectious here. Again though, it's a short tale and having it split between two issues just seems weird making me think that the second part may feel as disjointed as the conclusion of the "Treasure of the Gods" did in the last issue.
Art: Piotr Kowalski is yet another artist I feel is vastly underrated. I first became aware of him in Marvel Knights: Hulk back in 2013 (it feels longer now!) and his simple line work is just so energetic and expressive which worked really well with the Hulk back then and serves just as well here with Loki, Odin and Thor.
Grade: 8/10 Yep. I think this whole thing will read a lot better in a collected edition. |
|
|
|
Post by thwhtguardian on Dec 11, 2020 15:16:27 GMT -5
The Cimmerian: The Frost Giant's Daughter #1Art and Story by Robin Recht Summary: After a battle between the tribes only the Vanir chief, Hemdul, remains until a dark haired stranger approaches...
Plot: These Conan comics have been a little hit or miss so far but this latest chapter was a definite hit, and is possibly my favorite Conan comic of all time. Growing up my father used to read my brother and I Howard's Conan stories as bedtime tales so I've long loved the great raven haired barbarian from Cimmeria and since then I've read just about every comic adaptation there's been but this one really stands out above the rest. What I love about this adaptation is that not only does it deliver Howard's original story but it subtly adds to it in a way that not only feels true to the original but also provides it with a deeper mythological feeling. The way the story is told from Atali's point of view is a really fresh take that makes Conan feel completely mysterious, like a true force of nature and the context that is given for why she is watching the battle and what she intends to do with the victor gives the whole affair a really heightened mythic feel which was a huge inspiration for Howard when he first crafted the story.
Art: Even more than the added plot points what really makes this story stand out is Recht's stunning art. The water color look of the colors and how they bleed into each other is just so amazingly beautiful that I found my self just staring at each image, soaking it all in. On top of the coloring style the choices of colors themselves was just fantastic; the bright whites, yellows and icy blues created an absolutely frigid atmosphere for the lake and the way that purity contrasted so heavily with the inky blacks and heavy arterial blood reds used in the battle made them seem all the more brutal. This book really is a masterpiece in the truest sense of the term.
Grade: 10/10
|
|
|
|
Post by wildfire2099 on Dec 11, 2020 16:31:24 GMT -5
Usagi Yojimbo #15Story and Art by Stan Sakai Colored by Hi-Fi Summary: As Usagi continues his travels away from his home we learn that after he left Katsuichi he found another master. Plot: It's not often that a writer can take me completely unawares, I can usually see a plot twist coming and have a feel for its general impact on the story from a while away but Stan Sakai really caught me flat footed here. The concept of Usagi having a hitherto unknown master seemed thin at first but when Stan revealed just who that master was and his ties to Usagi's past I was immediately on board. I really never expected to ever see that character again, and that he was on Stan's mind after all this time really goes to show just how much of a big picture kind of writer Stan really is. On top of that the entry into the supernatural and mythical side of Japan sounds like a breath of fresh air in comparison to the more politically focused stories Stan has been playing with for the last few years and I'm excited to see where he goes. For a hint to who the mystery master is I suggest going back and revisiting Usagi Yojimbo (v.3) #65. shaxper , I really wish you were doing singles on Usagi again as I'd kill to see what another long time fan thought of this development. Art: I'm not sure if it's Stan's art that's a little scratchier than usual in his depiction of the master, perhaps setting him apart as supernatural in comparison to the smooth lines of Stan's usual style, or a product of having a new colorist but either way the result definitely works. Grade:9/10 I was thinking the art change had to do with the new coloring.. I agree it looked a bit different. I'm thinking all this re-visiting the past is setting up Usagi to have a bit of a change in life.. perhaps swearing to a new lord? (Maybe heading toward what we saw in Senso, perhaps?). I agree Shaxper needs to be reading the singles.. just buy'em both, my man! Usagi is worth it! |
|
|
|
Post by wildfire2099 on Dec 11, 2020 16:41:21 GMT -5
My other stuff this week: Frost Giant's Daughter #1 : Not a whole lot to add to thwhtguardian comments, other than to second them. I loved the expansion of the story, and the art is perfect.. can't wait for the 2nd half! Namor #1 : I may not have pulled this if I new it was a cross over tie in... but it's also Busiek writing Marvel again, and a retro story to boot. Mostly set up, but definitely an interesting set up. I'm not sure I love Namor and Attuma being childhood acquaintances, but I suppose it makes sense. Strange Academy #6 : Happily not the last issue! In fact, it ended the usual 6 issue TPB arc on a cliff hanger, which was a bit shocking. This issue was a decided change in tone from before, though it follows logically from the door tag game of last issue. I just hope they go back to being a school again after this, and it doesn't turn into the magical X-Men. Speaking of X-Men.. it's fun that Magik popped in (even if she was simply a dimensional taxi service), but I do wonder if that makes any sense with what Hickman's doing. This is why I try to just dabble these days  Kaiju Score #1 This was an impulse buy... it's from Aftershock by James Patrick and Rem Broo (neither of which I'd heard of), but combining a heist with Kaiju seems too weirdly awesome to pass up. The art is a bit... weird. NOt bad, just a bit weird. I haven't decided yet if I like it or not, but the story is exactly as advertised (a heist planned around a Kaiju coming to town... they're basically described like hurricanes, but worse, which is super fun). I'll definitely be continuing. |
|
|
|
Post by thwhtguardian on Dec 11, 2020 16:55:55 GMT -5
My other stuff this week: Frost Giant's Daughter #1 : Not a whole lot to add to thwhtguardian comments, other than to second them. I loved the expansion of the story, and the art is perfect.. can't wait for the 2nd half! Namor #1 : I may not have pulled this if I new it was a cross over tie in... but it's also Busiek writing Marvel again, and a retro story to boot. Mostly set up, but definitely an interesting set up. I'm not sure I love Namor and Attuma being childhood acquaintances, but I suppose it makes sense. Strange Academy #6 : Happily not the last issue! In fact, it ended the usual 6 issue TPB arc on a cliff hanger, which was a bit shocking. This issue was a decided change in tone from before, though it follows logically from the door tag game of last issue. I just hope they go back to being a school again after this, and it doesn't turn into the magical X-Men. Speaking of X-Men.. it's fun that Magik popped in (even if she was simply a dimensional taxi service), but I do wonder if that makes any sense with what Hickman's doing. This is why I try to just dabble these days Kaiju Score #1 This was an impulse buy... it's from Aftershock by James Patrick and Rem Broo (neither of which I'd heard of), but combining a heist with Kaiju seems too weirdly awesome to pass up. The art is a bit... weird. NOt bad, just a bit weird. I haven't decided yet if I like it or not, but the story is exactly as advertised (a heist planned around a Kaiju coming to town... they're basically described like hurricanes, but worse, which is super fun). I'll definitely be continuing. I need to catch up on Strange Academy, I liked the first few issues but I think I forgot about it when the pandemic shut down Marvel. |
|
|
|
Post by Dizzy D on Dec 12, 2020 6:02:33 GMT -5
Marauders #16Written by Gerry Duggan Art by Stefano Caselli and Edgar Delgado What Happened Before:Mutants have united and live nearly all on the island of Krakoa. To gain international recognition and economic influence, Krakoa's main export are highly advanced medicines. The Hellfire Trading Company is responsible for negotiating and transporting these medicines to the right places, but also to smuggle medicines in and mutants out of nations were mutants are unwelcome. The Hellfire Trading Company is led by three people, Sebastian Shaw (the Black King), Emma Frost (the White Queen) and Kate Pryde (the Red Queen), but Sebastian Shaw recently killed Kate Pryde to gain control over the whole company. She is now resurrected by Krakoa's resurrection protocols and thanks to Emma Frost and Lockheed, they know that Shaw was the killer. Plot: Bishop has found out that Shaw was the killer through his own investigation and confides in Storm, who already had her own suspicions.
Kate and Emma who already knew, directly attack Shaw in his home while first disabling his mutant powers.
Emma offers Shaw the choice: confess his crimes to Krakoa's leading Council or keep it an internal Hellfire matter (The Company's leadership are all part of Krakoa's leading Council). Shaw rejects their offer, but Storm and Lockheed arrive on the scene and stand with Kate and Emma. Lockheed takes Shaw's eye and Shaw is poisoned by Kate; either he will die and they will do anything to slow down his resurrection or he survives but his body is broken by the poison. The next morning, Shaw is still alive and pushed into the Council chamber in a wheelchair. The rest of the Council want an explanation of what happened to him, but Kate puts it to a vote whether the matter should be discussed and in the end the vote is a tie as Shaw votes that the matter should not be discussed.
The Good: Like many comics we review here, this one would not be great as a standalone issue, but as the culmination of the entire Marauders story arc so far, it's everything I've been hoping for.
While I enjoyed various parts of the X of Swords crossover, I was eagerly awaiting to get back to the ongoing storylines because the Hellfire Company's inner plots are exactly the kind of thing I love to read about.
The Quiet Council's meeting at the end is on replacing the two members (Apocalypse and Jean Grey) who have left due to events in the X of Swords crossover, but I do wonder what their votes would have been. With none of the Council members actually stating their motivations for the way they vote, all votes make perfect sense per character.
Emma, Kate and Storm obviously vote "No" as they don't want their own actions to be discussed here.
Shaw votes "No" because while his current situation is bad, he still sees opportunities to get out of this on top.
Xavier and Magneto both vote "Yes", because Krakoa is the endresult of everything they worked for for decades and they want Krakoa to be stable. Sinister votes "Yes", because he loves gossip and wants the juicy details of this unexpected development. Exodus votes "Yes", but he doesn't seem to care too much. He's curious, but seems to think that the whole matter is beneath him. Nightcrawler votes "Yes, but he is confused that his friends all voted "No", but in the end a man got hurt and Nightcrawler is a moral person and he wants to prevent something like this from happening. But my favourite by far is Mystique, who just gives a laugh and says "No", because she does not like Shaw and finds this whole situation hilarious.
Caselli's artwork is great as usual and there are is a great comedic sequences with little text, where Shaw falls from a window and a worried Glob Herman comes to check on him, before Kate faces through a wall and drags Shaw off, leaving Glob confused for a second before running away, clearly not wanting anything to do with all of this.
The Bad: If you haven't been reading the series, this is an issue where two women ambush a man in a very one-sided battle, destroy his property, then get two more friends involved, take on his eyes, poison him and blackmail him. (But if you read the series, you know that he had it coming. He not only killed Kate, he almost killed Lockheed (despite her begging him not hurt Lockheed), but most importantly his actions directly undermined Krakoa and endangered mutants everywhere.) 9/10: It's exactly what I wanted from this and I'm already anticpating what actions Shaw will take in response to this and how other people may react.
|
|
