shaxper
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Post by shaxper on Feb 10, 2016 21:41:29 GMT -5
Published: May 1988 Synopsis: Usagi struggles with how to rescue an elderly woman from her abusive son. Notes: Discuss the issue and/or post full reviews below!
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Post by coke & comics on Feb 21, 2016 14:13:19 GMT -5
Summary: An old woman shares a meal with Usagi and Spot. She is returning from a pilgrimage to pray for her son, Atsuo. He offers to carry her to her village.
She tells how her husband had been the town money lender, always there for those in need and never demanding repayment from those who could not afford it. Her son does it differently, with high interest rates and thugs to enforce payment.
She has Usagi spend the night, much to her son's displeasure. Usagi witnesses how poorly the son treats his mother. She sees in Usagi what a son should be like.
Having witnessed Usagi's skill, the old woman tries to hire him to kill her son. When he refuses, she begs him to at least come to dinner one more time...
Thoughts: The ending adds a poignant twist to what seems at first a pleasantly innocuous title.
In the review above, I found myself overusing the feminine pronoun because the old woman is never named. She is referred to as Obaasan or Mother.
This is a heart-wrenching tale. The old woman's grief is palpable throughout. From her care for the beaten man to her memories of singing her young baby lullabies.
"I do pray the gods will be merciful... mother."
This series has turned around sharply. The ongoing series shows much improvement over the scattered anthology issues. These last two issues add to the saga a resounding poignance. Sakai finds it in human compassion amidst the worst of humanity. In the previous issue, we saw a spiteful butcher and an apathetic populace, contrasted with Usagi patiently trying to earn Spot's trust. Here we see a ruthless criminal and his gang, contrasted with the tender understanding that exists between Usagi and the mother. Simple decency shining through hardship inflicted by the less decent is a powerful idea at the core of this series.
Grade: A
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shaxper
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Posts: 22,864
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Post by shaxper on Feb 21, 2016 15:14:41 GMT -5
This series has turned around sharply. The ongoing series shows much improvement over the scattered anthology issues. These last two issues add to the saga a resounding poignance. Sakai finds it in human compassion amidst the worst of humanity. Remarkably well said.
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Post by thwhtguardian on Mar 14, 2016 21:25:22 GMT -5
Wow, I just read that ending much differently than I ever had before. He goes back into the house at the end...I always read it as him just leaving and never really paid much more attention to it than that...but he goes back in after saying he hopes she finds mercy. Man.
That's one hell of a shock.
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Post by usagigoya on Mar 14, 2016 21:40:26 GMT -5
I absolutely love this cover from the Belgium comic series....
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shaxper
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Posts: 22,864
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Post by shaxper on Mar 15, 2016 16:37:10 GMT -5
Wow, I just read that ending much differently than I ever had before. He goes back into the house at the end...I always read it as him just leaving and never really paid much more attention to it than that...but he goes back in after saying he hopes she finds mercy. Man. That's one hell of a shock. Usagi is not walking back into the house again at the end. He's walking through the outer gate. It would have been an interesting ending, but I don't think it's there, and I'm not sure the Bushido Code would have called for that kind of response.
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Post by thwhtguardian on Mar 15, 2016 17:57:09 GMT -5
Wow, I just read that ending much differently than I ever had before. He goes back into the house at the end...I always read it as him just leaving and never really paid much more attention to it than that...but he goes back in after saying he hopes she finds mercy. Man. That's one hell of a shock. Usagi is not walking back into the house again at the end. He's walking through the outer gate. It would have been an interesting ending, but I don't think it's there, and I'm not sure the Bushido Code would have called for that kind of response. That's how I always read it, but he killed them outside the gate and as he walks into that door at the end the bodies are on his side so he's going from outside the compound to back inside. When read this way Spot's cry of anguish also seems to make more sense as well.
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shaxper
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Posts: 22,864
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Post by shaxper on Mar 15, 2016 18:56:04 GMT -5
but he killed them outside the gate I really do wish your interpretation held up, but
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Post by thwhtguardian on Mar 15, 2016 19:00:01 GMT -5
but he killed them outside the gate I really do wish your interpretation held up, but Ah, you're right I thought the bodies were all outside the gate.
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shaxper
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Posts: 22,864
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Post by shaxper on Mar 15, 2016 19:01:04 GMT -5
Ah, you're right I thought the bodies were all outside the gate. Sometimes it's no fun being right.
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Post by thwhtguardian on Mar 15, 2016 19:02:24 GMT -5
I absolutely love this cover from the Belgium comic series.... Wow, that juxtaposition of the image of her holding her son as a child behind that of him as a man is pretty powerful and I love the orange back ground.
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Post by thwhtguardian on Mar 15, 2016 19:04:18 GMT -5
Ah, you're right I thought the bodies were all outside the gate. Sometimes it's no fun being right. It certainly would have been a bleaker ending if I were right, I'm not sure how I would have reconciled it with his usual disposition. I mean, I guess Bushido could have covered it, but it still would have been dark.
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shaxper
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Posts: 22,864
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Post by shaxper on Mar 15, 2016 19:05:43 GMT -5
Sometimes it's no fun being right. It certainly would have been a bleaker ending if I were right, I'm not sure how I would have reconciled it with his usual disposition. I mean, I guess Bushido could have covered it, but it still would have been dark. Well the storyline that launched the entire title is pretty dark; I could easily accept it. But yeah, I'm not convinced it would have fit the Bushido Code (as the death of Gunichi clearly did).
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Post by thwhtguardian on Mar 15, 2016 19:12:44 GMT -5
It certainly would have been a bleaker ending if I were right, I'm not sure how I would have reconciled it with his usual disposition. I mean, I guess Bushido could have covered it, but it still would have been dark. Well the storyline that launched the entire title is pretty dark; I could easily accept it. But yeah, I'm not convinced it would have fit the Bushido Code (as the death of Gunichi clearly did). That's true, I guess with Gen's jokes it seemed less so but the duel and the reasoning behind weren't exactly what you'd call a happy go lucky adventure.
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Post by Roquefort Raider on Feb 2, 2017 8:04:01 GMT -5
This is a heart-wrenching tale. The old woman's grief is palpable throughout. From her care for the beaten man to her memories of singing her young baby lullabies. Well said! It was an amazingly powerful tale. The predicament of a parent whose child turns out to be evil is probably the only thing worse than actually losing one's child. And that terrible choice to set things right... That was one strong mother. Such depth of emotion, such a powerful ending... I am in aw of Sakai's skill as a storyteller.
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