|
Post by thwhtguardian on Dec 14, 2017 13:53:07 GMT -5
Star Wars #40Written by Kieron Gillen Art by Salvador Larroca Summary: Luke and the gang, along with the remnants of Saul's insurgency, stop the mining of Jedha but more are on the way. Plot: The beginning of this issue, much like the last several issues Gillen's done, crackles with excitement and the pacing is perfect with a great mix of action and character moments but in the last quarter of the issue the wheels really fall off the bus and any forward momentum comes to an abrupt and screeching halt. After a great start with the destruction of mining ship the plot transitions to Luke traveling to the remains of the old temple on Jedha, and while it starts off great with a scene with Leia confronting Luke about leaving and a flash back to her last conversation with her father what follows feels like so much filler. Instead of giving us some soul searching with Luke about choosing to be a Jedi over helping the Rebellion it's just him wandering the countryside on his way to the temple and a meaningless battle with a sand worm before a "cliff hanger" confrontation with the temple's guardians. It's a waste space with no plot progression or meaningful characterization which is just a frustrating way to end an issue. Art: The only reason I can think of for the massive slow down of the plot at the end was to give Larroca some interesting landscapes for him to draw. Don't get me wrong, the vistas we got as Luke trekked across the planet were great and the sandworm was cool but it just came off as an excessive indulgence at the sacrifice of the plot. Grade:6/10
|
|
|
Post by Hoosier X on Dec 14, 2017 17:19:36 GMT -5
Wonder Woman #36 by James Robinson and Carlo Pagulayan: This issue read much like bad fan-fiction with laughable dialogue, uninteresting characters, and predictable plot twists. Wonder Woman is at Grail and Jason's mercy as she pleads with her brother to come to his senses. He complains he is jealous of her, blah, blah, blah. The most interesting part of the book is an interlude with Steve and Giganta. I did like the art. 4/10 I finally read it and, yeah, it's not so good. I would much rather have seen a whole issue dedicated to Giganta's role in the thefts of the artifacts than a whole issue dedicated to Jason and his dubious motives for betraying Diana. But ... the ending was pretty cool. I don't have much hope that Robinson will actually pull it off without some cringe-worthy dialogue, but the idea itself - Zeus vs. Darkseid - is actually pretty neat!
|
|
|
Post by antoine on Dec 14, 2017 22:21:52 GMT -5
Both of you: antoine & thwhtguardian . Thank you for your kind comments. I enjoy writing these reviews. I always worry when someone else tries something I recommend. Mainly because "tastes" are different. I always wonder when I read a review on something I loved & the reviewer trashes it...did we read/listen/watch the same thing? So having said that I hope you enjoy DD. This was part 2. It is intense.... I just read it and I liked it a lot (maybe not a 10/10, but a 7). The art didn'T do it sometimes for me, I didn't like the faces of some characters. I didn't know it was part 2, I will go back to find the other!
|
|
|
Post by Deleted on Dec 15, 2017 9:02:32 GMT -5
Daredevil #596. Written by Charles Soule. Art by Stefano Landini. Cover by Dan Mora. New NYC Mayor Wilson Fisk has made Daredevil Public Enemy #1. And as Mayor he has the entire NYPD to back him up & hunt DD down. He goes on the run with nowhere to hide as DD & he seems to be losing hope. On the other hand...Matt Murdock however receives an unexpected surprise in a last page cliffhanger... Man this is great stuff. Just when you think you have read all the classic DD/Kingpin feuds Soule comes along & IF he nails the ending...writes another classic. So far this arc has been awesome. Buy this book! 10/10. I flipped through this on Wednesday and almost bought it! I wish I had now! Maybe if they have any left next week I will pick up. Anything with DD/Kingpin gets my interest, especially after the Netflix series.
|
|
|
Post by Deleted on Dec 15, 2017 9:05:19 GMT -5
Wonder Woman #36 by James Robinson and Carlo Pagulayan: This issue read much like bad fan-fiction with laughable dialogue, uninteresting characters, and predictable plot twists. Wonder Woman is at Grail and Jason's mercy as she pleads with her brother to come to his senses. He complains he is jealous of her, blah, blah, blah. The most interesting part of the book is an interlude with Steve and Giganta. I did like the art. 4/10 I finally read it and, yeah, it's not so good. I would much rather have seen a whole issue dedicated to Giganta's role in the thefts of the artifacts than a whole issue dedicated to Jason and his dubious motives for betraying Diana. But ... the ending was pretty cool. I don't have much hope that Robinson will actually pull it off without some cringe-worthy dialogue, but the idea itself - Zeus vs. Darkseid - is actually pretty neat! That does have promise--Zeus V Darkseid and my money is on Zeus, haha! And I agree, I would read an issue with Steve, Giganta, and the stolen artifacts. Robinson seems to phoning this run in just to get his paycheck. Sad that Wonder Woman is so popular now and her comic stinks.
|
|
|
Post by String on Dec 15, 2017 11:01:45 GMT -5
Action Comics 993 by Dan Jurgens with Joe Prado and Cam Smith on finished art. Very fun issue dealing with the time hiccups in the DCU, this time surrounding Krypton's destruction. Booster Gold shines in the story and looks phenomenal (as does the art, although there is a very obvious change in inkers mid way through the story--the first half looks awesome, the second half kind of generic). There is a nice cameo by The Flash as well as a subplot about Lois Lane's father. Superman finds himself witnessing Krypton's final moments and sees images he is familiar with and ones that he is not. He is totally confused as to what is going on and there is a very classic cliffhanger. The art layout is awesome--it reminded me of reading 80s and 90s comics and there are lots of well rendered splash pages. Action Comics at its best. 9/10 Total agreement. Jurgens writing and drawing Superman and Booster Gold is almost like a perfect trifecta. What has happened to Krypton (or changed about it's fate)? The mystery thickens, a wonderful cliffhanger, an interesting development for Lois (and what, if anything, is Jon tempted to do about it, hm?) and Steve Lombard being one of Booster's biggest fans makes complete zany sense.
|
|
|
Post by String on Dec 15, 2017 11:18:16 GMT -5
Jean Grey #10 -
I read quite a few of the X titles yet I'm always slightly behind on my reading pile so I don't always get to write reviews for them in their respective weekly threads. However, a major development happens in this issue, which directly leads into the upcoming Phoenix Resurrection mini and the apparent return of the adult Jean Grey.
In this series, Dennis Hopeless (who wrote the Original X-Men in their previous All-New X-Men title) focuses on young Teen Jean as she seeks to carve out her own fate while being threatened by the fate she's apparently doomed to suffer as an adult. Suffering prophetic visions of the Phoenix Force's return for her, Teen Jean embarks on a worldwide (and dimensional) tour of characters who've either been prior hosts of the Phoenix or could potentially help her learn how to combat it. So, she teams up with the likes of Namor, Strange, Scarlet Witch, Psylocke, Thor Odinson and such for some entertaining romps. Hopeless has a good ear for teen dialogue as he builds up the hopes and fears of Teen Jean's course of action.
Then she learns the source of her prophetic visions, a surprising but logical reveal and this leads Jean to her last best resource: Emma Frost. Together with Emma, Hope Summers, and a few other noteworthy guests, Teen Jean ends up facing the Phoenix Force itself as it arrives on Earth for her. Here in this issue, the battle doesn't go exactly as thought with an ending that I did not see coming at all. It's a surprising move, handled with care and emotion by Hopeless (especially the last two pages) but what is to become of Teen Jean now?
9/10
|
|
|
Post by String on Dec 16, 2017 11:56:25 GMT -5
Daredevil #596. Written by Charles Soule. Art by Stefano Landini. Cover by Dan Mora. New NYC Mayor Wilson Fisk has made Daredevil Public Enemy #1. And as Mayor he has the entire NYPD to back him up & hunt DD down. He goes on the run with nowhere to hide as DD & he seems to be losing hope. On the other hand...Matt Murdock however receives an unexpected surprise in a last page cliffhanger... Man this is great stuff. Just when you think you have read all the classic DD/Kingpin feuds Soule comes along & IF he nails the ending...writes another classic. So far this arc has been awesome. Buy this book! 10/10. Total agreement here as well. Great pacing here, some terrific suspense, I like the higher focus on the NYPD side of this, how some questioned whether DD was good or bad, the questions over DD's actual abilities, it made the suspense higher as they tried to enact Fisk's command. Plus, since we do focus more on the superhero angle of things, it was very nice to see the cops' tactics in handling this type of situation where a superhuman may need to be apprehended. As for the cliffhanger, excellent! Soule has an opportunity here to really rewrite the Murdock/Fisk dynamic in a new exciting way.
|
|
|
Post by String on Dec 16, 2017 12:26:50 GMT -5
Detective Comics #970
The focus of this issue is mainly on the actions of two characters, Tim Drake and Clayface.
With Tim, Tynion is highlighting the near-obsessiveness of his desire to make Gotham a truly safe place. Tim lays out some of his new ideas for Stephanie and the majority of them are highly radical (the most extreme being having Oracle hack the GCPD network in order to have the cops assigned to the smaller crimes while leaving the real dangerous situations for the Bat-family).
This deepens a wedge in their relationship as Stephanie, through some deductive work on her, realizes that Tim has lied to her about his future plans to quit. This is compounded by Tim's discovery of Steph's unwitting help in a new assault by cyber-assassins whose combat is modeled upon the team's moves and methods.
Meanwhile, Clayface is dealing with the possibility of being cured. But he's unsure of what that would mean for his identity, still an inherent monster or perhaps worse, a mere man capable of making the same rash mistake again that lead to him becoming Clayface? To test the cure's stability, he suggests trying it on his former girlfriend Gloria, for whom he feels that he's ruined any chance of a normal life. She's currently being held at Arkham but upon visiting her to tell her the news, he discovers that she's joined Anarky''s new army and they have plans for the Batman's monster ally...
Tynion juggles some decent personal themes here. Knowing what the future may hold, Tim is driven to accomplish what he feels needs to be done in a more stringent fashion. As seen here though, the lengths of how far he is willing to go grows more disturbing. How close is he coming to crossing a personal line? (And credit to artist Joe Bennett for his depictions of Tim here as he discusses his plans. He gives Tim an almost insidious joyous smile as he talks, quite unsettling). The public angle is even worse, as fears grow that Batman and his army are not simply here to assist the civil forces but rather supplant them.
Clayface's personal angst was also interesting. It may be another swipe at the old man-vs-monster trope but Tynion handles Clayface's doubts and fears in a good way as he seeks out advice from teammates about what to do. But what would happen if the public knew that Batman employed a known criminal (and worse, a monster) in his war on crime?
8/10
|
|
|
Post by Jeddak on Dec 17, 2017 20:43:34 GMT -5
Jughead - The Hunger #2
Written by Frank Tieri Pencils by Pat & Tim Kennedy and Joe Eisma Archie's horror line got off to a pretty good start when Afterlife with Archie premiered, but it's been over a year since we saw a new issue of that title, and the last issue we did get had nothing to do with the characters or zombie storyline, instead giving us Josie and the Pussycats as vampires in a story that might as well have been in a separate continuity. Then the new Sabrina title debuted. But while Sabrina had played a big part in the Afterlife title, this series was, in fact, a separate continuity. I was less happy with this book, and it took nearly a year between issues 6 and 7. I think it's safe to say there seem to be problems with this line. So what does Archie do? Why, start up a new title, in yet another separate world. In this series, Jughead is a werewolf, and on the run. But he's only in about half the book. Reggie and another character are also werewolves, with Reggie being pretty clearly evil. Veronica is also evil, here; not sure why (didn't read the first issue, eh?) And it turns out Betty's family have been werewolf hunters for years, and she's training Archie to help her. So the characters are only superficially the ones we know. And the plot is just your standard werewolf story. The artwork is okay, though the weird coloring is more distracting than anything else. And there's one panel where Veronica is about 2/3s leg; some wonky perspective there, which calls attention to itself without actually adding anything to the shot. Basically, this book is only for people who like both the Archie world and horror. There's just not enough here to satisfy fans of one or the other. And if you don't like either, you're probably not even reading this review. 5/10 (largely cause I've always liked Juggie)
|
|
|
Post by Jeddak on Dec 17, 2017 21:08:08 GMT -5
Judas #1
Written by Jeff Loveless Illustrated by Jakub Rebelka I've always thought Judas was one of the most interesting characters in the Christ story. When he betrayed Jesus, was he simply carrying out God's will, or was he acting on his own free will? And even then, was he only a pawn in the overall plan, tossed aside once he'd played his role? Did Jesus choose Judas as an apostle just because he would eventually turn traitor? Why did Judas do what he did? Was he evil, misguided, manipulated? So I had some hope for this series. And having read the first issue, I still do; there are 3 issues to go, after all. But the book's not what I want, yet. It starts with Judas killing himself after betraying Jesus, and finding himself in Hell. He wanders around, reminiscing and asking the questions I mentioned above. But that seems like the lazy way of raising those questions. I'd have much rather seen the events unfold, had the issues involved come up dramatically in the conflict with the characters, instead of just being talked about. And the reason given for Judas' betrayal is the old 'if God is good, why is there suffering in the world?' chestnut. I would've liked more. Like I said, there are three issues to go. I liked this one enough to try one more issue. Unlike Judas himself, I still have hope. 6/10
|
|
|
Post by Deleted on Dec 17, 2017 21:57:45 GMT -5
Great to see some "new" reviewers posting!
|
|