|
Post by Cei-U! on Dec 13, 2015 8:23:22 GMT -5
All right, pals 'n' gals, Classic Comics Christmas 2015 is on like Donkey Kong! My first choice has been one of my favorite artists for more than thirty years but his work as a solo creator has been comparatively sparse. In fact, he made my list on the basis of a single book. The comic is the 1994 Power of Shazam! graphic novel. The cartoonist is #12 Jerry Ordway The original Captain Marvel has often been badly used since DC revived him in '74, especially post-Crisis. The Thomas/Mandrake Shazam!: The New Beginning mini-series tried to update the character for a modern audience and failed miserably, perverting everything that made the Big Red Cheese and company special to fit the ‘grim and gritty’ vibe that dominated the company at the time. Yuck. Tasked with a second rebooting, Ordway found a way to give the Marvels a smart, contemporary sensibility without sacrificing the innocence and optimism, the wit and whimsy that made their Golden Age comics stand out from the pack. The subsequent series, plotted and scripted by Ordway but drawn mostly by others, was a highlight of the '90s (at least for me) but, good as it was, it never quite rose to the standards of the graphic novel. Everything clicks here: the plot, the structure, the pacing, the characterizations, the dialogue and, of course, the dazzling, atmospheric art. If there must be a modern Captain Marvel, this is the way to do it. Perhaps the highest praise I can offer is to note that any screenwriter who doesn't base his Shazam! script on Jerry's version is a fricking moron. Cei-U! I summon Solomon, Hercules, Atlas, Zeus, Achilles and Mercury!
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Dec 13, 2015 9:00:00 GMT -5
|
|
|
Post by Icctrombone on Dec 13, 2015 9:21:04 GMT -5
#12 Rich BucklerRich Buckler was famous in the 70’s and 80’s for drawing the Fantastic Four and Avengers. I really enjoyed his art , and although he was criticized a bit for swiping and copying the styles of Kirby and Neal Adams, I felt that he was a solid storyteller in his own right. It wasn’t until I picked up The Mighty Crusaders#1 that I was exposed to him doing all the “Heavy Lifting” as this years 12 days puts it. He was charged with being the creative force behind the Newly resurrected Red Circle line of comic books. This was an imprint of the Archie comics line that was also active( briefly) in the 40’s and 50’s. Anyway, he wrote drew and edited the first story arc and I really enjoyed it. It had the feel of the Avengers and I was curious to know more about the Shield, Fly, Darkling and the other RC characters. Well, his involvement as the main creator would be short lived as Cary Burkett took over writing duties with #4 and Buckler would continue to pencil parts of the stories. As of issue #11 his named disappeared from the comic books altogether. I understand He is credited with creating Deathlock and even wrote 2 issues but I have never read those. My signed copy of Mighty Crusaders #1Panel #2 in this page is famous ,or infamous, because Gary Groth of the Comic Journal wrote a piece savaging Bucklers swiping in this series and calling him a racist for this panel.
|
|
|
Post by DubipR on Dec 13, 2015 9:59:39 GMT -5
Get out your passport and fly with our number 12 selection to Amsterdam.... #12- HENK KUIJPERSFor our European readers, Kuijpers might be a known name and his creation Franka, a staple in their library. For us North Americans, Henk Kuijpers might be a virtual unknown. I first came across his work when I was in my 20s as I went to a used bookstore where they had European BDs. There I found Kuijper's own creation, Franka. She's a redheaded dynamo of a private eye that solves cases around Amsterdam and around the world. Sadly his books have never been translated into English and my Dutch is a tad rusty to understand. But you can see by his artwork, you don't need words at times to understand what's going on. I'm a fan of the Clare Ligne style that's associated with Herge and the likes of the European artist. Kuijpers line work is highly detailed that has a distinct style all its own. Ever since her creation since 1978, she's been going strong. I have a few French albums, a couple of Dutch ones but would love to see an English translated run one of these days.
|
|
|
Post by Pharozonk on Dec 13, 2015 10:01:40 GMT -5
#12. Dan Jurgens
If John Byrne was the nadir of the post-Crisis Superman books, then Dan Jurgens just may have been it's messiah, called on to save the struggling Superman franchise from Byrne's botched reboot. Jurgens was unstoppable in the 90's, returning many of the more familiar aspects of the Superman supporting cast and mythos. Superman was actually likable again under his pen and pencil, powerful yet restrained, godlike yet humble, and more likely to solve his problems with his head than his fists. It was really a throwback to what made Superman great before Byrne got his hands on him. He also created Booster Gold and wrote him during his first series! Need I say more?
|
|
|
Post by Roquefort Raider on Dec 13, 2015 10:02:34 GMT -5
Joy to the world of comics! The twelve days of Christmas are back! #12: Jack KatzI became aware of Jack Katz's work on the back page of the Savage sword of Conan magazine, where Bud Plant advertised something called The first kingdom. The few images we could see there were clearly richly detailed, and the story promised a mix of science-fiction and fantasy that would have been right up my alley. But alas those were the late 70s and early 80s, when I had no access to comic book shops, and when my meager income (a newspaper run only goes so far) did not allow me to purchase too many books from the United States. Recently Titan Books collected the series and presented it as several hardcovers, allowing me tro finally see what this was all about. Oh My God. The first kingdom is something that has to be seen to be believed. In that series, Katz makes use of every square millimetre in what has to be the absolute opposite of lazy pages: each and every image is a tableau, where space gods and barbarians square off in a tale of Homeric proportions. Look at the image below... Look at those cliffs on which the sea waves crash... Isn't that gorgeous? Couldn't we spend days exploring every crevice, every jutting rock? I am in complete awe of Katz's work here. The script is also extremely ambitious, both in terms of storytelling and philosophy. I do not share Katz's vision of what makes a species click, but damn! it sure is impressive. Jack Katz is also a great example of a solo cartoonist who does everything himself, without the imprimatur of some big publisher. My hat's off to him.
|
|
Confessor
CCF Mod Squad
Not Bucky O'Hare!
Posts: 10,197
|
Post by Confessor on Dec 13, 2015 10:02:57 GMT -5
My #12 pick is Raymond Briggs. Briggs is a very well known author of Children's picture books and comics here in the UK, having written and drawn such perennial favourites as The Snowman, Father Christmas and Fungus the Bogeyman. But the reason that he is on my list is because of his 1982 best-seller, When the Wind Blows... It's the tale of an elderly couple named Jim and Hilda Bloggs, who live a mundane life in the English countryside, as the world outside teeters on the brink of nuclear war. We see them preparing for the coming Armageddon by following the advice in the British government's controversial Cold War leaflet, Protect & Survive...and there's some absolutely rapier sharp lancing of the government's well intention, but ultimately ridiculously ineffective, advice by Briggs. Once the "big one" drops, we see the bewildered couple slowly dying of radiation poisoning for the remainder of the book. It becomes an intensely bleak story, as you might imagine, and it's a tale that can't fail to move the reader on some level. The sequential artwork is very well done and quite inventive at times. It mostly consists of small, tightly packed panels, which serve to subliminally represent the Bloggs's sheltered, insular world and Briggs delights in capturing the mundane, quintessentially English details of their day-to-day existence... These tightly packed pages are then inter-cut with big, ominous looking, double page splashes of events that are transpiring in the outside world, as the bombs are made ready to fly. When the bomb does finally drop, the blast is so immense that it actually overwhelms and shatters the panel layout of the book itself, in what I think it a brilliant bit of comic drawing. Jim's single, oh-so-English, understated utterance of "Blimey!" as the blast dissipates in the final panel is a masterstroke... When the Wind Blows isn't a flawless masterpiece, mind you (and I must say that I have zero interest in anything else Briggs has ever produced). For one thing, Briggs makes the Bloggs's so unworldly, so blindly trusting in their government and so naive that it's ultimately hard to have a lot of sympathy for them. Don't get me wrong, their naivety and their hopelessly unrealistic expectation that the emergency services will arrive any minute and rescue them is tear-jerking and this is definitely a very sad story. But I think Briggs over-eggs the pudding on this front a little; the Bloggs's extreme naivety boarders on stupidity at times and, as a result, it ultimately becomes quite annoying. Still, it's a great book and one that made a hell of an impression on me as a 12-year-old kid when I first read it. It holds up to repeated readings very well too and, in fact, prompted by this year's Classic Comics Christmas, I re-read it again only yesterday.
|
|
|
Post by Deleted on Dec 13, 2015 10:27:56 GMT -5
My #12.... Dan De CarloDan DeCarlo was a dean of Archie artists, no single artist is more associated with the teenagers of Riverdale High. Beginning his career at Archie in the mid 1950s, he soon became the main artist on Betty and Veronica, and drew every character at one time or another in his nearly 50-year career with Archie. With the Archie brand being my favourite humour magazine of all time, it's a no-brainer that 2 of its main contributors will be on my list. And he did some randy stuff as well
|
|
|
Post by Arthur Gordon Scratch on Dec 13, 2015 10:40:11 GMT -5
I'm a fan of the Clare Ligne " ligne claire" style that's associated with Herge and the likes of the European artist. Very nice choice BTW!
|
|
|
Post by Roquefort Raider on Dec 13, 2015 10:41:23 GMT -5
My #12 pick is Raymond Briggs. When the Wind Blows isn't a flawless masterpiece, mind you (and I must say that I have zero interest in anything else Briggs has ever produced). Even Ethel & Ernest? That's the one that almost got Briggs on my own list. The humanity of it was so touching, so true, that I think it would resonate with most everyone (even people who don't know much about life in England in the 40s and 50s). I didn't read When the wind blows but the movie was amazing. Very touching despite its grisly subject. A great choice, Confessor!
|
|
Confessor
CCF Mod Squad
Not Bucky O'Hare!
Posts: 10,197
|
Post by Confessor on Dec 13, 2015 10:43:11 GMT -5
Sadly his books have never been translated into English and my Dutch is a tad rusty to understand. Never heard of Franka or Kuijpers, but the fact that this stuff has never been translated into English is a crying shame.
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Dec 13, 2015 10:44:37 GMT -5
My #12 pick is Raymond Briggs. I first heard about When the Wind Blows yesterday because Paul Kupperberg is reading it. I was intrigued by the premise. Now here it is again. I'm taking this as a sign.
|
|
Confessor
CCF Mod Squad
Not Bucky O'Hare!
Posts: 10,197
|
Post by Confessor on Dec 13, 2015 10:45:11 GMT -5
My #12 pick is Raymond Briggs. When the Wind Blows isn't a flawless masterpiece, mind you (and I must say that I have zero interest in anything else Briggs has ever produced). Even Ethel & Ernest? That's the one that almost got Briggs on my own list. The humanity of it was so touching, so true, that I think it would resonate with most everyone (even people who don't know much about life in England in the 40s and 50s). I must confess, I've never heard of Ethel & Ernest. That's one that has definitely passed me by. I'll have to have a look.
|
|
|
Post by Deleted on Dec 13, 2015 11:05:11 GMT -5
My Number 12 - The World's Greatest Superheroes Newspaper Stories of the DC Comics Superstars
The World's Greatest Superheroes was a syndicated newspaper comic strip featuring DC Comics characters which ran Sunday and daily from April 3, 1978 to February 10, 1985. It was syndicated by the Chicago Tribune/New York News Syndicate Writers: Martin Pasko scripted at the beginning. Paul Levitz took over October 15, 1979 until March 22, 1981, with his initial story coming from a Pasko idea. Gerry Conway then picked up the assignment. A continuity from Mike W. Barr followed, appearing October 26, 1981 through January 10, 1982. Paul Kupperberg handled continuities from January 11, 1982, until the end, including a segment from January 12 through March 12, 1981, that he ghosted for Levitz. Bob Rozakis wrote all but two of The Superman Sunday Special. Artists: Initially dailies and Sundays were pencilled by George Tuska and inked by Vince Colletta. At various times from April 25 until November 13, 1982, the strip was worked on by Tuska, Colletta, José Delbo, Bob Smith, Frank McLaughlin and Sal Trapani. Delbo and Trapani then illustrated the feature from November 14, 1982 until the end. SUNDAY STRIP FORMATAccording to my friends at the Comic Book Store that I go to: PASKO, TUSKA, and COLLETTA wanted to use a Superman Logo Font for the title for all Sunday Supplemental because this strip was featuring Superman and the DC Comics Superstars and it's was fun to read and they did a terrific job putting it altogether and according to Martin Pasko he did most of the editing to make sure that this strip ran smoothly and flawlessly because it wasn't an easy thing to do because of the limited space that they had dealing the confines of a daily newspaper.
I had a pleasure of meeting George Tuska and he said it was very difficult to work in a very limited space back then and they (Pasko, Tuska, and Colletta) often double check their work for spelling errors, art panel errors, and other stuff before they put it to bed. They had deadlines to meet and it's wasn't an easy thing to do back in the late 70's and early 80's. To me, it's was fantastic and I just ate this Comic Strip back then and has a lasting impact on my life. I read a lot of DC Comics back then and I was going to College during the time it's ran and helped me save monies on Comic Books back then and I read this strip faithfully for 4 years before my Newspaper decided to not to carry it anymore. That's my Number 12 in the Classic Comics Christmas 2015 ... A Cartoon Strip featuring the Superstars of the DC Comics.
|
|
|
Post by Deleted on Dec 13, 2015 11:11:00 GMT -5
Icctrombone - I totally forgot about the Mighty Crusaders and I just wanted to let you know that I'm a fan of that group too. Good call here.
|
|