shaxper
CCF Site Custodian
Posts: 22,871
|
Post by shaxper on Jan 19, 2015 21:17:41 GMT -5
Adventures of Superman #453  "Apparitions" writer and pencils: Jerry Ordway letters: Albert De Guzman colors: Glenn Whitmore editor: Mike Carlin (note: no Renee Witterstaeter as assistant editor this time) Superman created by Jerry Siegel and Joe Shuster grade: C Even with Stern and Ordway getting time off to plan ahead last month while Dan Jurgens did filler stories, Ordway's return to the title this month still manages to feel like filler content as the bulk of the story is Superman continuing to wrestle with his inner demons without really going anywhere new. The only difference is that the struggle is expressed as a hallucinogenic external struggle with his own selves ala Superman III. It's a nice reminder to be told, in the midst of all this, that the Post-Crisis Superman still primarily sees himself as Clark Kent and that it's important to him to have Lois love him as Clark first and foremost as a result, but those nine pages of internal conflict don't really arrive at anything we haven't seen previously. All in all, a let-down. At least "Matrix" morphing to resemble Clark in his absence was an interesting twist. The character really needs more development/exploration, and I'm hoping this new twist will afford her the opportunity to get it. So was that it -- the anti-climactic endcap to nine months of inner conflict? plot synopsis in one sentence: Superman imagines he is revisiting the charred remains of the Pocket Universe Earth and that the rogue Kryptonians survived, Ma and Pa Kent worry about reporter Tobey Raynes (incidentally, Maggie Sawyers' lover) grilling them about what really happened to Clark (currently presumed dead by most), Matrix changes her physical appearance to resemble Clark, Superman spends more time hallucinating a massive guilt trip about everything he's ever done wrong, finally concluding that he can't expect himself to be perfect, Prof. Hamilton has rebuilt Jose Delgado's Gangbuster armor for him, there are rumors of Luthor buying out STAR Labs and some aliens find Superman's unconscious body, deciding to that he'll earn top bid at auction. "Hostile Takeover -- Part II: Inside Rumors!" writer: Roger Stern pencils: Dan Jurgens inks: Dennis Janke letters: Albert De Guzman colors: Glenn Whitmore "insider": Jerry Ordway grade: C- While I love the idea of giving half the book each month to exploring Metropolis' supporting cast (really, the Superman franchise has arguably the most compelling supporting cast in comicdom, and Byrne, Wolfman, Helfer, Carlin, Ordway, and Stern have developed them incredibly well in the Post-Crisis), a storyline all about Luthor manipulating the stock market is about as visually and narratively uninteresting as stories come, especially as Stern lends almost none of Luthor's compelling characterization to the story and leaves his motives and internal thoughts eclipsed in shadow. Luthor is, in fact, arguably the MOST compelling character in the Post-Crisis Superman universe, but none of that is felt here at all. Important Details: Whereas previous issues heavily hinted that there was something extremely shady about the new director of STAR Labs, he's presented here as both ordinary and impotent as the threat of a hostile takeover from Lexcorp looms. Considering how careful Carlin's office has previously been about continuity, I find this lapse both surprising and disappointing. plot synopsis in one sentence: Luthor is intentionally spreading rumors about doing a hostile takeover of STAR Labs in order to drive their stock prices sky high for reasons that have yet to be explained, and it's heavily suggested that the speculation and turbulence he's creating will have a global impact. |
|
shaxper
CCF Site Custodian
Posts: 22,871
|
Post by shaxper on Jan 25, 2015 20:42:07 GMT -5
Action Comics Weekly #636  One of the better issues in the ACW run, featuring Alan Grant on The Demon, Paul Kupperberg teamed up with Andy Kubert for one unforgettable installment of The Phantom Stranger, the debut of the Post-Crisis Phantom Lady, and the most unforgettable installment in the Superman serial to date. I'll get to all that in a moment, but one important detail first: I'd speculated previously that, while Mike Gold's explanation for why the ACW experiment was terminated was that the editors were feeling constantly overwhelmed, sales had to be a factor as well. Gold had previously written that sales were not bad (which could have meant any number of things), but here he states: Actually, sales on ACW were quite healthy, out-selling almost two-thirds of our regularly published books I'm afraid I just don't buy it. Unless two thirds of DC's books at the time were doing terribly, I just can't see how this was true, both because the comic was pretty much universally detested and because it was direct market only. No comic code approval, no bar code, no newsstand sales. I'm not sure what reason Gold would have to lie about ACW's sales figures, but I just can't accept that this book was outselling two thirds of DC's regular output. As for the features in this issue: Speedy: New writer Mark Verheiden feels marginally more capable than Cherie Wilkerson, but why does ACW keep pushing Speedy on us when they've yet to write him as a compelling protagonist? Gold states in the letter column that all of these projects (other than Phantom Lady) were slated to get limited series or ongoings in the near future. Did that include Speedy?? The Demon: It's GOOD to stumble upon a chapter of Grant's Demon that I hadn't read previously and wasn't aware of until now, but it's so heavily enmeshed in continuity from the limited series (which ended two years earlier) that I can't imagine this story was accessible to most ACW readers. Maybe DC hoped to attract fans of that limited series to ACW? Whatever the case, it will be another six months before Grant's ongoing Demon series sees print. Phantom Stranger: Absolutely Kupperberg's finest Phantom Stranger story (and I say this having read the original limited series in addition to all the ACW stories). One thing I've always respected about Kupperberg was his willingness to wear his politics on his sleeves while writing, and that comes across clearly in this story, in which a guilt-ridden son of a music producer flees the demonically possessed African American blues artist his father profited from. Andy Kubert's art is breath-taking in bringing all this to life as Kupperberg reminds us that there are real crimes committed in the world beyond street muggings and murders, and that these can have similarly dire consequences. The demonic aspect doesn't make a whole ton of sense, and the resolution comes a tad too quickly, but the raw, real emotion Kupperberg invests in it, aided by Kubert's mesmerizing art, just makes it an amazing experience all the same. Phantom Lady: Apparently, the only appeal of this character is her sexy ACW covers. This first issue and first appearance was utterly forgettable, and so was the character, as well as the art and writing. Completely and totally lackluster. Wild Dog: No. The triumphant return I'd been dreading and intend to avoid at all costs. And then there was Superman... "The Face and the Voice!" writer: Roger Stern pencils: Curt Swan inks: Murphy Anderson Letters: Bill Oakley colors: Tom Ziuko editor: Mike Carlin grade: A I'd long since given up hope of this series surprising me in any positive way, but, Holy Crap! The mysterious alien force behind all of this was DARKSEID??!! I really don't care whether or not it ends up making any sense. It's just nice to be thrown for once, as well as pleasantly excited to see a familiar face that can't help but improve this story. And really, Curt Swan penciling Darkseid -- had it ever been done before?? To watch the favorite villain of the Copper Age spontaneously show up in a throwback story penciled by a favored throwback artist...it's just COOL.  plot synopsis in one sentence: Darkseid reveals himself as the mysterious agent behind all of this; that's really all that happened. |
|
shaxper
CCF Site Custodian
Posts: 22,871
|
Post by shaxper on Jan 29, 2015 16:21:06 GMT -5
Superman #31  Editor: Mike Carlin Writer/Co-Plotter: Roger Stern Co-Plotter: Tom Peyer (guest) pencils: Patrick Cullen inks: Dennis Janke letters: John Costanza colors: Glenn Whitmore grade: A- Byrne has been gone for nine months now, and yet the Superman office still appears to be in transition. Whereas I thought Superman's exodus in space would mark the beginning of a new chapter for the franchise, it still feels locked in a state of perpetual standby. In this case, we get a guest penciler, as well as a story that, though literally written by Stern, clearly feels more like the ideas of Carlin (still paying homage to Byrne) and Peyer (this is his absurdest humor all the way). That being said, it's a darn good story. To be clear, I hated Byrne bringing Mxyzptlk into the Post Crisis, but Peyer absolutely makes it work, realizing that, while Superman vs. Mxyzptlk might make for a stale battle of wits by this point, matching Luthor against him is utterly priceless. We've been in need of a good Luthor story for a while now ("Hostile Takeover" is not it), and putting him in the role of hero, watching how he handles things in contrast to Superman, is both fascinating and highly entertaining. Luthor did end up winning, after all, though he did it in a way that absolutely felt wrong, and it also left us with a few serious nagging doubts; namely: "B-B-But what if he changes his mind? What if he DOES come back? What if his experience has taught him to lie? What then, Mr. Luthor? WHAT THEN?!?"Important Details: Superman does not actually appear in this issue Minor Details: - Mxyzptlk rearranging Team Luthor soldiers like Transformers? Both brilliant and utterly sick. - We've previously seen Carlin make overt efforts to try to praise and make nods to Byrne after his stormy departure. This cover is yet another such nod to him, as Byrne was fond of covers that would advertise that what was depicted would not occur within the issue. plot synopsis in one sentence: Mxyzptlk returns and, unable to find Superman, throws a massive tantrum that devastates Metropolis, Luthor sends Team Luthor to intercede, this draws Mxyzptlk's attention, so Luthor studies up on Mxyzptlk quickly, decides he is utterly naive and surprisingly honest, surmises that he might not know what a lie is, and so Luthor draws up a contract for the two to sign, agreeing not to hurt each other while Luthor accepts Mxyzptlk's latest challenge, then immediately throws all the destructive force he has at Mxyzptlk, stating "I lied. Sue me," and this sends Mxyzptlk into such a rage that he leaves, returning everything to normal, and swearing never to come back again; Lex wins, but his assistant worries that he may have turned Mxyzptlk into a bigger threat in the long run. "Hostile Takeover -- Part III: Poison Pill!" Art: Dan Jurgens inks: Dennis Janke letters: Albert DeGuzman colors; Glenn Whitmore pharmacist: Jerry Ordway grade: D+ So who wrote this story? Stern wrote the last chapter. Was his name accidentally left out, are we to infer that the "pharmacist" wrote the story (even though Ordway was similarly cryptically credited as being the "insider" last time), or is it Jurgens? Anyway, this story just continues to extract yawns from me. At least the earlier chapters implied that Lex had some grand plan about toppling international markets, but here it turns out that he seems to just be after one lab STAR owns that he can use to explore the still sedated Brainiac's mind (we all know where THAT's going to lead), and thus is attempting a hostile takeover. I know it was the '80s, but really, a multi-part comic book story about executing a hostile take-over? It's not even like there's much personal drama attached to it. The only people sweating it out are bland extras that we don't even know, and Lex isn't showcasing much personality either, even while watching the puppets dance. Minor Details: The one thing I did appreciate about this story was its fluid continuity. It's written to occur within hours of the events in the lead story, even while that was executed by a different creative team (or was it? Maybe Stern did write both). plot synopsis in one sentence: Luthor is visiting the Team Luthor soldiers in the hospital and getting good press through WLEX, STAR Laboratories' board of directors is panicking and tries a desperate move to inflate the cost of the takeover AND sells off the lab that's motivating Luthor to take over the company in the first place, we find out that his reason for wanting the lab is to probe Brainiac's head, Morgan Edge buys a bunch of shares in STAR Labs in order to cash in ahead of the takeover (maybe that was Luthor's real endgoal?), and Luthor learns of STAR Labs' desperate measures, is not thrown by this in the least and, in fact, expected it. |
|
shaxper
CCF Site Custodian
Posts: 22,871
|
Post by shaxper on Feb 5, 2015 17:31:40 GMT -5
Action Comics Weekly #637  With four issues remaining, Action Comics Weekly begins to feel, once again, like a dog that needs to be put down. Alan Grant's Demon continues to be generally well done, and the Superman two pager is finally going somewhere good, but the rest of the content is utter dead weight. Speedy: Bad drawing + bad writing. Yech. And making your shock cliff-hanger that a character we haven't even met yet has AIDS isn't all that creative (nor tactful), especially when Black Canary already broached the topic in this very publication. The Demon: The 7 page format isn't really working for Grant, as I feel this entire storyline would have worked better as a done-in-one story that wouldn't prove particularly memorable but would pass the time. Grant has his characterizations down, but the plot isn't really peaking in the way that it needs to each chapter for a serial format. Hero Hotline: This marks the first appearance of Bob Rozakis and Stephen De Stefano's comedic superhero group. While I really appreciate the diversity of bringing some laughter into an anthology book, it really isn't all that funny, nor that well done. Phantom Lady: Sexy, beautiful, and out to prove to men that they can look but can't touch; Phantom Lady is less of a character at this point, and more of a bumper sticker. Wild Dog: Nope. Not reading that crap again. And then there was Superman... "The Power of Darkseid!" writer: Roger Stern pencils: Curt Swan inks: Murphy Anderson letters: Bill Oakley colors: Tom Ziuko editor: Mike Carlin grade: B+ With the holy war essentially ended, this installment is little more than Darkseid explaining everything. Sure, I can understand Darkseid conducting experiments on humans to explore the nature of human fanaticism; cool idea, actually, but he claims to have simply implanted a few suggestions in the minds of people that he then gave inexplicable super powers to, so then how in the world did an apparent multi-million dollar company get involved, and why would people given super powers suddenly believe Superman and those who worship him were evil/dangerous? A lot more explanation is needed, and I doubt we're going to get it. Stern writes Darkseid well, here. His cold, calculating, and always in command persona rings clear, and Swan and Ziuko lay it on thick with busy visuals that are appealing to the eye. I wonder, though, did Swan even know who Darkseid is? I almost wonder if Carlin didn't gently suggest putting Darkseid behind all of this because the story was growing dull, and Darkseid was a villain everyone loved. After all, "The Earth Stealers," a similar story pencilled (and presumably co-authored) by Swan only a short while earlier, puts a random group of aliens at the center of all that's happening. I could easily see that as having been the original premise here as well. Best line from the chapter: |
|
|
|
Post by dupersuper on Feb 5, 2015 19:49:22 GMT -5
I wonder, though, did Swan even know who Darkseid is? I almost wonder if Carlin didn't gently suggest putting Darkseid behind all of this because the story was growing dull, and Darkseid was a villain everyone loved. After all, "The Earth Stealers," a similar plot also written by Swan only a short while earlier Wasn't Earth Stealers written by Byrne? Also, I'm not sure how it's similar... |
|
shaxper
CCF Site Custodian
Posts: 22,871
|
Post by shaxper on Feb 6, 2015 5:57:10 GMT -5
I wonder, though, did Swan even know who Darkseid is? I almost wonder if Carlin didn't gently suggest putting Darkseid behind all of this because the story was growing dull, and Darkseid was a villain everyone loved. After all, "The Earth Stealers," a similar plot also written by Swan only a short while earlier Wasn't Earth Stealers written by Byrne? "written by" was not the term I meant. It should have read "co-authored by". Byrne claims that he wrote The Earth Stealers for Curt, but I rarely take him for his word. I've always assumed the basic plot was a collaborative effort, as I'm similarly assuming with the ACW serial. I have no basis for this beyond assuming a legend like Swan would like some input on what he would be drawing and would, therefore, get it. Havoc breaks out on Earth and the source of it is aliens. Nothing more complex than that. |
|
shaxper
CCF Site Custodian
Posts: 22,871
|
Post by shaxper on Feb 12, 2015 8:08:36 GMT -5
Adventures of Superman #454  "Wayfarer" writer/pencils/inks: Jerry Ordway letters: Albert De Guzman colors: Glenn Whitmore editor: Mike Carlin grade: B- After far too many filler stories, it's finally beginning to feel like the Superman franchise is getting back on track, nearly a full year after Byrne's departure. Carlin and Ordway are back to meticulous long term planning that's clear here, both in the number of references made to past events and ongoing B plots, and in the letter page, which takes an entire column to spell out what's occurring in each of the next three upcoming Superman publications, as well as what order they should be read in. However, we're still light on plot at this point, as little more happens than Superman being taken against his will to Warworld where he will be made to fight to the death in Action Comics Annual #2. I suppose the great balancing act to be found in creating a storyline with such a sense of continuity and multiple stories in play -- essentially a soap opera -- is between keeping all the B plots moving forward while also nurturing a compelling A plot at the same time. That's where Ordway is struggling right now, but I think he's also building to a lot of interesting things. Perhaps it will all come together with Superman's battle on Warworld, hopefully followed by the resolution of a number of other interesting stories that have been brewing on the back burner, namely: -Brainiac still being under Luthor's control -Morgan Edge continuing to run Intergang and seeking out Clark Kent - Cat Grant's imminent self destruction and destined-to-be-tragic romance with Morgan Edge. It's been heavily foreshadowed that something bad is going to happen to her son. - Amanda McCoy's knowledge that Clark Kent is Superman and her inevitable run-in with the law - Matrix running around looking like Clark Kent Meanwhile, though I'm impressed that Ordway wrote, pencilled, AND inked this issue (the inking gets awkward a few times, making Maggie Sawyers and Amanda McCoy look oddly mannish in certain places, but it's excellent otherwise), the letter column explains that he's working on the adaptation of the 1989 Batman film, and thus will only be scripting for the next few issues. Important Details: 1st "appearance" of unknown telepath narrating the story (whom we don't actually see). 1st Post-Crisis appearance of Mongul and Warworld 2nd appearance of Bibbo (Bibbowski), last seen in Adventures #428. Minor Details: - LOVE the return of Bibbo, as well as the fact that he's avenging crime in a shirt that says "Superman's Pal," clearly homaging the old Jimmy Olson title and font. plot synopsis in one sentence: Superman awakens on a prisoner transport, proves his strength while fighting off other prisoners, and is thus selected to compete in "the games," Amanda McCoy anonymously informs the cops that the man killed in Clark Kent's apartment wasn't him, Matrix goes to Metropolis looking like Clark Kent, takes off her glasses, and causes Bibbo Bibbowski to report that Superman is back, and Superman is sent to Warworld where he is presented to Mongul. "Hostile Takeover, Part III" writer: Roger Stern (?) pencils: Dan Jurgens (?) inks: Dennis Janke (?) letters: Albert DeGuzman (?) colors: Glenn Whitmore (?) editor: Mike Carlin grade: C- Luthor fools everyone and makes a profit. That's pretty much it. Nothing particularly brilliant nor exciting about it, and Luthor's remarks at the end even suggest that he didn't find it that thrilling either: So this is pretty much day-in-the-life Lex stuff, and I'm convinced another writer could script a far more fascinating story depicting a single day at Lexcorp to give us a similar but superior perspective. This was just...dull. No one reads Superman to revel in Wallstreet drama, especially when the solution wasn't a particularly brilliant one and, in the real world, would have been caught pretty quickly by the Securities and Exchange Commission. plot synopsis: Luthor did it all so that an employee he appeared to have fired could buy stock in STARR labs before he announced he wanted to buy it and then sell the stocks before he announced he wasn't going to buy after all; Morgan Edge loses millions from the stunt. |
|
shaxper
CCF Site Custodian
Posts: 22,871
|
Post by shaxper on Feb 13, 2015 22:32:51 GMT -5
Action Comics Weekly #638  Cover by Jack Kirby and Terry Austin, in homage to Kirby's cover for the original Demon #1. I wonder if Kirby read any of Grant's take on the character and, if so, what his thoughts were. Three issues of the great experiment remaining, and Mike Golden prints a letter in this issue outright calling that experiment a failure. Golden prints this so that he can take the opportunity to respond, admitting that there were missteps, but still trying to paint the whole thing as a success. I still doubt his claims that ACW remained one of the top 20 best selling DC titles and that their only reason for stopping it was the strain on the editors. Really, in hindsight, does anyone have fond memories of this run beyond Secret Six? Speaking of which, we're at a point where I'm pretty much skipping all of these features. Speedy, Hero Hotline, and Wild Dog are all irredeemably terrible. I did read The Demon and still feel it's well done but poorly matched with the serial format, as each installment is just a repeat of Jason Blood being placed in a situation where he must reluctantly call forth Etrigan to protect him. It's gotten monotonous in only three short installments. Finally, Phantom Lady outright offends me, as it tries to pass itself off as somehow feminist, and yet clearly that's not the selling point they're emphasizing to draw readers to the feature:  The whole thing's just in really bad taste. And then there was Superman... "The Power Within" writer: Roger Stern pencils: Curt Swan inks: Murphy Anderson letters: Bill Oakley colors: Tom Ziuko editor: Mike Carlin with special thanks to Tom Peyer grade: C+ Oh, did you think this story was finally starting to go somewhere interesting? Sorry, that didn't happen. After only sticking around for two chapters, Darkseid pretty much just walks off. No climactic struggle. He's just done with it all. And I think the series just ended(?). I really can't tell. Seems like the story's done, with all the loose ends tied up and Superman flying away after dropping some knowledge, but don't we have two regular ACW issues left (one with Superman on the cover)? I suppose there are some positives to this installment: Superman is pretty much humiliated in front of his followers but finds the strength to get up and encourage them to stop believing in deities and, instead, believe in themselves. Could have been a powerful (and, perhaps, shocking) moment, but I was too busy wondering what in the world happened to the climax of this story to get too into it. plot synopsis in one sentence: Darkseid pretty much humiliates Superman in front of his followers and then walks off via boom tube, Superman's followers reassure him that they still believe, Superman lectures them to believe, instead, in themselves, and he flies off a hero once again. |
|
|
|
Post by badwolf on Feb 14, 2015 11:35:05 GMT -5
Who's drawing that Phantom Lady feature? Not crazy about the face, but I kinda like the rest.
|
|
|
|
Post by foxley on Feb 14, 2015 18:16:23 GMT -5
Who's drawing that Phantom Lady feature? Not crazy about the face, but I kinda like the rest. Chuck Austen was doing the pencils on Phantom Lady. |
|
shaxper
CCF Site Custodian
Posts: 22,871
|
Post by shaxper on Feb 28, 2015 22:09:51 GMT -5
Action Comics Annual #2  "Memories of Krypton's Past" writers: Jerry Ordway, George Perez, Roger Stern pencils: Jerry Ordway, Mike Mignola, Curt Swan inks: John Statema, George Perez, Brett Breeding letters: Bill Oakley colors: Glenn Whitmore asst. editor: Renee Witterstaetter editor: Mike Carlin Superman created by Jerry Siegel and Joe Shuster grade: C Though this was clearly set up to be the launch of something big -- with all three of the creative teams that were now assuming control of the Superman titles working together on one book, as well as the addition of Mike Mignola and Curt Swan -- it's really nothing special. Superman does some fighting on Warworld (but still has to take on Mongol) and a completely unnecessary addition is made to Krypton's already overly complex and yet completely underwhelming post-Crisis history. Essentially, now Cleric, an alien missionary, set down on Krypton 100,000 years prior to World of Krypton #1 and inadvertently set into motion everything that happened in that series. He also took Krypton's most destructive secret weapon for fear that Krypton was not mature enough to handle it responsibly. I just don't care about the Post-Crisis Krypton. It was a terrible backstory, and this latest contribution doesn't add much to it. However, I do like that Mignola remains the only penciler to touch Post-Crisis Krypton. Anytime it gets revisited, they bring him back. Important Details: - Cleric's visit to Krypton in approximately 190000 BC triggered the events of World of Krypton - There is some inexplicable similarity between the weapon Cleric took away from the Kryptonians and Superman's birth Matrix - Kal-El was the first Kryptonian born with a corrected genetic sequence after an error in the cloning process had caused all other Kryptonians to be unable to leave the planet without suddenly dying. Yet one more means of ensuring that we wouldn't be seeing a bottle city of Kandor, nor a menagerie of Super Pets, showing up in the Post-Crisis. - In the back of the issue, Perez explains that, starting next month, each Superman title will have a separate focus: * Superman (by Ordway) focusing on Superman as a superhero, fighting for truth, justice, and the American Way * Adventures of Superman (written by Perez and Jurgens, art by Thibert) focusing on Clark Kent and the Daily Planet * Action Comics (layouts by Perez, script by Stern, art by Breeding) focusing on Superman's Kryptonian origins The foci seem too narrow and will necessarily need to expand and evolve. Additionally, seems that Roger Stern is being phased out at this point and that Perez is taking on the lion's share of the creative direction for the franchise. Minor Details: - "Cleric" seems at least partially inspired by "Priest" from James Owsley's Green Lantern serial in Action Comics - While a big part of the 1989 annuals was the Who's Who entries, we only get two here, and they are for Cat Grant and Matrix. Pretty underwhelming. plot synopsis in one sentence: Superman fights in Mongul's arena while Cleric invades his mind and gives him memories of Cleric's visit to Krypton. 48 pages to cover that. |
|
shaxper
CCF Site Custodian
Posts: 22,871
|
Post by shaxper on Feb 28, 2015 22:14:31 GMT -5
|
|
|
|
Post by Pharozonk on Feb 28, 2015 22:15:23 GMT -5
Who's drawing that Phantom Lady feature? Not crazy about the face, but I kinda like the rest. Chuck Austen was doing the pencils on Phantom Lady. THE Chuck Austen?  |
|
|
|
Post by foxley on Feb 28, 2015 23:56:56 GMT -5
Chuck Austen was doing the pencils on Phantom Lady. THE Chuck Austen? Yep. THE Chuck Austen. But he was only doing the art, not writing. |
|
|
|
Post by lexrules on Mar 13, 2015 11:42:17 GMT -5
Very happy see a board like this.
Looking forward to the discussions.
|
|
