Yes, Morgan's art is terrible. For example, Foggy looks almost unrecognizable. Matt's glasses always look like they are halfway down his nose which is distracting. The less said about Tombstone, the better.

As for the story, I suppose this was a satisfying conclusion on most levels. Again, Soule provides an interesting examination of a costumed hero's possible connection to the legal system. Matt's victory here signals a major change on that front but I have to wonder how far this change will be seen outside of this title and across the MU. It's great that Soule begins focusing on repairing the friendship between Matt and Foggy, the reasons behind Foggy's anger. It's not a complete disclosure but it's a good start. I like the character of Legal (whose design is reminiscent of a Moebius comic). His speech here about his motivation for practicing law serves as a good counterpoint to Matt's usual motivation.

But this issue wasn't without it's flaws. Tombstone was completely wasted here. There was some minor buildup to his attacking the Court but instead his reaction and flagrance towards Kingpin is out-of-place and unexpected (unless this is some sort of underlying commentary by Soule on the perception of Kingpin these days). The meta-action in court as Matt makes his argument felt forced, as if editorial decided some form of action was needed in this issue of talking heads. (Though I don't know if you can use the actual likenesses of the Court Justices in this instance but seeing Sotomayor or Thomas landing side kicks on Matt would've made this scene better).

My biggest gripe is the end. Seeing him back in the red costume is great but it felt like that should have been a BIG moment but it wasn't because I still don't know why he was wearing the black costume in the first place. 

As such, my score drops to 7/10