Post by shaxper on Jul 21, 2014 13:29:25 GMT -5
Detective Comics #602
"Tulpa, Part Two: Night Moves"
writer: Alan Grant
pencils: Norm Breyfogle
inks: Steve Mitchell
letters: Todd Klein
colors: Adrienne Roy
assoc editor: Dan Raspler
editor: Denny O'Neil
creator: Bob Kane
Grade: C+
I have a nagging intolerance for titles that try to have double meanings, yet clearly don't have a primary meaning. The secondary meaning of the title "Night Moves" clearly corresponds to Jason Blood and Randu playing chess. However, this little attempt to be clever fails, both because there's really no significance to the chess playing in the story and because there is no other meaning behind the title "Night Moves." Yes, the action of this story occurs at night. That's pretty much true for 90% of Batman stories.
Oh well.
So here's the obligatory guest appearance of Jason Blood, designed to garner the reader's interest in The Demon. I don't think it works. I used to be a major fan of Wagner's take on The Demon (which is what is being pushed here) and I found Jason's presence, as well as the entirely unnecessary extraneous information we receive about the recent developments in his life, entirely tedious and not the least bit interesting.
Worse yet, Jason's correct in dismissing Batman's problem as just another run-of-the-mill incident in which a superhero is desperately trying to stop some escaped demon. The story really isn't any more clever than that.
Of course, Breyfogle's art is the saving grace, once again. I cannot get over how he chose to illustrate Tenzin's descent into his own mind in order to summon his demon (not Etrigan). I also found his choice of facial expressions for Batman, while telling Randu "I just hope I don't regret this!" on page 20, both comical and disarming. You just don't expect to see that kind of helplessness on Batman's face.
Probably the one thing Grant gave us in this issue that I enjoyed was the further development of Rafe Kellog's one assistant, who refers to the Heisenberg Uncertainty Principal and generally amuses us with his entirely out-of-place intellect in the world of mob enforcement.
The minor details
- This is a least favorite Batman cover of mine. Both the entirely blank background and the choice of vomit-orange to fill it disturb me.
- Page 3: "Niggling doubts"? What an obscure word. I wasn't even aware of it until I looked it up just now. Sure sounds uncomfortably racially charged, even if it isn't.
- Don't use the word "hoary" when entering a spirit word. It's practically trademarked by Dr. Strange.
- Batman refers to Alfred as "the old guy" on page 5. That really bugs me, somehow.
- Why did Tenzin create Tulpas that looked just like him? Kind of defeats the purpose of his not doing the crimes himself, doesn't it?
- Last issue, Batman suggested he had other means of tracking down the guy who robbed Wayne Manor when Tenzin destroyed the tracer device, but this issue, he's still on a random rooftop, looking through binoculars for nothing in particular, until Kellogg shows up and Batman makes the correct wild assumption that he might be connected to the thief.
- Batman wonders what Kellogg is up to at this time of night. Uh, doing mob stuff?
- Kellogg conveniently decides that, if Tenzin doesn't pay him tonight, he's going to kill him. Why now? He's been beating him up for nights on end, presumably since Tenzin's father died. Isn't it convenient that he arbitrarily decides this now, just as Tenzin has prepared the demon for him? Also, does Grant understand nothing about this line of work? Collecting something from the debtor is more logical than killing the guy if he can't produce the total amount and then going home with nothing.
- On page 10, Tenzin proclaims "N-no! It wasn't supposed to happen like this!" while the demon he summoned to kill Kellogg attempts to do exactly that. In what way was he expecting this to happen differently? Granted, Batman made an unexpected entrance, but he's not in frame and does not appear to be the source of Tenzin' concern in this panel.
- How do the police officers on pages 20 and 21 completely miss the giant six armed demon charging them until the very last moment? Instead of working so hard to convince them to take him in, couldn't Kellogg have just pointed at the darned thing?
- REALLY, what the heck is the point of the "From the Den" column? We're on the threshold of the biggest moment in Batman history, with tons of exciting storylines planned, new release schedules, the movie almost in theaters, etc, and all O'Neil can do is whine about losing his wallet. Clearly, the intent of this column is to function as a personal blog as opposed to providing any kind of worthwhile information to the reader, so why is Denny taking valuable space out of the letters columns of both Batman titles each month to do this? He even whines that he had no idea what to write for this month's column, so why not open up the space for more fan letters (the readership is certainly about to expand considerably!) or to provide worthwhile Batman-related news?
The plot synopsis in one long sentence:
Jason Blood whines to his friend, Randu, about having to share his body with Etrigan the Demon again, Tenzin (we finally know his name) summons a demon to protect him, Randu senses it, Batman is stalking the neighborhood and looking for the guy who robbed Wayne Manor when he spots Kellogg and (correctly) hopes he might be connected to the thief, he watches as Tenzin unleashes the demon and intercedes, Tenzin gets shot by Kellogg (who escapes with one assistant), Batman is unable to stop the demon and gets badly beaten, he learns from Tenzin that the demon is a tulpa and calls an ambulance for Tenzin, the demon keeps chasing Kellogg and his man, Batman goes to Jason Blood for help, but Jason refuses (no longer wanting to be involved in magic and fighting evil), and only Randu agrees to help.
Meh. If it wasn't for Breyfogle's art, this story would be incredibly tedious by this point.
"Tulpa, Part Two: Night Moves"
writer: Alan Grant
pencils: Norm Breyfogle
inks: Steve Mitchell
letters: Todd Klein
colors: Adrienne Roy
assoc editor: Dan Raspler
editor: Denny O'Neil
creator: Bob Kane
Grade: C+
I have a nagging intolerance for titles that try to have double meanings, yet clearly don't have a primary meaning. The secondary meaning of the title "Night Moves" clearly corresponds to Jason Blood and Randu playing chess. However, this little attempt to be clever fails, both because there's really no significance to the chess playing in the story and because there is no other meaning behind the title "Night Moves." Yes, the action of this story occurs at night. That's pretty much true for 90% of Batman stories.
Oh well.
So here's the obligatory guest appearance of Jason Blood, designed to garner the reader's interest in The Demon. I don't think it works. I used to be a major fan of Wagner's take on The Demon (which is what is being pushed here) and I found Jason's presence, as well as the entirely unnecessary extraneous information we receive about the recent developments in his life, entirely tedious and not the least bit interesting.
Worse yet, Jason's correct in dismissing Batman's problem as just another run-of-the-mill incident in which a superhero is desperately trying to stop some escaped demon. The story really isn't any more clever than that.
Of course, Breyfogle's art is the saving grace, once again. I cannot get over how he chose to illustrate Tenzin's descent into his own mind in order to summon his demon (not Etrigan). I also found his choice of facial expressions for Batman, while telling Randu "I just hope I don't regret this!" on page 20, both comical and disarming. You just don't expect to see that kind of helplessness on Batman's face.
Probably the one thing Grant gave us in this issue that I enjoyed was the further development of Rafe Kellog's one assistant, who refers to the Heisenberg Uncertainty Principal and generally amuses us with his entirely out-of-place intellect in the world of mob enforcement.
The minor details
- This is a least favorite Batman cover of mine. Both the entirely blank background and the choice of vomit-orange to fill it disturb me.
- Page 3: "Niggling doubts"? What an obscure word. I wasn't even aware of it until I looked it up just now. Sure sounds uncomfortably racially charged, even if it isn't.
- Don't use the word "hoary" when entering a spirit word. It's practically trademarked by Dr. Strange.
- Batman refers to Alfred as "the old guy" on page 5. That really bugs me, somehow.
- Why did Tenzin create Tulpas that looked just like him? Kind of defeats the purpose of his not doing the crimes himself, doesn't it?
- Last issue, Batman suggested he had other means of tracking down the guy who robbed Wayne Manor when Tenzin destroyed the tracer device, but this issue, he's still on a random rooftop, looking through binoculars for nothing in particular, until Kellogg shows up and Batman makes the correct wild assumption that he might be connected to the thief.
- Batman wonders what Kellogg is up to at this time of night. Uh, doing mob stuff?
- Kellogg conveniently decides that, if Tenzin doesn't pay him tonight, he's going to kill him. Why now? He's been beating him up for nights on end, presumably since Tenzin's father died. Isn't it convenient that he arbitrarily decides this now, just as Tenzin has prepared the demon for him? Also, does Grant understand nothing about this line of work? Collecting something from the debtor is more logical than killing the guy if he can't produce the total amount and then going home with nothing.
- On page 10, Tenzin proclaims "N-no! It wasn't supposed to happen like this!" while the demon he summoned to kill Kellogg attempts to do exactly that. In what way was he expecting this to happen differently? Granted, Batman made an unexpected entrance, but he's not in frame and does not appear to be the source of Tenzin' concern in this panel.
- How do the police officers on pages 20 and 21 completely miss the giant six armed demon charging them until the very last moment? Instead of working so hard to convince them to take him in, couldn't Kellogg have just pointed at the darned thing?
- REALLY, what the heck is the point of the "From the Den" column? We're on the threshold of the biggest moment in Batman history, with tons of exciting storylines planned, new release schedules, the movie almost in theaters, etc, and all O'Neil can do is whine about losing his wallet. Clearly, the intent of this column is to function as a personal blog as opposed to providing any kind of worthwhile information to the reader, so why is Denny taking valuable space out of the letters columns of both Batman titles each month to do this? He even whines that he had no idea what to write for this month's column, so why not open up the space for more fan letters (the readership is certainly about to expand considerably!) or to provide worthwhile Batman-related news?
The plot synopsis in one long sentence:
Jason Blood whines to his friend, Randu, about having to share his body with Etrigan the Demon again, Tenzin (we finally know his name) summons a demon to protect him, Randu senses it, Batman is stalking the neighborhood and looking for the guy who robbed Wayne Manor when he spots Kellogg and (correctly) hopes he might be connected to the thief, he watches as Tenzin unleashes the demon and intercedes, Tenzin gets shot by Kellogg (who escapes with one assistant), Batman is unable to stop the demon and gets badly beaten, he learns from Tenzin that the demon is a tulpa and calls an ambulance for Tenzin, the demon keeps chasing Kellogg and his man, Batman goes to Jason Blood for help, but Jason refuses (no longer wanting to be involved in magic and fighting evil), and only Randu agrees to help.
Meh. If it wasn't for Breyfogle's art, this story would be incredibly tedious by this point.