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Post by Cei-U! on Jan 25, 2016 0:08:08 GMT -5
Tales of Suspense #63Based on the story "Meet Captain America" by Joe Simon (writer), Jack Kirby (pencils) and Al Liederman (inks) - originally published in Captain America #1, dated March 1941 Steve befriends James "Bucky" Buchanan, an orphan who has been taken in as the camp's mascot. A couple of quick notes: 1. The correct credits for the 1941 story are Joe Simon (Script), Simon and Jack Kirby (Art), Al Leiderman (Additional Inks). Simon had the first story laid out before he and Jack went to Timely, making it the only Cap story primarily penciled by Joe. 2. It's James Buchanan "Bucky" Barnes, although his full name isn't established until The Official Handbook of the Marvel Universe #13. This is, incidentally, my favorite version of Cap's origin, largely because of the atmospheric art and Stan refusing to use the dumb "Reinstein" name from the original. Cei-U! I summon the genuine classic!
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Post by The Captain on Jan 25, 2016 6:50:36 GMT -5
Tales of Suspense #63Based on the story "Meet Captain America" by Joe Simon (writer), Jack Kirby (pencils) and Al Liederman (inks) - originally published in Captain America #1, dated March 1941 Steve befriends James "Bucky" Buchanan, an orphan who has been taken in as the camp's mascot. A couple of quick notes: 1. The correct credits for the 1941 story are Joe Simon (Script), Simon and Jack Kirby (Art), Al Leiderman (Additional Inks). Simon had the first story laid out before he and Jack went to Timely, making it the only Cap story primarily penciled by Joe. 2. It's James Buchanan "Bucky" Barnes, although his full name isn't established until The Official Handbook of the Marvel Universe #13. This is, incidentally, my favorite version of Cap's origin, largely because of the atmospheric art and Stan refusing to use the dumb "Reinstein" name from the original. Cei-U! I summon the genuine classic! Thanks for the corrections, Kurt! I was in a bit of a rush to finish this before I had to head out to Bible study last night (not an excuse, but rather an explanation), and I got sloppy. Original review has been updated for posterity.
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Post by The Captain on Jan 26, 2016 20:39:09 GMT -5
Tales of Suspense #64"Among Us, Wreckers Dwell" Writer: Stan Lee Art: Jack Kirby (pencils) and Frank Giacoia (as Frank Ray) (inks) Cover Date: April 1965 Based on the second story printed in Captain America Comics #1, dated March 1941, by Joe Simon and Jack Kirby (story and art). Various sources list the story's title as "Case #2", "No Man But Captain America Could Solve The Riddle", or "Sando and Omar". SynopsisThe story opens at a theater, where a large crowd has gathered to see "The Sensational Duo Sando and Omar"; the chatter outside the theater is all about the show and how great it is. Onstage, inside the theater, Sando (a tall man wearing a monocle) gives orders to Omar, a smaller man with an enlarged, bald head. Omar has the ability to project his visions of the future into an oversized crystal ball, and on this evening, he sees tanks at Fort Lehigh exploding while on maneuvers! The next day, at Fort Lehigh, Steve Rogers and Bucky Barnes sit on some steps outside a building, Rogers peeling potatoes (as part of his perpetual K.P. duty) while Barnes reads a newspaper with a front page story about tanks exploding at the camp and how Sando and Omar were right again. The sergeant comes out of the building and trips over the bowl of potatoes, and in a fit of anger, orders Rogers to get out of there; that suits Rogers fine, and Bucky suspects that Steve did it on purpose so he could go see the show. That evening, Steve and Bucky arrive at the theater, and they begin to snoop around. They see a reporter slipping into Sando and Omar's dressing room, and they immediately suit up to investigate. Back on the stage, Sando and Omar are performing, this time with Omar seeing a bridge, one connecting an island-based military camp to the mainland, collapsing. Behind the scenes, Cap and Bucky discover that Omar's "visions" are actually being projected by an accomplice in the booth. They rush the stage and attack Sando and Omar, but after a brief struggle, they are jolted by a woman's screams. Cap disengages from the fight and goes to their dressing room, where he finds the reporter from earlier and Bucky being held at gunpoint by a group of goons. The "reporter" identifies herself as a special agent of the Women's Army Corps, investigating the recent wave of sabotage. With that admission, Cap, Bucky, and the lady agent spring into action, fighting off their captors and eventually subduing them all. The female reveals that Omar had no part in the sabotage, as he had been hired by Sando (who was actually Colonel Wolfgang von Krantz) from a freak show and didn't know what he was doing. They realize that Sando had the acts "predicted", then carried out in order to create panic. At the end, the female agent introduces herself as Agent Thirteen before departing, while Steve and Bucky race back to the base to avoid further punishment. Continuity Issues: None My ThoughtsThis was a decent effort from Stan, Jack, and Frank, even though it wasn't an original story on their part (well, except for Jack's part in creating the original story). It furthered the development of Steve Rogers as Captain America, while also showing how his friendship with Bucky was growing. As with the previous issue, there were some differences between the original story and this one, those being: 1. The tank explosion "accident" was at Fort Bix, not Fort Lehigh. 2. Steve and Bucky just decide to go see the show after reading the news of the tanks, instead of having to trick their sergeant into sending them away. 3. The bridge predicted to collapse was not associated with a military base in the original as it was in this issue. 4. The female agent is not introduced until after the initial fight between Cap/Bucky and Sando/Omar, and she gives her name as Betty Ross instead of Agent Thirteen. My Grade: B. Not quite on par with the last issue, but still light-years better than any of the first four modern-era Cap stories from TOS.
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Post by The Captain on Jan 31, 2016 16:53:26 GMT -5
Tales of Suspense #65"The Red Skull Strikes" Writer: Stan Lee Art: Jack Kirby (pencils) and Chic Stone (inks) Cover Date: May 1965 Based on the story "Captain America and The Riddle of the Red Skull", originally printed in Captain America Comics #1, dated March 1941, by Ed Herron (script) and Joe Simon and Jack Kirby (art). SynopsisIn front of a luxury housing building, Major Croy exits an army vehicle and orders the driver to return to Fort Lehigh. The driver, Steve Rogers, asks if he should stay, but the major dismisses both Private Rogers and Bucky Barnes, in the passenger seat, before entering the building. Once in his dwelling, the major sits and reads, when he is startled by an intruder entering through the window behind him. The intruder, wearing a green jumpsuit with a white swastika on the chest and a red mask, attacks Croy, gassing him in order to cause him to lose his memory. Later that evening, Rogers and Barnes are back at the crime scene to answer questions, but as soon as they sense an opening, they slip away and change into their costumes, intent on searching the city as their alter egos. Bucky eventually catches up to a gang of bankrobbers who are dropping off their ill-gotten loot to the man who had attacked Major Croy, who one of the robbers identifies as "The Red Skull". As he watches them, another of the robbers takes Bucky by surprise and captures him, dragging him back to the Red Skull. The Skull recognizes Bucky as Captain America's sidekick and realizes that he will be a valuable hostage, but just then there is a knock at the door. Despite the Skull's orders not to open it, one of the robbers does just that, and Cap bursts through the door, attacking the robbers and freeing Bucky; in the commotion, however, the Red Skull slinks away through a secret passageway. Despite losing the Skull, Cap and Bucky retrieve the stolen money, realizing they have put a dent in the Nazi's sabotage network with this event. The next day, Steve Rogers' squad is serving as an honor guard at the army air base, where they are introduced to Mister (John) Maxon, owner of Maxon Aircraft Corporation, who has brought a new bomber to be tested there. Shortly after takeoff, the bomber's far-left engine blows out, causing the aircraft to lose control and eventually crashes to the horror of the onlooking squad. Maxon only shows concern for the loss of the aircraft, to which Rogers calls him out for not caring about the two pilots who were lost; General Curtis yells at Steve, who later tells Bucky that he just snapped, even though it might mean permanent K.P. duty for him. Steve is determined to find out why Maxon reacted the way he did, so he decides to pay a visit to the general's house as Captain America to get some background on Maxon. At the general's home, Cap and Bucky find the general injured and lying on the ground, but before they can investigate, they hear a woman's scream. They go to find out what was going on, only to find the general's housekeeper being attacked by the Red Skull. The Skull clumsily attacks the duo, who easily avoid his punches and knock him to the ground, They remove the Red Skull's mask to reveal "Mister Maxon", who explains that he has replaced the real John Maxon and gotten access to many levels of high military officials. Catching the pair by surprise, the Skull makes a break for it out the window as two Nazi gunmen pin Cap and Bucky down to allow the Skull to escape in a car parked outside. As they head back to check on General Curtis and his housekeeper, Cap finds a notepad the Skull dropped, a notepad that has a list of names on it. The first two names, Major Croy and General Curtis, have been crossed off, but the last two have not, those being Captain America and Bucky... Continuity Issues: None My ThoughtsThis is a fabulous issue, the best of the Cap stories in TOS thus far. Stan Lee successfully reintroduces the Red Skull to the Silver Age audience with a well-written story that is devoid of some of the glaring plot holes that marred the early Cap installments (especially the ones set in modern day). In regard to the art, the return of Chic Stone on inks is noticeable; he has a lighter touch than Frank Giacoia, who had some very heavy lines in the previous two issues. My only complaint about the art is the Red Skull's look (see below). He looks like a schlub in a fright mask and a pair of Dr. Denton PJs, not an evil Nazi mastermind and certainly not someone who would pose a physical threat to Captain America. As with the previous couple of stories, there are some differences between the original 1941 story and this one, those being; 1. Steve already knows of the Red Skull and a threat against Major Croy which he mentions prior to being dismissed after dropping the major off at home. 2. The Red Skull "hypnotizes" both Major Croy and General Manor (known as "General Curtis" in the TOS story), killing them with his "death stare" rather than gassing them to cause memory loss. The "death stare" actually doesn't cause the deaths of those men, but rather is it a hypodermic needle filled with poison that does the job. 3. The woman attacked at General Curtis' home is his wife, not his housekeeper (although the woman's identity is never confirmed in the new story, just that Bucky calls her "the housekeeper" twice). 4. Mister Maxon's first name is given as "George", not "John". 5. George Maxon/The Red Skull dies after his struggle with Cap and Bucky, rolling over on the hypodermic needle and poisoning himself. My Grade: A+. After the slight step backwards last issue with the Sando and Omar story, Stan, Jack, and Chic deliver a great story here.
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Post by The Captain on Feb 27, 2016 9:47:29 GMT -5
Tales of Suspense #66"The Fantastic Origin of the Red Skull" Writer: Stan Lee Art: Jack Kirby (pencils) and Chic Stone (inks) Cover Date: June 1965 SynopsisCaptain America sits bound, surrounded by Nazis, who salute the Red Skull as he enters the room. It is explained that Cap was captured trying to enter Germany by submarine and that Bucky is being held elsewhere as a hostage. The Red Skull sends the others away and sits down to tell Cap his origin story. He tells of his time as a young orphan, forced to steal to survive but always smaller than others and taken advantage of. As he grew older, he worked odd jobs, eventually finding a position as a bellboy in a hotel. One night, he got to deliver food to Adolf Hitler's room, where Hitler saw a kindred hatred in the eyes of the lowly bellboy. Hitler sends the boy away to be trained to become "evil personified"; after a time of training, Hitler himself delivers a box to the boy, a box containing a special suit to distinguish him from the other Nazis and a red skull mask. The story switches back to the present, as Cap tries to escape, but the Skull beats him down and then continues his story. He reveals how he uses his forces to prey on the weak and helpless in order to spread fear and gain power, rising in the Nazi ranks to second in power behind only Hitler himself. After the story finishes, Cap tries once again to attack the Red Skull, but he feels weak and starts to collapse as the Skull holds him off. The Skull reveals through conversation with a minion that Cap has been administered a chemical potion to wipe his mind clean and make him into the Skull's slave. As this chapter closes, the Red Skull gives Cap a mission: to kill the Supreme Commander of the Allied forces in Europe. Continuity Issues; None My ThoughtsNot much "happens" in this issue, but it is vital to the mythology of Captain America, as it details the rise of his greatest enemy. At this time, the Nazis were not that far in the rear-view mirror of history, so creating a villain with ties to Hitler himself made the Red Skull seem just a little more evil than the average baddie. Although one would come later, I liked that the Skull was not given a proper name in this story, as he refers to himself as a "nameless orphan"; giving him a name would have made him "human", which I think Stan was trying to avoid. Comic book science concerning how chemical potion given to Cap works aside, the idea of taking America's symbol and turning him into a Nazi agent is a good one. The few panels where Cap fights back against the Skull have the usual Kirby dynamism. However, as I read further along, I get more frustrated by little things with the art, like how backgrounds come and go panel by panel, or the following two-panel sequence: In the first panel, the bellboy is clearly to the left of Hitler, while the Nazi officer is to the right. In the second, however, the officer is now to the left of Hitler, who is pointing at the bellboy to what was his right when he was turned around. It's little inconsistencies like this that, while not horrible, do tend to take me out of the story because I am trying to put things together in my head. My Grade: A. This is a great introduction to one of Marvel's all-time best villains.
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Post by Deleted on Feb 27, 2016 23:36:59 GMT -5
Tales of Suspense #64 Tales of Suspense #66
Are among my favorite issues in this series and especially #66 was one of the best written stories that came out of that Comic Book Titles that Marvel did back then. The Captain, you did a great job writing up these two reviews. Thanks for sharing your thoughts!
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Post by coke & comics on Feb 28, 2016 5:37:13 GMT -5
Tales of Suspense #64 Tales of Suspense #66Are among my favorite issues in this series and especially #66 was one of the best written stories that came out of that Comic Book Titles that Marvel did back then. The Captain, you did a great job writing up these two reviews. Thanks for sharing your thoughts! I'm a big fan of issues #66-68, that whole little Red Skull arc. Somewhere in there I know is a famous quote I recall from a Captain America trading card I had.
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Post by sabongero on Feb 29, 2016 21:52:57 GMT -5
Was Adolph Hitler and the Iron Monger villain used a lot in 1960's Captain American comic books and Tales of Suspense comic books with Captain America?
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Post by Cei-U! on Mar 1, 2016 0:25:41 GMT -5
Was Adolph Hitler and the Iron Monger villain used a lot in 1960's Captain American comic books and Tales of Suspense comic books with Captain America? Hitler appeared in the Red Skull origin in ToS but was otherwise not a presence in '60s Cap comics, only a handful of which were actually set during WW2. No idea who you mean by the Iron Monger. If you mean Obadiah Stane, he wasn't introduced until the mid-'80s. If you mean the Hate-Monger, he appeared only twice in the '60s (Fantastic Four #21, Nick Fury #9-11), neither a Cap story. Cei-U! I summon one out of two!
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Post by sabongero on Mar 1, 2016 4:44:03 GMT -5
Was Adolph Hitler and the Iron Monger villain used a lot in 1960's Captain American comic books and Tales of Suspense comic books with Captain America? Hitler appeared in the Red Skull origin in ToS but was otherwise not a presence in '60s Cap comics, only a handful of which were actually set during WW2. No idea who you mean by the Iron Monger. If you mean Obadiah Stane, he wasn't introduced until the mid-'80s. If you mean the Hate-Monger, he appeared only twice in the '60s (Fantastic Four #21, Nick Fury #9-11), neither a Cap story. Cei-U! I summon one out of two! You're right. I stand corrected. The Hate Monger. He's a villain, supposedly a clone of Adolf Hitler, that appeared in some of the late 1970's Captain America comic books.
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Post by The Captain on Mar 5, 2016 11:49:17 GMT -5
Tales of Suspense #67"Lest Tyranny Triumph" Writer: Stan Lee Art: Jack Kirby (pencils) and Frank Giacoia (as Frank Ray) (inks) Cover Date: July 1965 SynopsisThe action opens with Cap attacking a white-clad dummy, followed by Nazi soldiers with guns. They make their way through an obstacle course until the Red Skull shows up, at which time he gives a gun to Cap and orders him to shoot a picture of the Supreme Commander of the Allied Armies, which Cap does without hesitation. Outside, Bucky and a group of prisoners are led before a firing squad. The Nazis line up and prepare to fire, but upon pulling the triggers of their guns, all that is heard is a clicking noise; the soldiers gloat that they will break the prisoners before killing them, but all of a sudden, the prisoners attack, as Bucky had warned them of the trick with the blanks. The prisoners overwhelm the soldiers, and Bucky slips off to find Cap. Back at Third Reich HQ, Hitler sits alone with his thoughts until startled by the Red Skull, who has slipped into the room through the use of a hidden passageway. Hitler laments that he has trained the Skull too well and that the Skull has grown too powerful. The Skull utters a thinly-veiled threat and then Cap enters the room, causing Hitler to panic at the sight and hide behind a chair as the Skull explains that Cap serves him now. Hitler tries to punch Cap, who instinctively raises his shield, blocking the fist; Hitler orders the Skull to kill Cap after the mission is completed. Elsewhere in the complex, Bucky knocks out a Nazi and steals his uniform, then joins the soldiers as they prepare for their mission. Once on the plane to England, Bucky sits across from Cap and comments that it looks like Cap has been hypnotized. Over London, the Nazis (along with Cap and Bucky) parachute into the city and immediately make their way to their target. The plan is revealed and Bucky springs into action, but he is quickly subdued as Cap looks on blankly. Bucky continues to fight the Nazis while Cap heads off to complete the Skull's mission, and as he reaches the general's study, he raises his gun to shoot but is unable to do it. The story closes as one of the Nazi soldiers with Cap pulls the trigger for him, firing the weapon in the general's direction. Continuity Issues: None My ThoughtsAfter last issue, which was fabulous but relied heavily on the Red Skull's exposition of his origin, it was nice to get the story moving along and get a return to some action. I like that Bucky is not a "damsel in distress" in these stories but can hold his own against bigger opponents; his figuring out of the trick with the blanks was a nice touch, as it showed some cleverness on his part. The bit with Hitler was both good and bad. I like that he recognizes that the Red Skull is not just a lackey but rather someone to be taken seriously as a rival; it helps sell the character of the Skull as someone who may not be the physical equal of Captain America but whose hatred and ambition makes him a worthy opponent. As for the bad, the scaredy-cat behavior at the site of Cap makes the story a little less gripping, like an old cartoon where an elephant jumps on the chair at the site of a mouse; I get the effect Stan and Jack were going for, but it was a little over the top for my liking. My Grade: A-. The story of Cap as the Skull's slave swings into full gear, and Bucky gets to do more than get captured and need rescuing.
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Post by The Captain on Apr 3, 2016 15:39:17 GMT -5
Tales of Suspense #68 "The Sentinel and The Spy!" Writer: Stan Lee Art: Jack Kirby (pencils) and Frank Giacoia (as Frank Ray) (inks) Cover Date: August 1965 SynopsisAs this issue begins, the bullet fired from Cap's gun at the end of last issue goes wide, as Cap had overcome the Red Skull's brainwashing and deflected the shot. He is attacked by the Nazi soldiers, furious at him for scuttling their mission, and he orders the general to find cover during the fight. Bucky arrives on the scene to find Cap back to normal, and the two of them proceed to beat on the enemy soldiers until the US troops arrive, at which point Cap explains to the general what had happened leading up to the account. Across the English Channel, the Red Skull plots his next master scheme, which consists of his agents stealing an Allied weapon known as "Project Vanish". He reveals that an agent he planted in the Allied POW compound will soon take action. Cutting to that camp, the Nazi agent orders another prisoner to try to escape, which results in the escapee getting shot, leaving an open spot on the next morning's supply truck, which is taken by the Skull's agent under the guard of Steve Rogers and Bucky Barnes. Partway through their trip, the Nazi agent releases a hidden gas canister, creating a cloud that he uses to cover his escape. He heads into the woods, with Rogers and Barnes in hot pursuit. The heroes come upon a house in the woods that has a number of unconscious Allied soldiers just behind the stone wall surrounding the structure. As they investigate, Steve's gun is struck from a ray from off-panel, and the gun disappears. A few more bursts from the ray gun, now in Nazi hands, cause part of the wall and a tree to vanish. Now in his Captain America uniform, Steve presses an attack, using his shield to throw off the Nazi's aim. A tank column rumbles by, and the Nazi agent turns his attention to them; as Cap sneaks up on him, a shell explodes nearby, knocking both of the men to the ground. Even from a prone position, the Nazi managers to wipe out half of a tank, but he has turned the ray gun up to full intensity, which causes it to explode when he next pulls the trigger. Bucky races toward the explosion and finds Cap, who asks Bucky to bring his military uniform before the Allied troops show up; when they arrive, they find an unconscious Nazi and injury-feigning Steve Rogers, both of whom are sent to the medical staff for treatment. Continuity Issues: None My ThoughtsAnother enjoyable issue from Stan and Jack, although it was a definite step down from the previous two. The wrap-up of the brainwashed Cap storyline was fine, even without a real explanation of how Cap overcame the Skull's poison and mind control. However, the Project Vanish storyline was rushed, compressed into a mere seven and one-half pages, and there were some glaring plot holes in it, such as: 1. Did the Allies not search the prisoners for hidden items, such as gas canisters taped in their armpits? 2. For what reason did the Allies take one lone prisoner on the supply truck, with the guards being the noted bumbler Steve Rogers and the camp mascot? The ray gun that was Project Vanish was dopey Silver Age comic fodder, its disintegration ability resistant to real-world scientific scrutiny but certainly reminiscent of the Tesseract-powered weapons used by the Red Skull's forces in "Captain America: The First Avenger". My Grade: B. The wrap-up of the brainwashing storyline was a little too neat, and the Project Vanish storyline was shoehorned into the second half of the issue, as though Stan and Jack had just a little too much idea for the former and a bit too little for the latter, so they crammed them together and called it a day.
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Post by The Captain on Apr 17, 2016 15:13:01 GMT -5
Tales of Suspense #69"Midnight in Graymoor Castle" Writer: Stan Lee Art: Jack Kirby (layouts) and Dick Ayers (art) Cover Date: September 1965 SynopsisCap and Bucky are held in metal clamps while a handful of workers, clad in masks and full body suits tool around toil around them; one of the workers tells another to open the pit below the heroes in order to expose them to the radiation below. As they bathe in the rays, they begin to shrink, until it is revealed that they are just plastic figures taking part in a test being conducted by a Dr. Rawlings to catch the attention of the Red Skull. The Skull's on-site representative takes his leave, but before he goes, he tells the doctor to await the real things. Once alone, Dr. Rawlings is approached by a woman he calls Celia and who refers to him as Cedric; the woman turns out to be his sister. She argues with him over his joining the Nazis, to which he reveals a metal hand, the result of an accident that she caused. He wants to be rewarded, but since the British government won't do it, he has looked elsewhere. Elsewhere in England, Steve Rogers' company returns from a forced march, and they are told to stay close. Bucky approaches Steve and asks if he can join the fight, to which Steve replies no; Bucky argues that if he's good enough to fight with Captain America, he should be allowed to go, but Steve tells him to keep quiet and remember their deal, where Bucky takes orders and doesn't argue. Steve's group leaves the base, and shortly after they do, Nazi saboteurs attack. Bucky, having been left alone, dives into the fray but is subdued and captured, with the intention of delivering him to Dr. Rawlings. Over in France, Steve's team reaches a Nazi-occupied town, and they move to take out the Gestapo HQ. Steve fights his way into the building using his Captain America skill and not as the bumbling private he portrayed himself as. When he gets to the radio room, he finds a transmission indicating Bucky was being held prisoner at Graymoor Castle; Steve races off, missing another communication that tells of the Nazi's plans to attack his team, as he heads to a nearby airstrip to catch a plane headed into the air. At the castle, Bucky is strapped to a slap, being exposed to "Z-Rays" to prepare him for the experiment to come. The issue closes with Cap flying back to England, hoping to reach Bucky in time to save him from whatever fate has been planned for him at Graymoor Castle. Continuity Issues: None My ThoughtsA good start to a new story, as it sets up the premise right from the get go and starts moving forward at a deliberate pace. It was a little jarring to start immediately in the story rather than have any type of transition from the previous issue or set up, but it was nothing that was detrimental to the issue. I liked that Steve established his role as the head of the partnership by rebuffing Bucky's insistence on coming along. He lightened his tone later in the conversation to bolster Bucky's confidence, but there was no question that Steve was still in charge and calling the shots. Hopefully we'll learn more about Dr. Rawling's accident and his sister's role in future installments, as well as deeper motivations for the doctor than just getting paid. In addition, I hope we get some kind of explanation as to how the shrinking radiation and "Z-Rays" work, but I'm not going to hold my breath and will just chalk it up to Silver Age comic book science. My Grade: B. The story is serviceable, setting up the premise and setting us along the path to finding out the secrets of Graymoor Castle.
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Post by The Captain on Apr 20, 2016 19:42:59 GMT -5
Tales of Suspense #70"If This Be Treason" Writer: Stan Lee Art: Jack Kirby (Layouts) and George Tuska (Art) Cover Date: October 1966 SynopsisThe story opens in flashback, showing how Cap overpowered the Nazis and took control of the plane that he is using to fly to Castle Greymoor to rescue Bucky. Meanwhile, at the castle, the Nazi soldiers with Dr. Rawlings learn that Cap has commandeered the plane and is on his way. They order the doctor to dispose of Bucky, but he has plans to use Bucky as part of a trap, which consists of a canister of sleep gas that will release when Cap attempts to free him. Dr. Rawlings' sister Celia enters the lab and tries to talk him out of his plans, but he refuses, once again reminding her of the accident she caused and how he lost his hand as a result. The Nazi major suggests "silencing" Celia, but Dr. Rawlings tells him to back off. Up in the air, Cap's plane is attacked by British planes (for obvious reasons), but manages to avoid them and land the plane near the castle. He infiltrates the castles and quickly finds Bucky, but he suspects a trap. Celia bursts into the room to warn him, with Major Uberhart following, and he uses her as a shield while he fires his gun at Cap. As Cap blocks the bullets, the suits of armor behind him start to move, as they are occupied by Nazi soldiers. He fights them off, and Uberhart, angry at their losses, dons a gas mask just as Cap lets Bucky loose; the gas canister opens and the two heroes are overcome. A brief interlude takes the story to France, where Steve Rogers' team is set upon by Nazi troops, and they are forced back to the beach. It is at this time that Sargent Duffy notices Steve is missing, and he assumes that Rogers has deserted them. Back at Greymoor Castle, Cap, Bucky and Celia awaken to find themselves bound. Major Uberhart determines he will kill all three, to which Dr. Rawlings attacks him to save Celia, but Uberhart easily swats him away, saying he is no longer taking orders from the traitorous doctor. Cap, Bucky, and Celia are loaded into a rocket that is aimed at 10 Downing Street in London, the very address that is home to British Prime Minister Winston Churchill... Continuity Issues: At the end of issue #69, Cap is shown loudly announcing his arrival on the Nazi plane by knocking a hole in the side of the plane with his shield to gain entry and then kicking an airman right behind the cockpit, drawing the attention of the pilot and copilot. In this issue, the first panel shows Cap sneaking up on the pilot and copilot; they only notice him at the last moment before he hits both of them in the back of the head with his shield. Also, the first panel shows both the pilot and copilot wearing green headphones, but the second panel, where Cap is hitting them from behind, there is one pair of headphones shown knocked from one of the men but no sign of the second. Minor, but sloppy when going from one panel to the next. My ThoughtsI had neglected to mention in my previous review that one problem I had with the issue was the lack of explanation of how Cap got control of the Nazi plane. He is shown in a handful of panels breaking into the plane and kicking one of the Nazi airmen, then is shown in the last three panels flying the plane back to England. Stan makes note of it on the first page, basically admitting that they "told" last issue without "showing", an oversight they intended to correct here. The story moves along here, although it is a little padded, as based on what happens in the next issue, the interlude in France is unnecessary. As well, the whole "Nazis hiding in the suits of armor" bit is a little weird, because while they may be able to catch Cap off-guard by their ruse, I doubt any of the soldiers had any experience actually fighting while wearing medieval suits of armor, thus limiting their effectiveness in combat. They were also wielding the weapons, such as maces and glaives, that the suits were holding, which made for a neat visual but made no sense from a story-telling standpoint, as they were taking on America's greatest fighter while starting with the disadvantage of using unfamiliar weapons. My Grade: B- this time out. It's not bad, but the story has a number of elements that make no sense and it doesn't move along as crisply as previous installments.
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Post by wildfire2099 on Apr 20, 2016 21:52:09 GMT -5
The story might not make sense, but the art is great, IIRC... I remember liking Dr. Rawlings too
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