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Post by thwhtguardian on Sept 12, 2018 8:16:06 GMT -5
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Post by Deleted on Sept 12, 2018 19:06:09 GMT -5
Archie 1941 #1. Written by Mark Waid and Brian Augustyn. Art by Peter Krause. The gang in Riverdale graduate from high school in June 1941. Veronica vacations abroad. Archie is in a funk all summer. Jughead loves the freedom. Betty is worried about Archie. And Archie & Reggie get into a fight. This series definitely has a really serious tone. Archie is in a funk about the war in Europe wondering how long it will be before USA becomes involved. Archie represents the person that could see what was coming and worried about it. Veronica has the attitude of "eat, drink and be merry". Jughead is the person that just lives in the moment and doesn't worry about the future. And Betty is the person we wish we could be - realistic & level headed. Waid and Augustyn do a really good job trying to capture the different viewpoints young adults must have felt before Pearl Harbor occurred. Krause captures the look of the 40's well. Next issue jumps forward to Dec 1941. Great idea, great first issue. 9/10.
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Post by Deleted on Sept 12, 2018 20:53:39 GMT -5
Hawkman #4.Written by Robert Venditti. Art by Bryan Hitch and Andrew Currie. Carter is on Thanagar facing off against the Hawkworld Katar Hol. After a slugfest Carter convinces Katar that he is who he says he is and Katar lets Carter go with another piece of the puzzle to his past lives. And Carter gets whisked away to the Microverse and comes face to face with Ray Palmer as the Atom. This issue was yet another good issue with the premise of Carter confronting his past incarnations. Another chapter in the big picture as Carter attempts to find out why is constantly reincarnated across time & space. The art was beautiful. 8/10.
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Post by Deleted on Sept 12, 2018 21:00:04 GMT -5
Immortal Hulk #5.Written by Al Ewing. Art by Joe Bennett and Ruy Jose. The Hulk vs Sasquatch. This issue was more of a standard hero slugfest but Ewing threw in some hints of future horrors. I won't spoil them here but I was intrigued with these new developments. As mentioned the horror aspects took a back seat this issue but Ewing still told an engaging story with Bennett bringing his usual quality work. 8/10.
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Post by Deleted on Sept 12, 2018 23:03:33 GMT -5
Superman #3 by Bendis, Reid, Prado, Albert, and Sinclair Superman is at his wits end as he desperately tries to figure out why earth is in the phantom zone. Earth is being poisoned as a result. Rogol Zaar finds an ally and launches a plan. Nice cameo by Adam Strange. The JL cameos as well, although they seem...off. Overall an action filled issue with Superman flying all over trying to save the world. There’s a very cool scene of him confronting some looters. Art and colors are both excellent. Even though I enjoyed this issue and the urgency of the story, I’m tired of Rogol Zaar. Kudos to Bendis for introducing someone new, but this character just doesn’t grab me. 7/10
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Post by thwhtguardian on Sept 13, 2018 9:39:08 GMT -5
Immortal Hulk #5.Written by Al Ewing. Art by Joe Bennett and Ruy Jose. The Hulk vs Sasquatch. This issue was more of a standard hero slugfest but Ewing threw in some hints of future horrors. I won't spoil them here but I was intrigued with these new developments. As mentioned the horror aspects took a back seat this issue but Ewing still told an engaging story with Bennett bringing his usual quality work. 8/10. I mentioned before that I thought I disliked when Ewing had the Hulk talk because it stole his menace but after this issue I think I pinned down my real issue with it, and it's not that he talks per say but what he says. None of the Hulk's dialog here helps advance his character or gives us insight to his mind...it's just info dump after info dump to explain a plot that Ewing is either unwilling or unable to express at a natural pace. It just kills me.
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Post by thwhtguardian on Sept 13, 2018 10:00:45 GMT -5
Superman #3 by Bendis, Reid, Prado, Albert, and Sinclair Superman is at his wits end as he desperately tries to figure out why earth is in the phantom zone. Earth is being poisoned as a result. Rogol Zaar finds an ally and launches a plan. Nice cameo by Adam Strange. The JL cameos as well, although they seem...off. Overall an action filled issue with Superman flying all over trying to save the world. There’s a very cool scene of him confronting some looters. Art and colors are both excellent. Even though I enjoyed this issue and the urgency of the story, I’m tired of Rogol Zaar. Kudos to Bendis for introducing someone new, but this character just doesn’t grab me. 7/10 The scene with the Looters was damn near perfect, and I liked the encounter with Livewire...but the rest? Dull as dish water. Rogol Zaar is just a boring ass character, and the more we see him the more it becomes apparent. He's just Doomsday 2.0...and regular Doomsday wasn't interesting as a character either, he was just a plot device meant to show us what would really happen if Superman faced off with a foe that was his physical equal and once you do that you really can't do it again. To make matter worse the artist designed him to even look like Doomsday, which just creates another unfavorable comparison. I think I'm officially done for now with this book, maybe when Zaar is gone I'll peek at it again but not until then.
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Post by thwhtguardian on Sept 13, 2018 10:16:40 GMT -5
Journey into Mystery: Birth of KrakoaWritten by Dennis Hopeless Art by Djibril Morissette-Phan Summary: Sgt. Fury and his Howling Commandos witness the birth of the Island That Walks Like a Man! Plot: There are some characters that just don't need a real origin, and Krakoa is truly one of those characters. He's a mutated island...nuff said.
Buuuuut, despite not needing this story at all Hopeless makes it readable. It's played like an old 50's horror movie and is fun and fast paced. No one one may have been clamoring for this book and we certainly didn't need it but if it was going to be made this was probably the best one could hope for.
Art: On the flip side of that, Phan's work is pretty damn impressive! The tension and mood he infuses into each panel is perfect, so even if you don't care to really know how Krakoa came to be this book is worth it for the stunning art alone.
Grade:7/10
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Post by Slam_Bradley on Sept 13, 2018 10:51:16 GMT -5
Archie 1941 #1. Written by Mark Waid and Brian Augustyn. Art by Peter Krause. The gang in Riverdale graduate from high school in June 1941. Veronica vacations abroad. Archie is in a funk all summer. Jughead loves the freedom. Betty is worried about Archie. And Archie & Reggie get into a fight. This series definitely has a really serious tone. Archie is in a funk about the war in Europe wondering how long it will be before USA becomes involved. Archie represents the person that could see what was coming and worried about it. Veronica has the attitude of "eat, drink and be merry". Jughead is the person that just lives in the moment and doesn't worry about the future. And Betty is the person we wish we could be - realistic & level headed. Waid and Augustyn do a really good job trying to capture the different viewpoints young adults must have felt before Pearl Harbor occurred. Krause captures the look of the 40's well. Next issue jumps forward to Dec 1941. Great idea, great first issue. 9/10. You liked this way better than I did. I didn't necessarily expect it to be humorous in the traditional Archie sense, but I also didn't expect it to be a slog. Proto-emo Archie didn't work for me. His Dad has always been a bit edgy but generally caring. Here he's an asshole. The art was pretty good. I didn't notice any anachronisms that really stuck out to me on an initial reading. But there just was nothing that made me want to come back for more. I'll look for a cheap trade when it's done. But it wasn't worth buying issue to issue. 5/10
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Post by Deleted on Sept 13, 2018 22:43:53 GMT -5
Supergirl #22 by Andreyko, Maquire, and Plascencia: Supergirl heads to Mogo as she tries to uncover the truth about Krypton’s destruction. This could have been told in a 10-12 page backup in the Silver Age.....however, I really enjoyed this part of the story. We learn something interesting about Rogol Zaar’s axe. We see Supergirl trying and succeeding for the most part to keep her temper in check. The dialogue boxes that showcase her thoughts are very believable. Andreyko has a good grasp on her voice. Maguire’s art is flawless. I loved the panel where Supergirl is trying to get access to the archives on Mogo and suceeds. The Green Lanterns make a nice guest appearance and I liked seeing Kyle Raynor. Krypto is along for the mystery as well. Despite not being a fan of Rogol Zaar, I’m definitely interested in seeing Supergirl and Krypto solve this mystery. Adding this book to my pull list. 8/10
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Post by Deleted on Sept 14, 2018 4:32:56 GMT -5
Hawkman #4.Written by Robert Venditti. Art by Bryan Hitch and Andrew Currie. Carter is on Thanagar facing off against the Hawkworld Katar Hol. After a slugfest Carter convinces Katar that he is who he says he is and Katar lets Carter go with another piece of the puzzle to his past lives. And Carter gets whisked away to the Microverse and comes face to face with Ray Palmer as the Atom. This issue was yet another good issue with the premise of Carter confronting his past incarnations. Another chapter in the big picture as Carter attempts to find out why is constantly reincarnated across time & space. The art was beautiful. 8/10. Sorry, that I've completely forgot about this and I have enjoying Hawkman and the stories including this one of which he meets the Atom, Ray Palmer. Carter is re-inventing himself and most of all making all attempts to find out everything he can of why he being reincarnated. Art is gorgeous and the previous books -- Book #2 and Book #3 are great too. I have been enjoying it and I give it a 8 out of 10 here.
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Post by thwhtguardian on Sept 14, 2018 9:21:19 GMT -5
BPRD #157Written by Mike Mignola and Scott Allie Art by Laurence Campbell Summary: Just as Hellboy and the agents of the BPRD start to gain some traction, Varva unleashes a vicious attack from within. Plot: It's been my complaint all along during this latest cycle that there are too many concurrent plots running through this book and so because of that the pacing can feel choppy and moments that feel like they should have a lot of impact are rushed to the point where they have none...and this issue is no different. We have Devon's moment of seduction...which without any build up or tension makes his turn on his fellow agents meaningless. We have Agent Carla's death at the hands of Devon happen with a single gunshot that causes her to slowly bleeds to death in the background while Abe and Hellboy battle a demon...so she's just a piece of the scenery. And then we get a flash to Maggie the mystic down in South Carolina...which isn't seemingly related to anything going on. Taken together it's all very jumbled, these are moments that should be huge and because there are so many and because there is this seemingly huge urge to wrap things up it's all rushed which is sad. Don't get me wrong though there are still some moments that do really shine: Hellboy and Abe tag teaming the demon was classic, and the Death of Ashley Strode at the hands of Varvara was absolutely perfect, next to the deaths of Abe and Hellboy her passing was one of the truly momentous happenings of this book...but again all though it did have a great emotional impact it was a little stunted as it wasn't the end of the issue but rather the lead in to the real big twist finale: {Spoiler: Click to show} Varvara was not simply a manifestation of Yomyael but an actual child he possessed...and that child was the daughter of Rasputin and now that she's freed from the Demon she draws her father once more into the world! And I'm not really sure how I feel about it. While bringing that character back again does make sense from a narrative point of view with the end mirroring the beginning I really liked the end he seemingly got in Darkness calls so it seems a shame to diminish that. But I guess until we see it play out in the next arc we can't really judge that. Art: I've said it before but I think it bears repeating, where Laurence Campbell's art really excells in my eyes is his sense of scale, and true feeling of place. Ever since ‘Wasteland,’ it’s been clear that he is the master at bringing a ruined cityscape to life in a way that feels truly real, it's abandoned and empty...but there's still a presence to it, a feeling of being watched and usually that is the pinnacle of visual storytelling but when he adds the trappings of Hell to that like he does in this issue, it kicks his art to a whole other level. I mean that is just surreal and beautifully grotesque...you can't beat that. Grade: I know I bellyached about a lot of elements here but I guess it's because the story is so good I feel it demands perfection, so flaws and all this book is still an 8/10
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Post by Hoosier X on Sept 14, 2018 10:49:59 GMT -5
I am enjoying The Tempest so much! The second issue just came out. It's the fourth volume of Alan Moore and Kevin O'Neill's League of Extraordinary Gentlemen series. It's probably not such a great place to start if you've never read The League of Extraordinary Gentlemen before.
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Post by Hoosier X on Sept 14, 2018 10:55:33 GMT -5
Matt Murdock's imaginary twin brother is running around wreaking havoc in Manhattan. I'm in! (The explanation is one of the most silly contrived things I've ever seen in a comic book. Even the Silver Age would be a little ashamed! But it's worth it for the results. Kirby says "JUST BUY IT!")
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Post by Slam_Bradley on Sept 14, 2018 10:59:27 GMT -5
Hawkman #4.Written by Robert Venditti. Art by Bryan Hitch and Andrew Currie. Carter is on Thanagar facing off against the Hawkworld Katar Hol. After a slugfest Carter convinces Katar that he is who he says he is and Katar lets Carter go with another piece of the puzzle to his past lives. And Carter gets whisked away to the Microverse and comes face to face with Ray Palmer as the Atom. This issue was yet another good issue with the premise of Carter confronting his past incarnations. Another chapter in the big picture as Carter attempts to find out why is constantly reincarnated across time & space. The art was beautiful. 8/10. This is a super fun book. I love the way it looks at the utterly ridiculous history of Hawkman and makes a story out of it. I do wonder if there's any way that someone without 30 years of comic reading could figure out what's going on though.
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