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Post by Deleted on Apr 4, 2018 22:49:09 GMT -5
The Archies #6 by Segura, Rosenberg, Eisma, Herms, and Morelli: Archie and the gang (minus Jughead who has quit the band) arrive to make their record and are surprised that Blondie will be producing. All is well until they learn Jughead has quit and the deal is off (apparently his drumming is key to the Archie's sound). Veronica convinces Jughead to come back (as well as salvaging her friendship with Betty-they were at odds over Veronica kissing Archie). Reggie doesn't have much to do, unfortunately. All is back on track by the end of the issue where the band learns they are going to be in a battle of the bands....against Josie and the Pussycats! Very cool to see one of my favorite bands, Blondie, make an appearance. There's even a "Hanging on the Telephone" joke. My only gripe is that Reggie really isn't utilized. I was thinking of all kinds of ideas for him as I read this issue and it's really kind of sad that one of the mainstays is sort of just there now (except in Archie where he's depicted as a full on villain). I did like him in the now defunct Jughead title. Anyway, I did enjoy the issue and am looking forward to the Battle of the Bands next issue. The art has been fairly solid throughout and Eisma did a good job this time around. Blondie looks like Blondie (although Debbie Harry looks generic in a few panels). 7/10
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Post by Deleted on Apr 5, 2018 6:47:56 GMT -5
The Archies #6 by Segura, Rosenberg, Eisma, Herms, and Morelli: Archie and the gang (minus Jughead who has quit the band) arrive to make their record and are surprised that Blondie will be producing. All is well until they learn Jughead has quit and the deal is off (apparently his drumming is key to the Archie's sound). Veronica convinces Jughead to come back (as well as salvaging her friendship with Betty-they were at odds over Veronica kissing Archie). Reggie doesn't have much to do, unfortunately. All is back on track by the end of the issue where the band learns they are going to be in a battle of the bands....against Josie and the Pussycats! Very cool to see one of my favorite bands, Blondie, make an appearance. There's even a "Hanging on the Telephone" joke. My only gripe is that Reggie really isn't utilized. I was thinking of all kinds of ideas for him as I read this issue and it's really kind of sad that one of the mainstays is sort of just there now (except in Archie where he's depicted as a full on villain). I did like him in the now defunct Jughead title. Anyway, I did enjoy the issue and am looking forward to the Battle of the Bands next issue. The art has been fairly solid throughout and Eisma did a good job this time around. Blondie looks like Blondie (although Debbie Harry looks generic in a few panels). 7/10 My LCS won't be getting this until next week.
I really miss the Jughead title.
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Post by thwhtguardian on Apr 5, 2018 10:54:39 GMT -5
Xerxes: The Fall of the House of Darius and the Rise of AlexanderStory and Art by Frank Miller Summary: In 490 BC, ten years before the mighty 300 Spartans fought off the second Persian invasion in Thermopylae, the armies of Athens faced the might Persian Empire on the plains of Marathon. Plot: In 1998 Frank Miller gave us a sprawling wide screen look at the Battle of Thermopylae in 300 and now, 20 years later, he's chosen to revisit the annals of ancient Greece with a much larger epic. This is one of those books that has long been rumored and I never thought it would see the light of day; but like Axel Rose proved with Chinese Democracy, sometimes these projects that seem to be forever doomed to development hell do in fact make it out alive. It's early yet, this being only the first issue but in some ways it seems like Frank Miller has taken some of the criticisms of 300 to heart as he refrains from depicting the Persians as inhuman monsters here, and tells a less stylized, more true to historical take on the Battle of Marathon which is the exact opposite of how I thought this book was going to be after the very loose interpretation we saw in the 2014 film 300: Rise of an Empire which was said to be an adaptation of his unreleased Xerxes graphic novel. In the film Darius lead the Persian forces in the Battle of Marathon and was brutally killed their by the Greeks which lead Xerxes to bath himself in a mysterious pool of god blood which transformed him into the visage we saw in 300, while in the comic we see only ordinary Persians going up against the Athenian army in a pretty close approximation of the battle. However, like the old saying, the more things change the more they stay the same. While the Persians may no longer be monstrous and the heroes recognize them as men just like themselves in the narration the style of that narration remains the same from 300 to Xerxes with it's emphasis on a heroic few confronting a larger, superior force. It's all very reminiscent of the original 300 in tone, presentation and the way it romanticizes this particular conflict but unlike the original it lacks a strong central focus; you never get a strong feeling for who the narrator is and so you feel more detached from the battle then we did in 300. It's not only the lack of a central character that has me feeling a little detached from this book but also the title itself, The Fall of the House of Darius and the Rise of Alexander, promises a much larger scale than we got in 300 and yet this issue focused only on the Greek interpretation of the Battle of Marathon which comes across as more than a little myopic in comparison to the promise of the title. True, there are 4 more issues and Miller has always been more of a big picture guy than a single issue guy when it comes to the pacing of his stories but I was expecting a more sweeping focus here than what we received which makes me wonder how Miller is going to portray the more than hundred years between Marathon the the birth of Alexander the Great.
Art: The original 300 was a feast for the senses with it's sprawling vistas presented in an unconventional widescreen format. In the twenty years since it first came out that approach is slightly less novel nowadays, but under the pen of Miller it's certainly no less effective as Miller makes full use of his page real estate in his exquisitely detailed renderings of Persian soldiers the mighty Greek phalanxes Miller's line-work isn't quite was it used to be, with his figures looking a bit looser than they were in the halcyon days of his youth but the general quality is a marked improvement over his art in the mini-comics from The Dark Knight III we saw last year. Don't get me wrong, it was great to see Frank back at work there, but he seems much more sure of himself here which certainly makes me glad in light of the rumors around his health. Grade:8/10
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Post by Slam_Bradley on Apr 5, 2018 12:15:50 GMT -5
Incognegro Renaissance #3. Story: Mat Johnson Art: Warren Pleece Zane continues delving into the murder of Xavier. The mystery still isn't solved, but some headway is made as to a possible motive and some other surprises surface. With one issue left we still don't seem close to the reveal on who killed Xavier or really why...though we may (or may not) have an idea as to the motive. To an extent the mystery is less important that having an opportunity to glimpse another world. One that is long gone, temporally, but should not be forgotten. And is at the same time perilously close to where we still are 90 years later. A good read. 8/10
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Post by Slam_Bradley on Apr 5, 2018 12:39:16 GMT -5
Exit Stage Left: The Snagglepuss Chronicles #4. (W) Mark Russell (A) Mike Feehan, Mark Morales. The story progresses as the government focuses in on Snagglepuss. Huck finds love and quickly finds how transitory safety can be as "the other." Snagglepuss makes some moves to pull both his lives together. This is really powerful stuff. Russell points out the incredible power exerted by forces of regression and conformity while showing the omnipresent hypocrisy of those same forces. And he also shows that Snagglepuss isn't without his own bit of hypocrisy in his dealing with his boyfriend, his wife and how he ends up treating Huck. The fall of Huck from incredible heights to the deepest depths within pages doesn't feel forced and is heart-rending. The art is spot-on...the mixture of the "furries" with humans could be a hard sell but it comes off incredibly. I think Quick-Draw is a masterwork in character design here. If they'd just give the pages dealing with Sasquatch Detective over to advertising or pin-ups it would be a perfect issue. Because that story adds nothing and it's just not worth the trees that were used to print it. 9/10
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Post by Deleted on Apr 5, 2018 14:23:34 GMT -5
If they'd just give the pages dealing with Sasquatch Detective over to advertising or pin-ups it would be a perfect issue. Because that story adds nothing and it's just not worth the trees that were used to print it. 9/10I remember in the past picking up issues because I liked the back up story so much more than the main story. Obviously not the case here.
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Post by Hoosier X on Apr 5, 2018 14:51:50 GMT -5
Batman #44 by King, Janin, Jones, Chung, and Bellaire: I don't usually read Batman, but it was designated as the shop owner's pick of the week so I gave it a try. As the wedding of Batman and Catwoman approaches, this issue sums up nearly 80 years of their relationship in one tidy package. The story cuts back and forth between a restless Selena breaking into a boutique at night to try on wedding dresses and classic scenes of the Batman/Catwoman relationship. It's been a long time since I read some of the stories referenced, but I think they stuck to the dialog word for word and we see several of Catwoman's classic looks (including my favorite purple dress with green cape). Even a panel or two with Batman in his blue trunks! Nothing cataclysmic in this issue, just a fun look back at one my favorite comic couples. I truly hope the wedding happens and Bruce Wayne finally finds some happiness. 8/10 I am loving the ongoing Catwoman/Batman marriage storyline so much. This issue is no exception.
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Post by Deleted on Apr 5, 2018 15:39:33 GMT -5
I've just looked at Future Quest Presents #1 to #7 just briefly today and got all editions so far and I'll be getting Future Quest #9 in the mail on the 20th of April ... two days after its release and so far, I'm very impressed of how well they captured all major characters of SPACE STARS cartoon series back in the 60s. The stories are good, artwork is very impressive and my favorite so far in terms of artwork is Birdman's Avenger and the Herculoids. Space Ghost and the Galaxy Trio is superb so is Mighty Mightor as well. It's really captured all the glory of the cartoon shows that Hanna Barbera captured back then and I've really enjoyed this series that has three issues to go after Number #9 coming shortly ... I give all books a perfect 10/10 because they did an excellent job capturing the cartoon series that I loved so much.
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Post by Slam_Bradley on Apr 5, 2018 16:42:28 GMT -5
If they'd just give the pages dealing with Sasquatch Detective over to advertising or pin-ups it would be a perfect issue. Because that story adds nothing and it's just not worth the trees that were used to print it. 9/10I remember in the past picking up issues because I liked the back up story so much more than the main story. Obviously not the case here. It's truly awful. And what's sad about it is that Exit Stage Left is an incredibly powerful and deft book. What made them saddle it with this turd of a back-up story is beyond my comprehension.
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Post by thwhtguardian on Apr 5, 2018 17:55:01 GMT -5
I remember in the past picking up issues because I liked the back up story so much more than the main story. Obviously not the case here. It's truly awful. And what's sad about it is that Exit Stage Left is an incredibly powerful and deft book. What made them saddle it with this turd of a back-up story is beyond my comprehension. Yeah, it truly boggles the mind that any editor would pair these two books together.
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Post by Deleted on Apr 5, 2018 22:36:13 GMT -5
Superman #45: Not a fan of the story and trying to understand the Bizarro speak. I did feel badly for Boyzarro at the end of the book, but not really enough to care. The art is very nice. This could have easily been a one and done story. 2/10
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Post by thwhtguardian on Apr 6, 2018 8:10:19 GMT -5
Superman #45: Not a fan of the story and trying to understand the Bizarro speak. I did feel badly for Boyzarro at the end of the book, but not really enough to care. The art is very nice. This could have easily been a one and done story. 2/10 I like Bizaro speak so that didn't bother me, but I do think three issues stretched it a bit thin; the extended fight scene that made up the bulk of this issue didn't really add anything to the story. They could have easily had Superman and Bizarro have a much shorter fight last issue and concluded with Bizarro rejecting Superman and his thinking and left it at two issues and not lost anything. I do wonder what the plan is with Boyzarro is though, how do you integrate him into society? Will he live on the farm?
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Post by thwhtguardian on Apr 6, 2018 10:48:17 GMT -5
Iron Fist #79Written by Ed Brisson Art by Damian Couceiro Summary: The Iron Fist is Las Vegas’ new main event; live and in person...but for how much longer? Plot: I know, I said I was done with Damnation, so why did I buy this tie in? The answer: Marvel Unlimited. I recently re-subscribed to Unlimited and I decided to read Fraction and Brubaker's run on Immortal Iron Fist and I absolutely loved it, so much so that when it was over I decided to read the next run which was by Ed Brisson and I found that it was just as good as the run prior too it having a great 70's Bruce Lee, Kung Fu feel to it but as is the case with Unlimited the issues ran out six months ago so I went to my shop to pick up the back issues. When I saw that the two most recent issues were Damnation tie ins I almost didn't pick them up, but after reading them I'm glad I did as they largely stand on their own, are great fun and tie perfectly into the history of Danny Rand and it's that legacy that makes me love this character. The plot itself is simplistic, hell has spilled over into the living world in the form of a casino and what goes hand in hand with casinos? Glitzy fighting matches. In this one we see Danny's predecessor Orson fighting to regain his soul. Though straight forward it's a great way to connect the story to the past and I'm interested to see where it all goes. Art: Similar to my complaints about the main title I really dislike Couceiro's designs for the demons; they're just too generic and they all look the same. I don't know if that's due to Couceiro's skills or if he's merely trying to match the style of the main book but either way it still annoyed me. Grade:7/10
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Post by String on Apr 7, 2018 11:13:33 GMT -5
Marvel Two-In-One #5.Written by Chip Zdarsky. Art by Valerio Schiti. Cover by Nick Bradshaw. Last issue Ben & Johnny went into the Multiverse in search of the Richards family. They ended up in a world where Doom defeated Galactus & became Galactus himself! That universe's Ben & Johnny are gone. This version of Reed is a shell of his usual self. Meanwhile Doom Galactus has consumed the entire universe & is coming for earth. The 616 Doom arrives to help Ben & Johnny just before the Doom Galactus arrives on earth... Man this series has been amazing! Zdarsky is killing it with his writing & the art has been stellar. The news that this title will continue when the new FF title re-launches in Aug made me very happy. My favorite title this week. 9/10. Is their Johnny dead though? I remember when Sue asked Reed about why he didn't tell them what happened to their Johnny but I don't recall if Reed actually did tell them. Either way, still fantastic. How are they going to defeat Doom Galactus?! 9/10
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Post by Hoosier X on Apr 8, 2018 12:53:05 GMT -5
Batman #44 by King, Janin, Jones, Chung, and Bellaire: I don't usually read Batman, but it was designated as the shop owner's pick of the week so I gave it a try. As the wedding of Batman and Catwoman approaches, this issue sums up nearly 80 years of their relationship in one tidy package. The story cuts back and forth between a restless Selena breaking into a boutique at night to try on wedding dresses and classic scenes of the Batman/Catwoman relationship. It's been a long time since I read some of the stories referenced, but I think they stuck to the dialog word for word and we see several of Catwoman's classic looks (including my favorite purple dress with green cape). Even a panel or two with Batman in his blue trunks! Nothing cataclysmic in this issue, just a fun look back at one my favorite comic couples. I truly hope the wedding happens and Bruce Wayne finally finds some happiness. 8/10 I had a reprint of Batman #1 and my copy of Batman #197 close by, so I checked them to see how faithful Batman #44 was to the original dialogue. I was pretty sure the scene in Batman #1 was accurate because I've read Batman #1 so many times. And it was ... word for word, although maybe they added an ellipsis for emphasis. And in Batman #44, the dialogue is spread out over five or six panels over a full page, whereas in Batman #1, most of the dialogue is in a single very crowded panel ... Ah the Golden Age! The scene from #197 is also mostly from a single panel and very close to word-for-word. At the end, they leave out a short phrase just before "Burglar or bride?" This review by Brandon Mulholland provides the sources for all the scenes from the past shown in Batman #44. It even includes the actual panels! I am loving the Rebirth depiction of Catwoman. She's one of my favorites, and I tend to prefer pre-Crisis Catwoman stories by a huge margin. But I think if I made a Top Ten Catwoman Stories list, Batman #44 and the recent Batman Annual would both be contenders for a spot. Also that three-parter where they went to see Talia.
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