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Post by Deleted on Jan 7, 2020 12:58:45 GMT -5
I was catching up on Back Issue #116 during my lunch break. There was an article about the various Superman vs monster battles from the Bronze Age.
There was mention of DC house ads in 1970 promising "A New Beginning" and "A New Kind of Superman" coming. And mention of Batman being dumped from World's Finest Comics so other heroes could team up with Supes. Plus, new editors and new directions. Mustn't forget getting rid of Kryptonite (for a while) either.
And all this without renumbering!
As I've said many times, I think you can 'relaunch' and 'reboot' titles without the lame renumbering that confuses many. If comiXology had been around in 1971, Superman #233 would have been easy to find and download. Now, I challenge anyone to find the right Deadpool #1 or Wolverine #1 in less than a few minutes via comiXology.
So I don't see why the likes of Marvel couldn't adopt the 1970 DC approach today. I get the reality and the business ('first' issues supposedly hooking these new readers who will stay with them for all eternity). But it sure would be nice if we could simply have "A New Beginning" or "A Bold New Direction for the Avengers" instead of crappy renumbering.
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Post by Deleted on Jan 7, 2020 13:36:31 GMT -5
I was catching up on Back Issue #116 during my lunch break. There was an article about the various Superman vs monster battles from the Bronze Age. There was mention of DC house ads in 1970 promising "A New Beginning" and "A New Kind of Superman" coming. And mention of Batman being dumped from World's Finest Comics so other heroes could team up with Supes. Plus, new editors and new directions. Mustn't forget getting rid of Kryptonite (for a while) either. And all this without renumbering! As I've said many times, I think you can 'relaunch' and 'reboot' titles without the lame renumbering that confuses many. If comiXology had been around in 1971, Superman #233 would have been easy to find and download. Now, I challenge anyone to find the right Deadpool #1 or Wolverine #1 in less than a few minutes via comiXology. So I don't see why the likes of Marvel couldn't adopt the 1970 DC approach today. I get the reality and the business ('first' issues supposedly hooking these new readers who will stay with them for all eternity). But it sure would be nice if we could simply have "A New Beginning" or "A Bold New Direction for the Avengers" instead of crappy renumbering. Of course a lot of the external reasons for not renumbering (postal codes and such) were still in place in the 70s when those revamps were done, and none of those revamps had much impact on sales, which was the goal of them, so that speaks against the effectiveness of revamping without renumbering and actually gives credence to the need to renumber if ou want to move sales numbers. Also, it's a completely different market in 2020 than it was in the 70s and one of the sure ways to commit market suicide is to try to use successful methods of a bygone era in a modern market when consumer habits are completely different and those bygone methods are an anathema to the modern consumer. -M
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Post by Deleted on Jan 7, 2020 14:10:15 GMT -5
I don't doubt anything you post (ever), but I am wondering, is there any proof that these readers who jump on board for a 'first' issue actually stick around for a while?
I don't know what the turnover of readership was in the 70s as I wasn't there. But in the 80s, I did know of people who had been reading comics for a while. Same in the 90s and beyond. It wasn't uncommon to have a chat with someone in, say, 1999 - and hear them talk about the late 70s or early 80s comics they'd been reading. They seemed to stick around.
I'd like to know if the ones buying 'first' issues today are actually short-term folk or on the path to becoming Wednesday warriors.
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Post by brutalis on Jan 7, 2020 14:43:56 GMT -5
I don't doubt anything you post (ever), but I am wondering, is there any proof that these readers who jump on board for a 'first' issue actually stick around for a while? I don't know what the turnover of readership was in the 70s as I wasn't there. But in the 80s, I did know of people who had been reading comics for a while. Same in the 90s and beyond. It wasn't uncommon to have a chat with someone in, say, 1999 - and hear them talk about the late 70s or early 80s comics they'd been reading. They seemed to stick around. I'd like to know if the ones buying 'first' issues today are actually short-term folk or on the path to becoming Wednesday warriors. Readers following series or characters is fairly much a thing of the past and seems to be something only us "oldsters" did. Current trends for young/new readers I would bet on short term and initial buys and then a rapid drop as attention for the comic wanes or is changing creators too often and the buyer won't stay if they don't like the new creators. So buyer's staying doesn't really mean as much today. The #1 is a cash grab guarantee for publishers for the most part. The SPECULATOR boom which kicked off during the 80's made it imperative for collectors and non-collectors for mass buying of 1st issues (and sometimes the 2nd) in the thought and hope of them becoming a more expensive item to sell later. So publishers being the money driven market they are saw this increased revenue for #1's and began to take advantage. Those initial extra sales balance out for the series lasting about a year (if even that long if lucky) as readers continue to purchase but speculator's do not, until the demand is gone and so the ongoing series leaves as well. Any time I am at the LCS (I drop in monthly to look and see what's new) there is usually half a dozen shoppers inside the store and they are all thumbing through lots of monthly comics but only walking out with a small handful from the shelves. Two of the LCS I frequent have a shelf with store picks for the week and the staff/owners tell me those issues get a lot of looking through but it does little to nothing for increased sales of any of the posted comics. They say there is a dedicated handful of followers of series and/or characters but most buyers are interested in mark-up/resale value for fast turn arounds.
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Post by Deleted on Jan 7, 2020 14:53:32 GMT -5
I don't doubt anything you post (ever), but I am wondering, is there any proof that these readers who jump on board for a 'first' issue actually stick around for a while? I don't know what the turnover of readership was in the 70s as I wasn't there. But in the 80s, I did know of people who had been reading comics for a while. Same in the 90s and beyond. It wasn't uncommon to have a chat with someone in, say, 1999 - and hear them talk about the late 70s or early 80s comics they'd been reading. They seemed to stick around. I'd like to know if the ones buying 'first' issues today are actually short-term folk or on the path to becoming Wednesday warriors. Again, the bulk of the readers in the past were causal readers, who started on comics between 6-8 years old and were out by high school , creating a massive turnover (which incidentally was why publishers could recycle stories/story ideas every few years because they were new to the new crop of readers). It was only the outliers who became hardcore readers and stuck around (becoming what we call Wednesday Warriors these days), and when you go to the direct market as opposed to newwstands, they begin to only sell to the outliers who remained and not the casual audience and sales number declined accordingly, because they were also not bringing in new readers to replace neither the casual readers who left nor the hardcore readers who left by attrition (death, aging out, changing financial circumstances, loss of interest, or whatever) so content appealing only to Wednesday Warriors is exactly what went wrong with the industry, not something they should be striving for. Targeting the outliers is how comics went form being a mass market product to a niche product, and now they are reaping what they had sewn all those years of targeting the Wednesday Warrior crowd. -M
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Post by Deleted on Jan 7, 2020 14:59:17 GMT -5
Let me just say that this all makes for good discussion. I promise I have not forgotten or ignored the "rearranging deckchairs on the Titanic" comment. And I get it, I really do. Most of what I am posting here is thinking out loud, much in the same way as I'm wondering what would have happened if England had won the FIFA World Cup more than once. I'm a very hypothetical person, you see. So please don't think, mrp, that I am dismissing/ignoring/forgetting the sales figures, facts and historical context you've been posting.
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Post by Deleted on Jan 7, 2020 15:09:27 GMT -5
Let me just say that this all makes for good discussion. I promise I have not forgotten or ignored the "rearranging deckchairs on the Titanic" comment. And I get it, I really do. Most of what I am posting here is thinking out loud, much in the same way as I'm wondering what would have happened if England had won the FIFA World Cup more than once. I'm a very hypothetical person, you see. So please don't think, mrp, that I am dismissing/ignoring/forgetting the sales figures, facts and historical context you've been posting. And I am very much a "if you are going to affect real change, you have to start from a place of reality, because if you don't any attempts to change you make will be meaningless because they are starting from a point of fantasy not reality and won't address what actually needs to be changed," so hypotheticals are all well and good, but are mostly flights of fancy not anything that can help achieve needed changes. I enjoy them (almost) as much as the next person, but at the end of the day, they are a distraction from the problem and escapist in nature, so I will almost always try to redirect them towards the real issues facing the industry. -M
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Post by Deleted on Jan 7, 2020 15:15:14 GMT -5
That's fine. I think I'm at the stage where flights of fancy are very much what I do online, but if I was at a meeting in my LCS, it would definitely not be a flight of fancy thing, it'd be a discussion about reality, facts, etc.
I suppose flights of fancy are my form of "escapism". As they are with anything online. Online, I'm the guy who will fantasise about what the comic industry should do, talk about how I want British Rail back, and then top it off by expressing a desire to see Raw go back to being 2 hours rather than 3 hours.
But in "real-life" chats, the flights of fancy are very much not a part of my discussion. I just do it here for the "therapy".
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Post by Deleted on Jan 10, 2020 8:59:30 GMT -5
I read a web page last night about "War of the Realms".
"Road to War of the Realms" is in 44 different comics.
"The World at War" is in 35 different comics.
"Reclaim The Realms" is in 19 different comics.
"Midgard's Last Stand" is in 6 different comics.
"War of the Realms Aftermath" is in 54 different comics!
Buying every issue at full price would have cost near to £630 here in Britain!
To have bought 1984's Secret Wars in its entirety (12 issues) would have cost £5.70.
Now, I know prices rise. I get that. Milk costs more than it did in 1984. Same with petrol, beer, bread, furniture, etc. I know the £1 I was given as a kid would have bought two US comics (40p each) and probably a chocolate bar too. I know that in 2019, £1 will barely get me a can of Coca-Cola. So I do get that. I don't want to compare apples with oranges. It's a futile exercise. I would never compare, say, beer today with beer from 1984.
But to a certain extent, comparisons can be made. A completist wishing to buy all of the "War of the Realms" stories, from build up to conclusion would have to buy 158 comics.
Of course, no-one has to buy everything. I bought the Onslaught issues of X-Men back in the day without buying tie-in issues for Punisher, Spider-Man, etc. I don't want to exaggerate, 158 comics is necessary only for the most ardent completist.
I think it's silly, though. And I don't like how events can take over and intrude upon regular books. "The World at War" portion of "War of the Realms" was featured in Venom #13-15. So if you're a Venom reader, you better either like it/lump it - or just skip those three issues. That aside, I don't like the idea of regular books being at the whims of events. If I was a writer on those books, I'd be frustrated. And I think some writers have been. I can't swear to it, but I'm sure John Byrne mentioned something about an event intruding on his regular book. I could be wrong, though, it might have been someone other than JB. I don't want to put words in his mouth, so to speak. Someone said it, though.
Secret Wars had an aftermath and consequences. I first read the issues in reprints 4 or more years after the event. I don't know how much those reprints cost. But pricing aside, unlike Secret Wars II, it was a self-contained maxi-series.
I'm engaging in futility here, I know. I may as well stand face-to-face with a shark in the oceans and tell it off. But I think events intruding on regular books is rude. For the readers of the regular books and those working on them. If I was writing, say, an Iron Fist book, I'd be pissed off if I suddenly had to accommodate "War Of The Crisis Armageddon Multiverse Realms" for several issues.
Less is more. Take the price issue out of the equation. Does any event need lots of issues and countless tie-in issues? Put aside the business realities that mrp and others post about (and they are important to a discussion), but from a purely creative level, what's the point?
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Post by brutalis on Jan 10, 2020 9:15:51 GMT -5
Buuuuuuut publisher's know that many comic book "collectors" have the "completion" mentality and MUST have ALL of something that "ties into" a series. They WANT to take advantage of that quirk and CASH IN from it. Why not just put #1 of a 100 issue mini-series on the dag blasted cover and number EVERY tie-in sequentially? Because they want and need you searching and hunting and completing the entire thing either as it comes out or months or years later when you "discover" that you missed issue such and such or entirely forgot about the 4 issue subsequent tie-in with Captain Yahoo who wasn't even involved in the dagnabbit event! Spend Spend Spend to make money is the Publisher viewpoint and only concern. They aren't making comic books to entertain because they want to, it will and has always been about making money. Why so many variants and tie-ins and offshoots? Because they hope if you don't like the main event you very well might pick up others because it highlights your "favorite" hero/villain into the event. Don't care about Thor in War of the Realms? Then how about if we toss a 4 issue mini with Captain Britain's involvement for the Cap Brit fans? Gotchya! Toss in a 2 issue Teen Titan's for those fans while you are at it to guarantee sales to them folks. As long as we buy, they will create. It's all about trends and spends!
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Post by Deleted on Jan 10, 2020 9:28:11 GMT -5
As I said in another topic, I feel that these events are also preventing "cross-pollination", whereby supervillains show up to fight superheroes who aren't their regular adversaries. This is something I liked back in the day when you might see Joker show up in a Superman comic or Electro in a Captain America story.
What chance has, say, Scorpion got of showing up in a Wolverine book? Or Juggernaut showing up in a Ms. Marvel book? With all these events to fit in, and the tie-in mentality, we have little chance of that happening. After all, Scorpion may well be tied up in "Armageddon Crisis Of The Multiverse Spideys" for 12 months, no chance of him unsurprisingly showing up in a Daredevil or Ms. Marvel book.
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Post by rberman on Jan 10, 2020 9:38:16 GMT -5
Less is more. Take the price issue out of the equation. Does any event need lots of issues and countless tie-in issues? Put aside the business realities that mrp and others post about (and they are important to a discussion), but from a purely creative level, what's the point? The "pro" argument is that if one book in a shared universe features an earth-shaking event (Skrulls invade NYC! A cosmic cataclysmic turns the skies of Earth red! Everyone is thrust back into a Hyborian version of the world!) then it should be reflected in other books too. The "con" arguments are well known. It can feel like arm-twisting or fleecing of the gullible completist consumer. Just because one author has an interesting story to tell about the scenario, that doesn't mean it should be imposed on all books regardless of what they were trying to accomplish within their own storyline. One of Marvel's earliest mandated events was the culmination of the Dire Wraith invasion from the pages of ROM. In late 1984, all the Marvel titles were supposed to work this invasion of shapeshifters into their stories. Chris Claremont went whole hog with it in the X-Men, devoting several issues to the threat. The ever-contrarian John Byrne did the opposite in Fantastic Four #277, satisfying his obligation with a few panels in which a Dire Wraith dies while accosting Ben Grimm. Secret Wars II the following summer would be more intrusive.
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Post by Deleted on Jan 10, 2020 9:50:52 GMT -5
To a certain extent, earth-shattering events being included in regular titles makes sense. But putting aside the $$$, it's the amount I have an issue with. Someone I know made a conscious decision not to follow "War of the Realms" for the same reasons I won't. Too much!
And it's all superfluous. I did read a Spidey tie-in to "Secret Empire", but other than the fact "Secret Empire" was emblazoned on the front cover, it had little to do with that. Marvel wants to have its cake and eat it.
And, yes, they do know that there will be some completists who will want every tie-in. Now, that's between the buyer and their wallet. No-one is forced to buy anything. I do get that.
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Post by wildfire2099 on Jan 10, 2020 10:02:06 GMT -5
I think there can be a happy medium. If a big event is going on, say in Avengers.. I have no problem making a passing reference to it in Fantastic Four, you should, in fact, since they are both based in the same place.
You can do it with just a passing mention (the standard 'Reed takes a video call from Cap and says they're too busy to help' trope works great), or you can make it a full on side story (as when Jarvis fought demons during Inferno) that acknowledges the event, but doesn't mess up the flow of the other book, or become required reading.
The idea is you want the person to be curious and go get the other book because they WANT to, not because they're lost and they HAVE to.. when it's the 2nd one, they'll just as easily skip it.
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Post by Deleted on Jan 10, 2020 10:03:27 GMT -5
I can get on board with that entirely, wildfire2099.
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