Summary: Hawkman and Hawkwoman defeat Hath-Set and finally live their lives with out fear of death.
Plot: With issue #29 it's the end of the road for Venditti's fantastic run on Hawkman and it puts the truth to those famous words of the Bard, "Parting is such sweet sorrow..." as though I'm sad the story has come to an end it's written in such a wonderful way that you can't help be hopeful for the future of these characters. What I really loved about this issue is that it's such a perfect capstone for the series as it not only gives the readers closure with the characters and various plot lines but it does so in a way that mirrors the structure of the book as a whole; moving forward in the Hawks lives in much the same way the book began exploring their pasts. In a lot of ways it kind of reminds me of Alan Moore's "Whatever Happened to the Man of Tomorrow?" in that yes it's the end, but it makes you feel hopeful at the same time because it really celebrates the legacy of the character and for a character like Hawkman to receive that kind of treatment after so many years of neglect is just amazing to see. 
Art: I've often felt that the art here was at times the only real weak point of this book, it's never been bad per say but there was never an image that really made you just stop and stare. And while that was still largely true here there was one scene that really was pretty fantastic in delivering a real, honest to goodness human moment. We all know superhero deaths are a tired trope by now, so usually an apparent character death only makes me roll my eyes but the amazing attention to detail given to Shayera as she believes that Carter has fallen really brought out the right emotional response in me. I still didn't buy that Carter had died(and he didn't) but the way Pasarin drew Shayera's sorrow was just so beautiful I couldn't help but feel her pain. Those little crinkle lines on her chin really got me and brought me into the scene which is what good art is meant to do. Kudos for the whole team for making this book one of best superhero comics in the last twenty years.
Grade:10/10

Summary: Tony and Patsy travel out to the lightning farm and find their investment is riskier than they thought.
Plot: I've been digging this series so far, loving its smaller take on Tony and his relationship with Hellcat...but the downer characterization of Tony kind of seemed a bit much three issues in. Some readers had picked up on that characterization in the earlier issues but in those entries I felt it was balanced out by Hellcat's peppy attitude and heavy doses of Saturday morning cartoon like action. And while there was action here, it was of the more brutal variety so coupled with Tony's depressed state  and Patsy's own moodier characterization the balance was gone and it all kind of felt muddy and the revelation of Korvac did little for me. 
Art: Despite not loving the plot Cafu's art continues to be beautiful. I don't know if I'll be on this book for the long haul but if I do I think Cafu will be the reason why.
Grade: 6/10

Summary: In 1992 Hellboy and Agent Pauline Raskin investigate a ghost hunt gone bad in Savannah Georgia.
Plot: I've said it before, and I'm sure I'm destined to say it again but some of my favorite and undoubtedly the strongest Hellboy stories are one-shots. Like a lot of horror stories where less is more short features force the book to lean on atmosphere to fill in the details and tell the story which tends to lend them a fantastic feeling of mystery and Seven Wives Club is no exception. And although focused perhaps more on mood and style than substance we  none the less get a really entertaining story with some great character moments with Hellboy showing off his softer side as well as action scenes serving as a showcase of Hellboy at his best for new readers. That isn't to say the book is a wash for long time fans as this return to Hellboys younger days before he knew about his destiny as beast of the apocalypse is always a fun breath of fresh air and after a string of poor entries long time Hellboy fans really needed this win even if its just in the form of an entertaining read rather than something "important"
Art: Hughes sometimes gets a bad rap for drawing art that is too static and cold but both this book and his prior collaboration with Mignola in Krampusnacht prove that you can infact infuse photorealistic art with the kind of huge sense of mood and atmosphere that is key to telling a Hellboy story.
Grade:8/10